scholarly journals Margaret Atwood’s Oryx and Crake as a Critique of Technological Utopianism

2021 ◽  
Vol 7 (1) ◽  
pp. 37-50
Author(s):  
Murat Kabak
Keyword(s):  
Science Fiction ◽  
Margaret Atwood ◽  
Contemporary Fiction ◽  
The Novel ◽  
Human Beings ◽  
Scientific Objectivity ◽  
Oryx And Crake ◽  
Utopian Thought

While there are major works tracing the themes of belonging and longing for home in contemporary fiction, there is no current study adequately addressing the connection between dystopian novel and nostalgia. This paper aims to illustrate how the Canadian writer Margaret Atwood uses nostalgia as a framework to level a critique against technological utopianism in her dystopian novel Oryx and Crake (2003). The first novel in Atwood’s “MaddAddam Trilogy” problematizes utopian thought by focusing on the tension between two utopian projects: the elimination of all suffering and the perfection of human beings by discarding their weaknesses. Despite the claims of scientific objectivity and environmentalism, the novel exposes the religious and human-centered origins of Crake’s technological utopian project. Atwood’s Oryx and Crake is an ambiguous work of science fiction that combines utopian and dystopian elements into its narrative to criticize utopian thought.

A Compact Embodiment of Pluralities and Denial of Origins: Atwood’s The Year of The Flood

2016 ◽  
Vol 1 (3) ◽  
pp. 141
Author(s):  
Rana Sağıroğlu
Keyword(s):  
Science Fiction ◽  
21St Century ◽  
Social Order ◽  
Margaret Atwood ◽  
Rapid Change ◽  
The Novel ◽  
The World ◽  
Narrative Techniques ◽  
Why Questions ◽  
Near Future

Margaret Atwood, one of the most spectacular authors of postmodern movement, achieved to unite debatable and in demand critical points of 21st century such as science fiction, postmodernism and ecocriticism in the novel The Year of The Flood written in 2009. The novel could be regarded as an ecocritical manifesto and a dystopic mirror against today’s degenerated world, tending to a superficial base to keep the already order in use, by moving away from the fundamental solution of all humanity: nature. Although Atwood does not want her works to be called science fiction, it is obvious that science fiction plays an introductory role and gives the novel a ground explaining all ‘why’ questions of the novel. However, Atwood is not unjust while claiming that her works are not science fiction because of the inevitable rapid change of 21st century world becoming addicted to technology, especially Internet. It is easily observed by the reader that what she fictionalises throughout the novel is quite close to possibility, and the world may witness in the near future what she creates in the novel as science fiction. Additionally, postmodernism serves to the novel as the answerer of ‘how’ questions: How the world embraces pluralities, how heterogeneous social order is needed, and how impossible to run the world by dichotomies of patriarchal social order anymore. And lastly, ecocriticism gives the answers of ‘why’ questions of the novel: Why humanity is in chaos, why humanity has organized the world according to its own needs as if there were no living creatures apart from humanity. Therefore, The Year of The Flood meets the reader as a compact embodiment of science fiction, postmodernism and ecocriticism not only with its theme, but also with its narrative techniques.

scholarly journals Rousseau in a Post-Apocalyptic Context: Angela Carter’s Heroes and Villains and Science Fiction

Humanities ◽  
2019 ◽  
Vol 8 (3) ◽  
pp. 142
Author(s):  
Yutaka Okuhata
Keyword(s):  
Science Fiction ◽  
Point Of View ◽  
The Novel ◽  
Human Beings ◽  
Nuclear War ◽  
The Holocaust ◽  
Fiction Writers ◽  
Late Twentieth ◽  
The Cold War ◽  
Late Twentieth Century

