scholarly journals The Transformative Experience Of Drama And Performance Art With Survivors Of Gender-Based Violence

2021 ◽  
Author(s):  
Crozier, Michelle Leigh

<div>This qualitative research study strives to understand the transformative process of drama and performance art through the lived experiences of survivors of gender-based violence. In-person interviews explore the narratives of three survivors that have accessed drama and performance art in a variety of settings such as community theatres, educational institutions, and online forums such as YouTube. This interpretive phenomenological methodology is grounded in an Anti-Oppressive, intersectional transfeminist theoretical framework. The research explores the following question: What is the unique experience of drama and performance art when accessed by survivors of gender-based violence? This research offers an opportunity to hear from survivors about the potential of drama and performance art to facilitate healing and connection to community, while allowing survivors to understand their trauma. The intended outcome of this research project will be an empathetic understanding into the unique experience of drama and</div><div>performance art when conducted with survivors of gender-based violence. The primary purpose of this research is to provide additional knowledge into the potential of drama and performance art in the field of Anti-Oppressive Social Work Practice, specifically when supporting survivors and resisting gender-based violence.</div>

2021 ◽  
Author(s):  
Crozier, Michelle Leigh

<div>This qualitative research study strives to understand the transformative process of drama and performance art through the lived experiences of survivors of gender-based violence. In-person interviews explore the narratives of three survivors that have accessed drama and performance art in a variety of settings such as community theatres, educational institutions, and online forums such as YouTube. This interpretive phenomenological methodology is grounded in an Anti-Oppressive, intersectional transfeminist theoretical framework. The research explores the following question: What is the unique experience of drama and performance art when accessed by survivors of gender-based violence? This research offers an opportunity to hear from survivors about the potential of drama and performance art to facilitate healing and connection to community, while allowing survivors to understand their trauma. The intended outcome of this research project will be an empathetic understanding into the unique experience of drama and</div><div>performance art when conducted with survivors of gender-based violence. The primary purpose of this research is to provide additional knowledge into the potential of drama and performance art in the field of Anti-Oppressive Social Work Practice, specifically when supporting survivors and resisting gender-based violence.</div>


2015 ◽  
Vol 3 (2) ◽  
pp. 245-260 ◽  
Author(s):  
Stan Houston

This article sets out a framework to structure reflexivity in social work practice. It comprises five domains that impact on the individual and social life, namely (a) psychobiography – referring to a person's unique experience throughout the lifecourse; (b) situated activity – highlighting the impact of everyday social interaction; (c) social settings – addressing the role of organisations in social life; (d) culture – covering the influence of attitudes, beliefs, tastes and ideas on symbolic meaning; and (e) politico-economy – alluding to the ramifications of political and economic forces on people's lives. It is contended that power circulates throughout each domain as an enabling and constraining force. The article then outlines a process for using the reflexive framework in 'enabling' activities such as practice learning, supervision, mentoring and coaching. By applying the framework in these contexts, it is argued that social workers can reflect critically on their role and develop emancipatory forms of practice.


2020 ◽  
Vol 30 (5) ◽  
pp. 515-523
Author(s):  
Andrea Fleckinger

The article describes the main results from a qualitative research project, which analyzes the relations between mothers exposed to gender-based violence and child protection social workers, looking at the risk of secondary victimization. The issue emerged from 10 years’ experience as a social worker at a women’s shelter where I was required several times to mediate the difficult relationship between child protection social worker and mother. The starting point was a preliminary field research with peers (staff members of women’s shelters) and women who had been blamed for the violence by their child protection social worker. These results formed the basis for the interviews held with child protection social workers. The analysis shows how victim–offender dynamics might also influence social work practices and illustrate the connections between dynamics of secondary victimization and the expectations regarding mothers and victims. Furthermore, some positive examples of support emerged which could be used as a basis for developing targeted methods for social work practice.


10.18060/88 ◽  
2005 ◽  
Vol 6 (1) ◽  
pp. 156-166 ◽  
Author(s):  
Jacquelyn McCroskey

Child welfare has been a volatile and dynamic field of social work practice where policy and practice are continually shaped by attitudes, perceptions and expectations. New developments likely to shift the current balance in the field of child welfare over the next quarter century include: focus on results and performance measures, focus on child and family well-being, and increasing attention to evidence based practice.


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