scholarly journals A Lost Lady: A Narrative of Manifest Destiny and Neocolonialism

2020 ◽  
Vol 6 (1) ◽  
pp. 111-126
Author(s):  
Ammar Aqeeli

The greatly examined story of A Lost Lady usually depicts Mrs. Forrester’s success in meeting and adapting to the challenges of a changing world, a world characterized by materialism and self-fulfilment. However, the overlooked story, one far more disturbing than the privileged story in the text, is the narrative of oppressed groups of people of other races and the lower class. Drawing on some aspects of postcolonial theory, this paper explores Willa Cather’s own reactions to real changes in her society, to the waning power of imperialism, and of her nostalgic longing for the western prairies of her youth, without showing any sympathy for the dispossessed Native Americans and other oppressed races. It will also disclose the unmistakable colonial overtones, which remarkably resonate with the common discourse of “Manifest Destiny” during the time period of American expansion to the Wild West.

Author(s):  
Raza Mir

Purpose The purpose of this paper is to argue that rather than contest the artificial schism produced by social scientists between “qualitative” and “quantitative” research, we should to accept this binary, however, contingently, and use it productively. This would be an act of “strategic essentialism” that would allow us to be productive in the research and inquiry. Design/methodology/approach The paper uses postcolonial theory to make a case for contingent representation, i.e. using artificial categories to carve out a space for heterodox theoretical approaches. Findings Researchers devoted to qualitative research must resist thinking, speaking and evaluating that research using quantitative thinking. Also, while ethical considerations are paramount in qualitative research, we need to debunk the narrow understanding of ethics as “following rules.” Also, qualitative researchers need to be aware of the institutional pulls that the research will be subject to, and also be ready to resist them. Originality/value This paper discusses how good research resists the siren call of institutionalization. It challenges the “common sense” assumptions of the field and brings them into the realm of the questionable. It seeks to theorize the untheorizable, and anthropologize the dominant.


2021 ◽  
Vol 81 (319) ◽  
pp. 37
Author(s):  
Dulce Albarrán Macías ◽  
Pablo Mejía Reyes ◽  
Francisco López Herrera

<p>El objetivo de este documento es analizar la sincronización de los ciclos económicos de México y Estados Unidos durante el periodo 1981-2017 mediante la estimación de un coeficiente de correlación condicional dinámica que permite tener una estimación para cada periodo de tiempo. Los resultados, obtenidos a partir de distintos indicadores de producción y métodos de eliminación de tendencia, muestran un aumento desde la apertura de la economía mexicana a mediados de la década de 1980, especialmente durante las recesiones de 2001-2002 y 2008-2009 y también una serie de descensos aislados, explicados por diferencias en los ritmos de crecimiento de ambas economías, y una declinación sostenida en la fase pos-Gran Recesión que se explica principalmente por reducciones en el comercio exterior.</p><p> </p><p align="center">SYNCHRONIZATION OF THE BUSINESS CYCLES OF MEXICO AND THE UNITED STATES: A DYNAMIC CORRELATION APPROACH</p><p align="center"><strong>ABSTRACT</strong></p><p>The objective of this paper is to analyze the business cycle synchronization of Mexico and the United States over the period 1981-2017 by estimating a dynamic conditional correlation coefficient that allows us to have an estimate for each time period. The results, obtained from different production indicators and different de-trending methods, show an increase in this synchronization after the opening of the Mexican economy in the mid-eighties, especially during the common recessions of 2001-2002 and 2008-2009, and some isolated drops explained by differences in the growth rates of both economies as well as a sustained decline in the post-Great Recession phase resulting from the decline of international trade.</p>


Author(s):  
Alessia Vignoli

The notion of ‘disaster’ pervades the Caribbean thought. The common origin of the Caribbean region, the European colonization, caused two disasters: the extermination of Native Americans and the deportation of African slaves. The union between nature and the oppressed people against the oppressor resulted in the creation of an environmental conscience that the Caribbean literature has often expressed. This essay will investigate the common points shared by some Haitian, Martinican and Guadeloupean authors in the writing of natural hazards. It will show that, despite the diversity that marks the Caribbean, there is a repetition of common features that proves its geopoetic unity.