The present paper discusses Angela Carter’s Heroes and Villains (1969), which parodies both “post-apocalyptic” novels in the Cold War era and Jean-Jacques Rousseau’s theory on civilisation. By analysing this novel in comparison, not only to Rousseau’s On the Origin of Inequality (1755), but also to the works of various science fiction writers in the 1950s and 1960s, the paper aims to examine Carter’s reinterpretation of Rousseau in a post-apocalyptic context. As I will argue, Heroes and Villains criticises Rousseau from a feminist point of view to not only represent the dystopian society as full of inequality and violence, but also to show that human beings, having forgotten the nuclear war as their great “sin” in the past, can no longer create a bright future. Observing the underlying motifs in the novel, the paper will reveal how Carter attempts to portray a world where human history has totally ended, or where people cannot make “history” in spite of the fact that they biologically survived the holocaust. From this perspective, I will clarify the way in which Carter reinterprets Rousseau’s notion of “fallen” civilisation in the new context as a critique of the nuclear issues in the late twentieth century.

scholarly journals THINKING ABOUT THE FUTURE: PHILOSOPHY AND SCIENCE FICTION IN CLAIRE NORTH'S NOVEL "THE FIRST FIFTEEN LIVES OF HARRY AUGUST"

2018 ◽  
pp. 5-9
Author(s):  
M. Fedosova
Keyword(s):  
Science Fiction ◽  
Ethical Issues ◽  
Scientific Progress ◽  
The Novel ◽  
Human Beings ◽  
Personal Time ◽  
The Future ◽  
Meaningful Existence ◽  
Science In Society ◽  
Theoretical Science

As developed in this paper, science fiction shows us the distorted vision of the present with its anxieties about (mis)use of science although it deals mostly with the future and alternative realities. Thus SF stories both praise scientific progress and repulse its terrible applications caused by irresponsible abuse of technology. This paper focuses on how contemporary SF deals with philosophical issues of life, death, technology, and the role of science in society. It reviews Claire North's novel "The First Fifteen Lives of Harry August" in which SF conventions parallel and intensify the thriller narrative. The philosophies of Nietzsche and Heidegger have been employed to discuss the theory of eternal return and related topics of nihilism, devaluation of values, and purpose of existence. It is stated that the novel reveals how cognition of totality may lead to death and illustrates that human beings are incapable of achieving omniscience. Personal time is measured by memory and is always linear; therefore it can guarantee meaningful existence only when its arrow points towards growth and maturity. It is shown that ethical issues raised in the novel are based on the distinction between theoretical science signifying truth and its practical application meaning power. Knowledge by itself lies beyond morality; however, means used in its pursuit entail responsibility to others.

scholarly journals A Restrospection in The Novel Cat’s Eye by Margaret Atwood [1988]

2019 ◽  
Vol 7 (10) ◽  
pp. 5
Author(s):  
Shalini S
Keyword(s):  
Margaret Atwood ◽  
Young Age ◽  
The Self ◽  
The Novel ◽  
Human Beings ◽  
Female Relationships

"Does feminist mean large unpleasant person who’ll shout at you or someone who believes women are human beings, to me it is the latter, so I sign up."- Margaret AtwoodCat’s Eye by Margaret Atwood deals with and resists feminist doctrine. Feminist here means, exemption for women from the women. That is, this novel focuses on adversities paradox in female relationships. Atwood has also discussed the differentiation of boys and girls at a very young age. Elaine, the protaganist of the play, is the self- introspectional character of the author itself. When two daughters are born to Elaine, she finds it uneasy to raise them up.

scholarly journals COVID-19 Pandemic and Apocalyptic Literature: An Analysis of Margret Atwood’s Oryx and Crake at the time of Coronavirus

2021 ◽  
pp. 235-243
Author(s):  
Tawhida Akhter
Keyword(s):  
Science Fiction ◽  
World Health ◽  
The Novel ◽  
Apocalyptic Literature ◽  
Extraterrestrial Life ◽  
Literary Theories ◽  
The World ◽  
Parallel Universes ◽  
Oryx And Crake ◽  
Health Organization

