scholarly journals The Intertextual Use of Greek Mythology in Agatha Christie’s Detective Fiction

2020 ◽  
Vol 6 (2) ◽  
pp. 321-331
Author(s):  
Tatiana Ternopol

This study investigates the intertextual use of Greek mythology in Agatha Christie’s short stories Philomel Cottage, The Face of Helen, and The Oracle at Delphi, a short story collection The Labours of Hercules, and a novel, Nemesis. The results of this research based on the hermeneutical and comparative methods reveal that A. Christie’s intertextual formula developed over time. In her early works, allusions were based on characters' appearances and functions as well as on the use of motifs and themes from Greek myths. Later on, she turned to using allusory character names; this would mislead her readers who thought they already knew the formula of her stories. Although not a postmodern writer, A. Christie enjoyed playing games of allusion with her readers. She wanted them not only to solve a case but also to discover and interpret the intertextual references.

2019 ◽  
pp. 139-154
Author(s):  
Chloé Germaine Buckley

The 2003 horror short story collection, Shadows over Baker Street partakes of the Weird tradition of revising the history of human civilisation whilst also producing a secret history of the fictional detective, Sherlock Holmes. The stories pit Conan Doyle’s master of rational enquiry against Lovecraft’s terrifying monsters. The contest is unsettling. Typically, detective fiction shores up faith in rational enquiry, whilst the Weird disrupts enlightenment narratives, suggesting that everything we know about the world is wrong. Shadows over Baker Street encourages the reader to surrender disbelief entirely in the face of the ‘ineluctability of the Weird.’ This surrender manifests a postmillennial structure of feeling towards epistemological uncertainty. Shadows over Baker Street is an example of how the Weird challenges rational, inductive reasoning and epistemological certainty, ushering in an era of belief - in the unbelievable.


Teosofia ◽  
2020 ◽  
Vol 9 (1) ◽  
pp. 29
Author(s):  
Abdul Karim Wirawan ◽  
Khumaidi Abdillah

<em>This paper dedicated to examine and explore the model of dakwah found in the collection of short stories Lukisan Kaligrafi by A. Mustofa Bisri. The dakwah model examined in this paper is a friendly Islamic dakwah model. Friendly Islam is the face of Islam that is full of politeness and tolerance, not the face of Islam which is hard and full of anger. The collection of short stories Lukisan Kaligrafi is suitable as a medium to preach this friendly Islam because the short stories in this collection of short stories tell the twists and turns of the Islamic religious life experienced by the characters in each of the short stories. Therefore, this paper will try to identify (1) the proselytizing politeness in a collection of short stories Lukisan Kaligrafi and (2) the portrait of religious tolerance in a collection of short stories Lukisan Kaligrafi. Accentuating the friendly face of Islam is important because today the face of Islam is heavily tarnished by the actions of some groups acting in the name of Islam by acting outside the meaning of Islam which is rahmatan lil ‘ālamīn</em>


Buana Bastra ◽  
2021 ◽  
Vol 5 (1) ◽  
pp. 10-17
Author(s):  
Fithroh Wahidah

This study aimed to describe the social and political conflicts contained in the collection of short stories Drama Tells Too far work of Puthut EA and to describe thecorrelation between the short story collection The play was a story Too far work of PuthutEA with reality night history of Indonesian society. Sources of data in this study is the textcontained in the collection of short stories Drama Tells Too far work of Puthut EA. Whilethe research data is an excerpt sentence, description, dialogue, and other important mattersin the collection of short stories Drama Tells Too far work of Puthut EA. Data obtained byreading and writing techniques. Data were analyzed with the approach of sociology ofliterature and descriptive analysis techniques. The validity of the data obtained byconducting triangulation is triangualasi methods, sources of data and theory. These resultsindicate the existence of social and political conflict are contained in the collection of shortstories Drama Tells Too Far work of Puthut EA, containing social conflicts, among others:(1) gender conflict, namely: the oppression of women, (2) racial conflict, namely:discrimination of race Chinese, (3) inter-religious conflicts, namely: distrust ofcommunism, (4) conflict of interest, namely: the imposition of a leader, (5) interpersonal conflicts, namely: distrust of others, (6) the conflict between social classes, namely: socialinequality. Containing the political conflict, among others: (1) the weapons of battle and (2)the strategy politik. Correlation between the short story collection That play was a storyToo Far of Puthut EA works with historical reality of Indonesian society, among others: (1)The 1998 riots (2) The increase in fuel (3) Ethnic Discrimination (4) Dispute people of thesame religion (5) arrest Without Accompanied Official Letter (6) Violations of humanrights and (7) Poverty.  


