scholarly journals Ego trip

2017 ◽  
Author(s):  
◽  
Nabil El Jaouhari
Keyword(s):  
Queer Theory ◽  
Art History ◽  
Visual Language ◽  
Social Construct ◽  
Cultural Assumptions ◽  
Gender Binary ◽  
The Social ◽  
History Of ◽  
The Subject ◽  
And Gender

My exhibition, entitled Ego Trip, was an attempt to explore the concepts of biological destiny, productivity, and gender roles through the lens of feminist and queer theory. This lens was focused on the myth of Narcissus, revealing commonly held cultural assumptions with masculinity and flowers. The work was important to make because I was trying to question my sexuality through questioning the way that I am perceived through a cultural lens. It wasn't celebratory; it was perhaps a stepping-stone toward understanding my own position in society. The work was also important to make as a commentary on the associations of materials and representations and motifs to gender. One should care about it because everyone has to live with and within the social construct of a gender binary. I wanted to explore my own gender or my own orientation through this binary, and I was trying to find the natural in art. The familiarity of these representations allures the viewer, but also prompts the viewer to question those familiar associations. The work has a beautiful, seductive quality to it but at the same time blurs the boundary between masculine and feminine and illuminates how fragile these constructs really are. I learned a lot of technical aspects when it comes to constructing a room or an installation. I learned how to take an idea or a concept and try to push yourself as hard as possible to actually create a link between the myth and a contemporary representation. I leaned on the history of art (e.g. Caravaggio, 16th century floral painting) and contemporary installation art and married them together to create this installation that not only has all of these different stops on this timeline but also has all of these materials, which I also learned to marry to each other. I learned about the placement in the gallery and how a person should navigate around this space. I would love to find this way into art borrowing these aesthetics from art history and molding them into something contemporary. I learned how to marry material and concept, and how to use the preexisting associations of the material itself to start to say something more. How do you force a placement or an assembly in order to force it to say something more or less about the idea? Material starts to talk to concept; there is a lot of material that is associated directly with what I'm trying to say (e.g. wallpaper). There is also the idea of construction and maybe random associations of different representations of work. Different representations on the level of manifestation and on the level of material itself, the same idea morphs into more than one representation. In the myth of Narcissus and Echo I found a threshold to mirror what I was trying to say. Because of the flower and the floral aspect there was a link between Narcissus and the decorative, and the story supplied the visual language that inspired the idea of these display rooms. That visual language came from the subject matter and took different forms, morphing into more than one kind of display because of the different materials I used, which mirrored different aspects of the concept.

scholarly journals Introduction: Some ponderings on the use of the law in the writing of histories

2001 ◽  
Vol 16 (2) ◽  
pp. 169-175
Author(s):  
NIMROD HURVITZ ◽  
EDWARD FRAM
Keyword(s):  
Legal Doctrine ◽  
Legal Cases ◽  
Legal Documents ◽  
Historical Significance ◽  
Partial Reconstruction ◽  
The Social ◽  
The Hours ◽  
History Of ◽  
The Subject ◽  
The Law

Professional jurists are often inquisitive about the subject matter of their calling and in the course of their careers may well develop fascinating insights into the law and those who interpret it. Their employers, however, be they governments, corporations, firms, or private clients, rarely show similar enthusiasm for such insights unless the hours spent pondering the social or historical significance of this or that legal view have a contemporary value that justifies the lawyer's fee.Thankfully, other members of society are rewarded for mining the legal records of the past. For legal historians, the search often focuses on the changing legal ideas and how legal doctrine develops over time to meet the changing needs of societies. Yet because the law generally deals with concrete matters – again, because jurists are paid by people who are unlikely to remunerate those who simply while away their hours making up legal cases – it offers a reservoir of information that can be used, albeit with caution, in fields other than just the history of the law.A partial reconstruction of the law of any given time and place is among the more obvious historical uses of legal documents but statutes, practical decisions, and even theoretical texts can be used to advance other forms of the historical endeavour. Legal works often reflect the values both of jurists and society-at-large, for while the law creates social values it is not immune to changes in these very values.

Who's Talking/Who's Talking Back? The Subject of Personal NarrativeTelling Lies in Modern American Autobiography. Timothy Dow AdamsJessie Bernard: The Making of a Feminist. Robert C. BannisterRevealing Lives: Autobiography, Biography, and Gender. Susan Groag Bell , Marilyn YalomSadie Brower Neakok: An Inupiaq Woman. Margaret B. BlackmanBlack Women Writing Autobiography. Joanne M. BraxtonWinged Words: American Indian Writers Speak. Laura ColtelliCrested Kimono: Power and Love in the Japanese Business Family. Matthews Masayuki HamabataThanks to God and the Revolution: The Oral History of a Nicaraguan Family. Dianne Walta HartDorothy Healey Remembers: A Life in the American Communist Party. Dorothy Healey , Maurice IssermanAutobiographical Tightropes: Simone de Beauvoir, Nathalie Sarraute, Marguerite Duras, Monique Wittig and Maryse Conde. Leah D. HewittLife Stories of the Nicaraguan Revolution. Denis Lynn Daly HeyckTish Sommers, Activist, and the Founding of the Older Women's League. Patricia HuckleAll Sides of the Subject: Women and Biography. Teresa IlesAutobiographical Voices: Race, Gender, Self-Portraiture. Françoise LionnetBoomer: Railroad Memoirs. Linda NiemannChildhood, Culture and Class in Britain: Margaret McMillan, 1860-1931. Carolyn SteedmanKate Chopin. Emily Toth