Literature has been an imitator of life for generations on this earth, this literature has voiced the voiceless. Recent contemporary and postmodern literary theories have catered to burgeoning notions of logic that go beyond human survival on the planet. Science fiction is a genre of fiction that encompasses imaginative concepts like futuristic scientific-technological settings, faster than light, past and future spatial time travel, the existence of parallel universes and extraterrestrial life etc. An outbreak of Coronavirus Disease 2019 (COVID-19) caused by a novel acute respiratory syndrome of coronavirus 2 (SARS-CoV-2) occurred in Wuhan City, Hubei Province, China. The outbreak was declared as a public health emergency of international concern by the World Health Organization on 30 January 2020. During this crisis, literature also plays an important role and apocalyptic literature has shown the disastrous consequences if humans didn’t stop their behaviour and attitude towards the world. This research project aims to take literature out of the realm of imagination and present the harsh realities of culture. This study revealed how literature represents the truth of the world that science is learning every day, and how certain inventions can have harmful effects if they are not halted in time. This research analysed the novel Oryx and Crake in the light of the COVID-19 pandemic and pointed a convincing glimpse of the future. Snowman (protagonist), known as Jimmy before humanity was overrun by science, is trying to live in a world where he might be the last human Snowman tells the tale of how Crake’s scientific ambitions contributed to the abolition of human civilization. The researcher emphasizes how the reel depicts reality and how people are to blame for the degradation of their world.

scholarly journals Baudrillardian Concepts of Hyperreality and Simulacra in Margaret Atwood’s Oryx and Crake

2018 ◽  
Vol 21 (4) ◽  
pp. 36-54
Author(s):  
Behzad Pourgharib ◽  
Afsaneh Pourebrahim
Keyword(s):  
Margaret Atwood ◽  
Consumer Society ◽  
The Novel ◽  
Human Race ◽  
Future Time ◽  
The Real ◽  
Oryx And Crake

The study attempts to analyze Margaret Atwood Oryx and Crake in the light of Baudrillard Theory. The discussion is based on Baudrillard theory of Hyperreality and Simulacra. Margaret Atwood's novel Oryx and Crake (2003) takes place in a future time where there are scientific progresses. The protagonist of the story is Snowman who used to be called Jimmy and who is the son of two genetic scientists. Snowman lives near some creatures that are called Crakers. When jimmy is near starvation, he decides to search for food in the ruins of RejoovenEsence. Jimmy and Oryx develop a relationship. The human race is wiped out and Jimmy realizes that all of these are planned by Crake. Crake says that the three of them are immune to the virus. Crake kills Oryx and he is killed by Jimmy. Jimmy also gets a disease and finally finds three humans, two men and a woman, and he does not know whether to kill them or become friend with them. He makes up his mind and goes towards them and the story ends there. It can be said that there is elimination of hyperreality in the novel as there is the decline of civilization. Baudrillard’s hyperreality explained the situation in the consumer society in which the real was lost. Thus, it can be said that the catastrophe in the novel has resulted in the elimination of the civilization, consumer society and thus hyperreality in the consumer society. But it should be pointed out that there is also hyperreality created due to the catastrophe because things are no longer what they used to be and some human made structures have lost their function, similar to the map in the Borges fable pointed out by Baudrillard.

Moralitas dalam Novel Negeri di Ujung Tanduk Karya Tere Liye

2018 ◽  
Vol 1 (1) ◽  
pp. 154-173
Author(s):  
Muhtadin Muhtadin ◽  
Sugi Murniasih
Keyword(s):  
Research Method ◽  
Self Esteem ◽  
The Novel ◽  
Human Beings ◽  
Human Relationships ◽  
Mutual Help ◽  
Analysis Techniques ◽  
Self Confidence ◽  
Record Data ◽  
Morality Literature

The objective of this research was to describes the morality contained in the novel Affairs at the Negeri di Ujung Tanduk the works Tere Liye. The research method used content analysis. The data in this research is a sentence containing the moral values ​​contained by the novel of the State at Ujung Tanduk Karya Tere Liye. Technique of collecting data using documentation technique and record. Data analysis techniques with steps: data reduction, data tabulation and coding, interpretation, classification, and conclusion. The result of the research shows that morality in Tere Liye Negeri di Ujung Tanduk novel is: first, human relationships with other human beings in the form of self existence, self esteem, self confidence, fear, death, longing, resentment, loneliness, maintaining the sanctity of greed, developing courage, honesty, hard work, patient, resilient, cheerful, steadfast, open, visionary, independent, brave, courageous, optimistic, envy, hypocritical, reflective, responsible, principle, confident, disciplined , and voracious. Second, human relationships with other humans or social and nature in the form of cooperation, acquaintance, hypocrisy, caring, hypocrisy, caring, friendship, smile, mutual help, and betrayal. Third human relationships in the form of God's menthidising and avoiding shirk, piety and pleading with prayers, prayers performed by human beings, as an awareness that everything in this universe belongs to God. Keywords: morality, literature, novel