2021 ◽  
Author(s):  
◽  
Grace Campbell Russell

<p>This dissertation is concerned with the ways in which photographs are discursively deployed and used in the writing of history. More specifically, it will consider how photos, and the historical, scientific, ethnographic and romantic discourses surrounding them, are used to erase or ‘make safe’ the traces of the radical resistances of dominated groups within colonial frameworks. The case explored here concerns the tintype photograph claimed as being of the Lakota chief and warrior Crazy Horse (c.1840-1877). Exhibited by the Custer Battlefield Museum in Montana, the claim that this photograph is of Crazy Horse is controversial. It is generally thought that no visual likeness of Crazy Horse exists; and his refusal to be photographed can be read as a practice of opposition to his assimilation into colonial narratives and accounts of American frontier history. In claiming the photo to be of Crazy Horse, the history of his resistance is rewritten and repositioned. This changes the way he becomes knowable and understandable within the contexts of (neo)colonial discourses and narratives, in which Native Americans are often relegated to the past, and appear either as casualties of the policies of Manifest Destiny, or as a romantic other which has been symbolically integrated into American mythic culture. This dissertation focuses on how the claim that this photograph is of Crazy Horse is made, and how the various associated cultural fields (photography, historiography, museology) are affected by, and play into, such a claim. This involves identifying the discursive processes and disciplinary mechanisms through which meaning is produced in relation to a particular cultural object. It considers the supposed photograph of Crazy Horse as an example of how history assigns significance to objects “in terms of the possibilities they generate for producing or transforming reality” (de Certeau, 1986:202), rather than as representations or reflections of reality.</p>


1986 ◽  
Vol 8 (3) ◽  
pp. 149-163 ◽  
Author(s):  
Daniel M. Landers ◽  
Stephen H. Boutcher ◽  
Min Q. Wang

In the past 7 years JSP has evolved to become a respected sport psychology journal. The journal has been uncompromising in the strong research posture it has taken. It is currently the only journal entirely devoted to sport psychology that uses a single set of criteria for evaluating the scientific merit of submitted manuscripts. Over this time period the submitted manuscripts have shown an increase in the number of female principal authors as well as authors being affiliated with departments other than physical education. Survey studies were the most common submittals, but lately there has been a greater emphasis in field experimental studies. Some potential problem areas are noted in subject selection and choice of statistical tests. An examination of research areas revealed that in recent years "motivation" was the most frequently submitted topic. It appeared that other research areas varied in terms of their publishability. The common methodological problems associated with rejection of these types of manuscripts are discussed.


Author(s):  
Adrienne Akins Warfield

This chapter compares Welty’s “Where Is the Voice Coming From?” with Bob Dylan’s “Only a Pawn in Their Game,” exploring the relationship between class, racist violence, and regional identity through examining the common assumptions both artists shared about Medgar Evers’ murderer and his motivations. The essay argues that class anxiety manifests itself both in acts of racist violence like Beckwith’s and in artistic conceptualizations of such violence as the exclusive domain of the white Southern underclass. The chapter also analyzes the ways in which the revisions that Welty made to the story after Beckwith’s arrest were connected to the class status, Southern identity, and racial consciousness of the killer. The resemblances between Dylan’s and Welty’s responses to the Evers murder show that the tendency to associate racist violence with the economic resentments of lower-class whites is evidenced among both Northern “outsiders” and Southern “insiders.”