2020 ◽  
Vol nr specjalny 1(2020) ◽  
pp. 498-518
Author(s):  
Elżbieta Dutka ◽  

Włodzimierz Odojewski is one of the most famous émigré writers who still deals with the topic of emigration, even in his books published long after his both symbolic and real return to the homeland. Significant extension and dwelling on the said topic can be observed in the book „…i poniosły koine” […and the horses bolted]. The aim of this paper is to provide an interpretation of the short stories gathered in the volume (published in 2006) from the perspective of the biographical context, the rest of Odojewski’s writings, as well as his opinions on various aspects of exile. Such interpretation reveals a more existential and internalized dimension of emigration but also its universal meanings. Thus, emigration is considered to be a metaphor of human fate.


2019 ◽  
Vol 41 (2) ◽  
pp. e45888
Author(s):  
Cielo Griselda Festino

This article brings a reading of the short-story collection Monção [Monsoon] ( 2003) by the Goan writer Vimala Devi (1932-). The collection can be read as a short-story cycle, a group of stories related by locality, Goa, character, Goans, from all walks of life, and theme, in particular women´s milieu, among other literary categories. In her book, written from her self-imposed exile in Portugal, Devi recreates Goa, former Portuguese colony, in the 1950s, before its annexation to India. A member of the Catholic gentry, Devi portrays the four hundred years of conflictive intimacy between Catholics and Hindus. Our main argument is that Devi´s empathy for her culture becomes even more explicit in Monção when her voice becomes one with that of all her women characters. Though they might be at odds, due to differences of caste, class and religion, Devi makes a point of showing that they are all part of the same cultural identity constantly remade through their own acts of refusal and recognition. This discussion will be framed in terms of Sidonie Smith and Julia Watson’s theory of autobiography (2001) as well as the studies on Goan women by the Goan critics Propércia Correia Afonso (1928-1931), Maria Aurora Couto (2005) and Fátima da Silva Gracias (2007).


Author(s):  
Milica Aleksić

In this paper we discuss the doubling of characters' identities in Borisav Stanković's short story collection Stari dani (1902), and a conscious or unconscious selection of another protagonist as an alternative for performing a particular protagonist’s activity the doubling of the actual narrative world through counter-narrative, simulated narrative, comparison and narrative negation will be analyzed. We will try to show how the patriarchal context determines this otherness of worlds and protagonists, and what the cause-effect relations has to do with the psychologization of Stanković's protagonists and the development of the story in nine short stories of the aforementioned collection.