Signs ◽  
1993 ◽  
Vol 18 (2) ◽  
pp. 392-407 ◽  
Author(s):  
Sidonie Smith
Keyword(s):  
Oral History ◽  
Marguerite Duras ◽  
Nathalie Sarraute ◽  
Simone De Beauvoir ◽  
Monique Wittig ◽  
History Of ◽  
The Subject ◽  
And Gender ◽  
Nicaraguan Revolution ◽  
Business Family

scholarly journals “Das Bild hat einigen historischen Werth und deshalb wird es vielleicht ausgestellt …“ Zum Ausstellungsdebüt Julie Hagens in München: Das Porträt des Freundes und Mentors Moritz Rugendas

2016 ◽  
Vol 12 ◽  
pp. 29
Author(s):  
Christin Conrad
Keyword(s):  
Art History ◽  
Source Material ◽  
The Social ◽  
Educational Situation ◽  
History Of ◽  
Close Cooperation ◽  
Art Community ◽  
Unique Source ◽  
Artistic Career ◽  
Insight Into

The article deals with an encounter between Julie Hagen Schwarz, a Baltic German artist (1824–1902), and the Ausburg artist Moritz Rugendas (1802–1858), which was of great importance for the former, while she was studying in Munich around 1850. It also deals with the first presentation of her work in the Munich artist community, which resulted from cooperation with and promotion by Rugendas. Special attention is paid to the history of Hagen’s “Portrait of Moritz Rugendas in Brasilian Costume”, which originated from the artist’s close cooperation with the master Rugendas. Its presentation in the Munich and Augsburg Art Associations (Kunstverein) in October 1849 and May 1850 and the effect this had on the artistic career of Julie Hagen is examined. From this moment on, her works were discussed by colleagues and important personalities. She received many portrait commissions and her works were shown at several exhibitions in Munich and Augsburg. A discussion on the whereabouts of the still lost original painting and the provenance and authorship of a smaller copy in the collection of the Kadriorg Museum in Tallinn, which until now was identified as a “Self-Portrait” by Moritz Rugendas, follows. The attribution and the provenance of the preserved work from the Liphart collection are considered, along with the source texts, which suggest that Julie Hagen was the author and a correction of the attribution is in order.The collected findings published here were developed from the preserved letters of Julie Hagen, which, as rich and unique source material, show the artistic career of the painter. As a representative of her generation of female artists, it also provides an insight into the social context and educational situation of ambitious female painters around 1850. In connection with the correct attribution, the art-history investigation and positioning of the artist in the art community, it is hoped that the uncertainty that currently exists when evaluating the artistic performance of female painters and the low status assigned to them in exhibitions and the acquisition policy of museums will give way to growing interest, understanding and greater recognition.

scholarly journals El pacifismo-antimilitarismo en España desde el siglo XIX hasta la Guerra Civil: los «efectos desplazamiento»

2019 ◽  
Vol 12 (1) ◽  
Author(s):  
Juli Antoni Aguado Hernández
Keyword(s):  
Social Imaginary ◽  
La Paz ◽  
Democratic Principle ◽  
The Social ◽  
Nonviolent Resistance ◽  
History Of ◽  
The Subject ◽  
Siglo Xix ◽  
Sociedad Civil ◽  
The 19Th Century

La historia del antimilitarismo en el Estado español es, en gran medida, desconocida. El presente trabajo pretende subsanar parcialmente esta carencia mediante la compilación de la literatura y las fuentes existentes sobre la materia, parciales o basadas en períodos específicos, exponiendo estas resistencias desde el pacifismo inicial del siglo XIX hasta el final de la Guerra Civil. Esta labor se realiza desde la confluencia entre la historia y la sociología, insertando estas movilizaciones en los conflictos y los movimientos internacionales, mostrando cómo se influyen mutuamente, así como la convergencia entre el feminismo y el antimilitarismo. Asimismo, se constata cómo la defensa de la paz o la resistencia al servicio de armas y la militarización social sólo pueden ser movilizadas cuándo la narrativa del sometimiento puede ser percibida como opresión, al imponerse el principio democrático de libertad e igualdad en el imaginario social (tesis de los efectos de desplazamiento). De forma paralela, se evidencia cómo el antimilitarismo proporciona el espacio para la emergencia de nuevos conocimientos y prácticas de resistencia noviolentas (tesis de los movimientos como laboratorios de la sociedad civil), extendiendo la concepción prevaleciente del derecho.The history of antimilitarism in the Spanish State is largely unknown. The present work intends to complete particularly this lack by compiling literature and existing sources on the subject, partial or based on specific periods, exposing these resistances from the initial pacifism of the 19th century until the end of the Civil war. This work is carried out from the confluence between history and sociology, inserting these mobilizations in conflicts and international movements, and showing how they influence each other, as well as the convergence between feminism and antimilitarism.Furthermore, it can be seen how the defense of peace or resistance to arms service and social militarization can only be mobilized when the narrative of subjugation can be perceived as oppression by imposing the democratic principle of freedom and equality in the social imaginary (thesis of the displacement effects). Similarly, it is evident how antimilitarism provides the space for the emergence of new knowledge and practices of nonviolent resistance (thesis of movements as laboratories of civil society) extending the prevailing conception of right.