2019 ◽  
Vol 41 (1) ◽  
pp. 51-63 ◽  
Author(s):  
Tsim D. Schneider

Conventional accounts of missionary and settler colonialism in California have overemphasized the loss experienced by Native Americans. For indigenous Coast Miwok and Southern Pomo people of the San Francisco Bay Area, a story of loss contrasts sharply with their casino—a symbol of prosperity—established in 2013. Each narrative is anchored to highly visible places that commemorate either loss or success. These places, examined here using two case studies, also conceal an important “heritage in-between”—that is, the critical time period, spaces, and things that reflect native resilience and transformation—that might serve to better contextualize both narrative projects.


Jockomo ◽  
2019 ◽  
pp. 53-74
Author(s):  
Shane Lief ◽  
John McCusker

While based on local families expressing their blended Native and African legacies, the development of the Mardi Gras Indian cultural system was also shaped by the stereotyped notion of the “American Indian.” Throughout the nineteenth century, as the United States expanded westward across the continent, theatrical and musical productions increasingly incorporated stereotypes of Native Americans, sometimes appearing in Wild West shows. This fell within a larger pattern of minstrelsy, a form of entertainment based on ethnic caricatures especially popular at that time. This chapter examines how minstrelsy, including the Wild West shows, influenced local enactments of “Indianness” in New Orleans. Conventional historiography has often seen the Wild West shows as the point of origin for Mardi Gras Indian traditions. This historical axiom is dispelled, however, and the nineteenth century entertainment industry is instead revealed as a phenomenon which reinforced previously existing cultural practices.


Author(s):  
Robert J.C. Young

The phrase ‘the postcolonial condition’ is usually invoked with respect to the particular state, as well as the common circumstances, of the many colonies that were freed from colonial rule during the second half of the twentieth century and are now living on the legacy of colonialism. Postcolonial conditions all over the world remain very substantially the product of European rule, given the extent of the European empires. While the rest of the world gradually frees itself from its postcoloniality, as it earlier freed itself from the shackles of colonialism, it is the Europe from which colonialism came that remains caught within the postcolonial condition: for this reason, the idea of ‘the postcolonial’ has had most currency in Europe. One aspect of the European postcolonial condition was the refusal to recognise its overall historical inevitability even as the decolonisation process was taking place. This article discusses the postcolonial condition in Europe, along with cultural production as well as postcolonial theory and Islam.


Author(s):  
Mark Hereth ◽  
Bernd Selig ◽  
John Zurcher ◽  
Keith Leewis ◽  
Rick Gailing

Practices that are used by pipeline operators to prevent mechanical damage are examined in this paper. A set of practices specific to pipeline operations is presented. The practices were initially developed by a group of subject matter experts working under the auspices of the American Petroleum Institute and the Association of Oil Pipelines (API/AOPL) Performance Excellence Team. The practices drew upon the work started within the Common Ground Initiative in the late 1990s and continued by the Common Ground Alliance. The practices presented were reviewed again in preparation of this report. The practices build upon practices defined by Common Ground Alliance (CGA), largely by providing greater specificity and ensuring completeness and follow through in communication and documentation. A subset of these practices became the foundation of the standard, API 1166 Excavation Monitoring and Observation. The paper also provides an overview of historical safety performance for the period 1995 through 2003; with a specific focus on mechanical damage related incidents including the additional detail available in the recent change in Pipeline and Hazardous Materials Safety Administration (PHMSA, US-DOT) Incident Reporting. This period was selected because it represented the time period where there was a heightened interest in preventing damage to pipelines as described above. The large majority of mechanical damage related incidents result in an immediate impact; a small portion occur at some later point in time. Data for the nine-year period indicate that approximately 90 percent of the incidents result in an immediate impact. This is significant in that it underscores the importance of prevention of damage. The experience of hazardous liquid pipelines has shown a continuing decrease in numbers of annual incidents. The experience of natural gas pipelines has not shown a decreasing trend; in fact, it is relatively flat for the period of study. While the heightened awareness and strong commitment to dedication are known to have had an impact on damage prevention through numerous stories and vast experience shared by a variety of stakeholders, it is prudent to be concerned that the performance may be reaching a “plateau”.


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