2017 ◽  
Vol 9 (2) ◽  
pp. 225
Author(s):  
Mega Subekti

Tulisan ini ditujukan untuk mengungkapkan identitas budaya hibrid yang ditampilkan dalam tiga cerpen yang ditulis oleh pengarang Afrikadalam buku kumpulan cerpen L’Europe Vue D’Afrique (Eropa dilihat  Afrika). Tiga cerpen itu berjudul ”Femme de Gouverneur” (LFG) karya Ken Bugul, “La Bibliothèque d’Ernst” (LBE) karya Patrice Nganang, dan “Âllo” karya Aziz Chouaki. Identitas budaya hibrid itu tercermin melalui pandangan Eropasentris para tokoh utama dan mimikriyang mereka lakukan sebagai individu hibrid (Afrika-Eropa). Homi Bhabha (1994) dalam The Location of Culture, mengungkapkan bahwa konsep mimikri tidak berarti sepenuhnya meniru karena terkandung juga unsur mengejek (mockery). Oleh karena itu, budaya hibrid yang muncul itu dapatdianggap sebagai senjata untuk meresistensi pengaruh budaya Eropa pada diri mereka, juga untuk mengkritik pengaruh budaya Eropa yang selama ini telah dianggap baik oleh masyarakat Afrika.Abstract: This paper  aims  to describe the hybrid cultural identity shown in three short stories, which were written by African authors in the book of the short story collection “L’Europe Vue D’Afrique”. The three short stories are Ken Bugul’s La Femme de Gouverneur (LFG), Patrice Nganang’s La Bibliothèque d’Ernst (LBE) , and Aziz Chouaki’s Allo. The hybrid cultural identity is reflected through the Eurocentric perspective and mimicry of the main character as individual hybrid (African-European). Homi Bhabha (1994) in “The Location of Culture” describes that the concept of mimicry not only   mimics something but also contains mockery. Therefore, the hybrid culture represented in the short stories can be considered  a weapon to resist the influence of European culture on them and to criticize the influence of European culture, which has been considered superior by the African society.


Author(s):  
Aniket Jaaware

A major inspiration to a younger generation of Marathi ‘Dalit’ authors, Baburao Bagul’s literary and critical writing is somewhat atypical of what subsequently became famous as ‘Dalit’ literature (literature of the oppressed) after 1972. Bagul was also actively involved in the discussions that would lead to the founding of the Dalit Panthers. Having published stories in magazines earlier, he published his first volume of short stories called JevhaMiJaatChorliHoti (When I Hid My Caste, 1963). He reinforced his reputation with his short story collection MaranSwasta Hot Ahe (Death is Becoming Cheaper, 1969). Most of his stories explore ‘lumpen’ characters and the ethical implications of their actions as they fight to survive the unrelenting misery and poverty of urban modernity. His characters are ones who survive (or not) in limit situations of hunger and criminality, in dwellings without any civic amenities, and often exploit or violate other characters in similar circumstances.


2021 ◽  

Five Short Stories brings together a diverse selection of Walter Scott’s shorter fictions produced over a five-year span late in his long career. First published within the three-volume novel Redgauntlet (1824), “Wandering Willie’s Tale” remains a staple of Gothic anthologies. Two Scottish tales, “The Highland Widow” and “The Two Drovers”, come from Chronicles of the Canongate (1827), Scott’s only official short story collection. Two other works intended for a second series of Chronicles, “My Aunt Margaret’s Mirror” and “The Tapestried Chamber”, eventually appeared in a fashionable gift-book, The Keepsake for 1829. A grisly murder and a journey into a hellish underworld; a drug-induced desertion followed by a military execution; a simmering rivalry leading to a homicide; bigamy exposed by a magic lantern show; and an ornate room furnished with the ghost of an evil aristocrat: these short stories amply showcase Scott’s darker imagination.


Author(s):  
Prasasto Miftahurrisqi ◽  
Suyitno ◽  
Sumarwati

Character education can be instilled in various ways. One of them is through literature. Literature itself is very diverse until now. Among young people, one of the works that have a lot of interest is short stories (short stories), because a short story contains interesting stories to read. In addition, the work also contains a message about positive things. This study aims to describe the value of character education in the collection of short stories Compass 2018 Doa Yang Terapung. Research is included in qualitative research. The method in this study uses descriptive qualitative. The data source in this study is a collection of short stories from Compass 2018 Doa Yang Terapung. Data collection in this study was carried out by reading and understanding short stories and recording data containing the value of character education in the 2018 Compass short story collection Doa Yang Terapung. Data analysis in this study uses the Miles and Huberman flow model, namely data reduction, data presentation, and concluding. The results of this study indicate the values of character education in the 2018 Kompas short story collection Doa Yang Terapung, among others a) the value of religious character education (the value of religious character praying to God, the value of religious character accepting destiny, the value of religious character believing & surrendering to God's destiny; b) the value of nationalist character education (the value of nationalist character, the spirit of heroism, the value of nationalist character). willing to sacrifice for his family, and c) the value of independent character education (character values of a good work ethic, professional character values, creative character values).


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