Tell me your story about the Chilean dictatorship: When doing memory is taking positions

2018 ◽  
Vol 13 (4) ◽  
pp. 601-616 ◽  
Author(s):  
Marcela Cornejo ◽  
Carolina Rocha ◽  
Nicolás Villarroel ◽  
Enzo Cáceres ◽  
Anastassia Vivanco
Keyword(s):  
Social History ◽  
Life Stories ◽  
Political Repression ◽  
Diverse Range ◽  
The Social ◽  
Political Orientations ◽  
History Of ◽  
The Subject ◽  
Chilean Dictatorship ◽  
The Right

The current memory struggles about the Chilean dictatorship makes it increasingly relevant to hear a diverse range of voices on the subject. One way of addressing this is to study autobiographical narratives, in which people construct a character to present themselves as the protagonists of a story by taking multiple positions regarding what is remembered. This article presents a study that analyzed the life stories of Chilean people (diverse in their generations, cities, experiences of political repression, political orientations and socio-economic levels) and that distinguished between the positions that they take when presenting themselves as the protagonists of an autobiographical story about the Chilean dictatorship. The results point to salient and recurrent positions that allow people to earn the right to be considered part of the social history of the dictatorship, that involve different definitions regarding those responsible and the victims of what happened, and that unveil a strong family and filial logic of remembering.

Social History in Greece: New Perspectives

2008 ◽  
Vol 34-35 (1-2) ◽  
pp. 101-130
Author(s):  
Yannis Yannitsiotis
Keyword(s):  
Social History ◽  
Political System ◽  
Human Experience ◽  
Recent Period ◽  
Class A ◽  
Economic Phenomenon ◽  
The Social ◽  
History Of ◽  
Greek Historiography ◽  
And Gender

This article focuses on the evolution of Greek historiography since the 1970s, with an emphasis on issues of class and gender. It is argued that, in the last decades, Greek historiography has been liberated from traditional nationalistic narratives in favor of new intellectual perspectives dealing with social history and the history of “society.” During the 1970s and 1980s, the concept of class—a fundamental concern of social history in European historiography—did not find much room in Greek historiography. Debates about the socioeconomic and political system in modern Greece focused on the importance of immobile political and economic structures as main barriers to modernization and Europeanization. The 1990s were marked by the renewal of the study of the “social,” articulated around two main methodological and theoretical axes, signaling the shift from structures to agency. The first was the conceptualization of class as both a cultural and economic phenomenon. The second was the introduction of gender. The recent period is characterized by the proliferation of studies that conceptualize the “social” through the notion of culture, evoking the historical construction of human experience and talking about the unstable, malleable, and ever changing content of human identities. Cultural historians examine class, gender, ethnicity, and race in their interrelation and treat these layers of identity as processes in the making and not as coherent and consolidated systems of reference.

Materials for the Study of Labor and Working Class History in Italy

1972 ◽  
Vol 2 ◽  
pp. 16-19
Author(s):  
Kenneth Kirkland
Keyword(s):  
Intellectual History ◽  
Social History ◽  
Social Scientist ◽  
Labor History ◽  
The Political ◽  
Starting Point ◽  
The Social ◽  
Working Class History ◽  
History Of ◽  
The Subject

The subject suggested in the title is so broad as to make it rather difficult to decide what boundaries to draw around the study of various resources available to the historian or other social scientist who sets out to study labor history, the social history of Italian workers and peasants, and the political and intellectual history of socialism and other radical movements. Keeping in mind that the following discussion is not intended to be exhaustive, but rather an indication of the necessary starting point to begin an investigation is probably the best way to understand this note.

Introduction

2018 ◽  
Author(s):  
Rosemary L. Hopcroft
Keyword(s):  
Social Sciences ◽  
Cultural Evolution ◽  
Ethnic Relations ◽  
Sex And Gender ◽  
Race And Ethnic Relations ◽  
The Third ◽  
The Social ◽  
The Family ◽  
History Of ◽  
And Gender

This chapter provides an overview of The Oxford Handbook of Evolution, Biology, and Society. Chapters in the first part of this book address the history of the use of method and theory from biology in the social sciences; the second part includes chapters on evolutionary approaches to social psychology; the third part includes chapters describing research on the interaction of genes (and other biochemicals such as hormones) and environmental contexts on a variety of outcomes of sociological interest; and the fourth part includes chapters that apply evolutionary theory to areas of traditional concern to sociologists—including the family, fertility, sex and gender, religion, crime, and race and ethnic relations. The last part of the book presents two chapters on cultural evolution.

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