The Novel Theology of H. G. Wells

2019 ◽  
Vol 26 (2) ◽  
pp. 104-123
Author(s):  
Stuart Bell
Keyword(s):  
Science Fiction ◽  
Jesus Christ ◽  
The Novel ◽  
British Army ◽  
Rebecca West ◽  
The Way

Abstract “Lambeth Palace is my Washpot. Over Fulham have I cast my breeches.” So declared the novelist and secularist H. G. Wells in a letter to his mistress, Rebecca West, in May 1917. His claim was that, because of him, Britain was “full of theological discussion” and theological books were “selling like hot cakes”. He was lunching with liberal churchmen and dining with bishops. Certainly, the first of the books published during Wells’s short “religious period”, the novel Mr. Britling Sees It Through, had sold very well on both sides of the Atlantic and made Wells financially secure. Geoffrey Studdert Kennedy (“Woodbine Willie”) wrote that, “Everyone ought to read Mr. H. G. Wells’s great novel, Mr. Britling Sees It Through. It is a gallant and illuminating attempt to state the question, and to answer it. His thought has brought him to a very real and living faith in God revealed in Jesus Christ, and has also brought relief to many troubled minds among the officers of the British Army.” Yet, Wells’s God was explicitly a finite God, and his theology was far from orthodox. How can we account for his boast and for the clerical affirmation which he certainly did receive? This article examines and re-evaluates previous accounts of the responses of clergy to Wells’s writing, correcting some narratives. It discusses the way in which many clergy used Mr. Britling as a means by which to engage in a populist way with the question of theodicy, and examines the letters which Wells received from several prominent clerics, locating their responses in the context of their own theological writings. This is shown to be key to understanding the reaction of writers such as Studdert Kennedy to Mr. Britling Sees It Through. Finally, an assessment is made of the veracity of Wells’s boasting to his mistress, concluding that his claims were somewhat exaggerated. “Lambeth Palace is my Washpot, Over Fulham have I cast my breeches.” Mit diesen Worten erklärte der literarisch außergewöhnlich erfolgreiche und entschieden säkular denkende, kirchenkritische Schriftsteller und Science-Fiction-Pionier Herbert George Wells seiner Geliebten, dass seinetwegen Großbritannien “full of theological discussion” sei. Nicht ohne Eitelkeit schrieb er es seinem im September 1916 mit Blick auf den Krieg geschriebenen und stark autobiographisch gefärbten Roman Mr. Britling Sees it Through von knapp 450 Seiten zu, dass theologische Bücher reißenden Absatz fänden. Auch war er stolz darauf, liberale Kleriker zum Lunch zu treffen und von Bischöfen zum abendlichen Dinner eingeladen zu werden. In einer kurzen Phase seines Lebens war – oder inszenierte sich – Wells als ein frommer, gläubiger Mensch. Sein damals veröffentlichter Roman Mr. Britling Sees It Through verkaufte sich sowohl in Nordamerika als auch im Heimatland so gut, dass der Autor nun definitiv finanziell gesichert war. Der anglikanische Priester und Dichter Geoffrey Studdert Kennedy, der im Ersten Weltkrieg Woodbine Willie genannt wurde, weil er verletzten und sterbenden Soldaten in den Phasen der Vorbereitung auf den Tod Woodbine-Zigaretten anbot, empfahl die Lektüre von Wells’ “great novel” Mr. Britling mit den Worten: “It is a gallant and illuminating attempt to state the question, and to answer it. His thought has brought him to a very real and living faith in God revealed in Jesus Christ, and has also brought relief to many troubled minds among the officers of the British Army.” Allerdings war H. G. Wells’ Gott ein durchaus endlicher Gott, und seine Theologie war alles andere als orthodox. Wie lassen sich dennoch seine evidente Prahlerei und die emphatische Zustimmung zu seinem Roman in den britischen Klerikereliten erklären? Im Aufsatz werden zunächst einige ältere Deutungen der Zustimmung führender Kleriker zu Wells’ Roman untersucht und einige der dabei leitenden Deutungsmuster kritisch infrage gestellt. Deutlich wird, dass nicht wenige anglikanische Geistliche Mr. Britling dazu nutzten, um höchst populistisch das umstrittene Theodizeeproblem anzusprechen. Auch werden die Briefe prominenter Geistlicher an Wells analysiert, mit Blick auf ihre eigenen Publikationen. Diese Reaktionen haben stark Studdert Kennedys Haltung zu Mr. Britling Sees It Through beeinflusst. Besonders aufrichtig war Wells mit Blick auf sich selbst allerdings nicht. Die Selbstinszenierung gegenüber seiner Geliebten war einfach nur peinliche Übertreibung.

BACK ON CIRCE'S ISLAND

Ramus ◽  
2020 ◽  
Vol 49 (1-2) ◽  
pp. 213-235
Author(s):  
Michiel van Veldhuizen
Keyword(s):  
Science Fiction ◽  
Analogical Reasoning ◽  
Gilles Deleuze ◽  
Margaret Atwood ◽  
Classical Antiquity ◽  
Felix Guattari ◽  
Dio Chrysostom ◽  
The Witch ◽  
The Moment ◽  
Physical Degradation

The reception of Circe's island in and through Classical Antiquity has largely focused on the enigmatic sorceress herself. The long literary chain of interpretive topoi—Circe the witch, the whore, the temptress—stretches from Apollonius, Virgil, Ovid, and Dio Chrysostom to Spenser, Calderón, Joyce, Margaret Atwood, and Madeline Miller. Her role as Odysseus’ benefactor, so unmistakable in Homer, is soon forgotten; to Virgil, she is above all dea saeva, (‘the savage goddess’, Aen. 7.19). One distinguishing feature of Circe and her reception is the focus on representation: the enchantment of Circe, as Greta Hawes puts it, is above all a study in allegory. From the moment Circe put a spell on Odysseus’ companions, transforming them into animals in Book 10 of the Odyssey, Circe has invited analogical reasoning, centered on what the transformation from one being into another represents. More often than not, this transformation is interpreted according to a dualist thinking about humans and animals: subjects are transformed from one being into another being, thus representing some moral or physical degradation. This article, by contrast, concentrates on Circe's island through the lens of becoming-animal, the concept developed by Gilles Deleuze and Félix Guattari in the tenth plateau of A Thousand Plateaus, ‘1730: Becoming-Intense, Becoming-Animal, Becoming-Imperceptible…’. I explicate the concept of becoming-animal by applying it to a Deleuzian encounter with Circe's island, both in its ancient articulations and in its various receptions, including H.G. Wells's science fiction novel The Island of Dr. Moreau.

scholarly journals Critiquing Anthropocentrism in Henry Ole Kulet’s Vanishing Herds

2019 ◽  
Vol 3 (1) ◽  
pp. 52-55
Author(s):  
Pushpa Raj Jaishi
Keyword(s):  
Environmental Degradation ◽  
Physical Environment ◽  
Critical Issue ◽  
The Novel ◽  
Contemporary Society ◽  
Human Beings ◽  
East African ◽  
To Come

Vanishing Herds (2011) is Henry Ole Kulet’s novel that hovers around the ecological depletion caused by the anthropocentric attitude of the human beings. Set in the East African Savannah, the novel grapples with the critical issue of anthropogenic environmental degradation. The novel is based on the tribulations of a young Maasai couple –Kedoki and Norpisia whose epic journey through the wilderness provides a window through which the destruction of the physical environment can be viewed. Additionally, the text catalogues the challenges faced by a pastoralist community’s attempt to come to terms with the socio-economic realities of a fast-evolving contemporary society. The paper is an attempt to study this novel under the surveillance of green lens and throw light on the ecological destruction especially the clearing of the forest by human self centered endeavors and to critique the anthropocentric attitude of the human beings that render the environment at the verge of destruction.

Sign in / Sign up

Export Citation Format

Share Document