scholarly journals (Dis)-Intersecting Intersectionality in the Time of Queer Syrian-Refugee-ness in Lebanon

2017 ◽  
Vol 3 (Summer) ◽  
pp. 59-77
Author(s):  
Sabiha Allouche

This paper heeds Jasbir Puar’s call to supplement an intersectional analysis with an exercise of assemblage when examining identity politics. It argues that asylum organizations’ unwillingness to account for the interplay between the receiving state (in this case Lebanon) and the lived reality of (Syrian) LGBT refugees results in a “one size fits all” narrative that forces the latter into a more visible and potentially death-instigating corporeality. The interplay between refugees and the receiving state is summed up in the elitist discourse of a “Syrian neo-invasion” that results in the revival of an “authentic Lebanese masculinity.” Whereas the Syrian refugee is vilified as “rapist” in a heterosexual context, they are emasculated as “necessarily bottom” in a same-sex one. This discourse is hegemonized through its emergence at the intersection of sect, political loyalty, and class. At the empirical level, this paper draws on narratives recollected during fieldwork in order to show the limits of an analysis that takes identity politics as given, as seen in asylum organization’s western-imbued “fixed” interpretations of what LGBT identities should “look like” and “act like.”

2017 ◽  
Vol 3 (Summer) ◽  
pp. 59-77
Author(s):  
Sabiha Allouche

This paper heeds Jasbir Puar’s call to supplement an intersectional analysis with an exercise of assemblage when examining identity politics. It argues that asylum organizations’ unwillingness to account for the interplay between the receiving state (in this case Lebanon) and the lived reality of (Syrian) LGBT refugees results in a “one size fits all” narrative that forces the latter into a more visible and potentially death-instigating corporeality. The interplay between refugees and the receiving state is summed up in the elitist discourse of a “Syrian neo-invasion” that results in the revival of an “authentic Lebanese masculinity.” Whereas the Syrian refugee is vilified as “rapist” in a heterosexual context, they are emasculated as “necessarily bottom” in a same-sex one. This discourse is hegemonized through its emergence at the intersection of sect, political loyalty, and class. At the empirical level, this paper draws on narratives recollected during fieldwork in order to show the limits of an analysis that takes identity politics as given, as seen in asylum organization’s western-imbued “fixed” interpretations of what LGBT identities should “look like” and “act like.”


2017 ◽  
Vol 3 (Summer) ◽  
pp. 59-77 ◽  
Author(s):  
Sabiha Allouche

This paper heeds Jasbir Puar’s call to supplement an intersectional analysis with an exercise of assemblage when examining identity politics. It argues that asylum organizations’ unwillingness to account for the interplay between the receiving state (in this case Lebanon) and the lived reality of (Syrian) LGBT refugees results in a “one size fits all” narrative that forces the latter into a more visible and potentially death-instigating corporeality. The interplay between refugees and the receiving state is summed up in the elitist discourse of a “Syrian neo-invasion” that results in the revival of an “authentic Lebanese masculinity.” Whereas the Syrian refugee is vilified as “rapist” in a heterosexual context, they are emasculated as “necessarily bottom” in a same-sex one. This discourse is hegemonized through its emergence at the intersection of sect, political loyalty, and class. At the empirical level, this paper draws on narratives recollected during fieldwork in order to show the limits of an analysis that takes identity politics as given, as seen in asylum organization’s western-imbued “fixed” interpretations of what LGBT identities should “look like” and “act like.”


2017 ◽  
Vol 3 (Summer) ◽  
pp. 59-77
Author(s):  
Sabiha Allouche

This paper heeds Jasbir Puar’s call to supplement an intersectional analysis with an exercise of assemblage when examining identity politics. It argues that asylum organizations’ unwillingness to account for the interplay between the receiving state (in this case Lebanon) and the lived reality of (Syrian) LGBT refugees results in a “one size fits all” narrative that forces the latter into a more visible and potentially death-instigating corporeality. The interplay between refugees and the receiving state is summed up in the elitist discourse of a “Syrian neo-invasion” that results in the revival of an “authentic Lebanese masculinity.” Whereas the Syrian refugee is vilified as “rapist” in a heterosexual context, they are emasculated as “necessarily bottom” in a same-sex one. This discourse is hegemonized through its emergence at the intersection of sect, political loyalty, and class. At the empirical level, this paper draws on narratives recollected during fieldwork in order to show the limits of an analysis that takes identity politics as given, as seen in asylum organization’s western-imbued “fixed” interpretations of what LGBT identities should “look like” and “act like.”


2021 ◽  
pp. 188-210
Author(s):  
Mark Duffett

Fan fiction is, ordinarily, nonprofessional writing—premised thematically on media texts, celebrities, or artistic creations. Some fanfic uses public figures as the basis for characters and is called real person fiction (RPF). Bandfic is a subgenre of RPF involving rock musicians. Slash fiction is a subset of fanfic involving same-sex intimacy between central characters. Real person slash (RPS) is a fanfic subgenre that hybridizes RPF with slash and can involve pairs of musicians. One typical Beatles fanfic story on Archive of Our Own, is listed as male-to-male romance between John Lennon and Paul McCartney and tagged with angst, love confessions, rejection, unrequited love, and period-typical homophobia. In academia, discussions about such fanfic have covered copyright, fan labor or play, fan literacy and reading practice, community-created archives, world building, identity politics, or subversion and censorship. This chapter considers a less-discussed question: how does RPF about the Beatles relate to celebrity fandom?


2005 ◽  
Vol 40 (1) ◽  
pp. 90-109 ◽  
Author(s):  
Carl F. Stychin

AbstractThe article provides an overview of gay identity politics today. It begins with an introduction to the historical trajectory of the post-1945 period, and then turns to the challenges posed by queer politics and theory to gay identity politics. The related issue of the globalization of being gay is then considered, in terms of the universalizing of identity politics. Finally, the ramifications for gay identity politics of the political and legal recognition of same-sex relationships are discussed, leading to the obvious final question: whether being gay will continue to have a political logic in the years ahead.


Author(s):  
Sandra Chatterjee ◽  
Cynthia Ling Lee

This essay recounts and analyzes the Post Natyam Collective’s process of creating the contemporary abhinaya work, “rapture/rupture.” Working in a feedback loop between theory and practice, it researched ways to denaturalize Indian classical kathak’s script of idealized femininity to facilitate fluid, diverse possibilities for performing gender and cultural belonging in South Asian aesthetic contexts. “Rapture/rupture” produces a dancing subject whose ethnic mismatch, hybrid movement vocabulary, gender nonconformity, and same-sex love across cultural difference exceed the boundaries of a kathak discourse that calls for purist notions of culture, race, nation, religion, and femininity. In theoretically analyzing how gender, cultural belonging, and desire are conceptualized through abhinaya, postmodern dance, US identity politics, and poststructuralist critiques of identity, it argues that embracing lack—being “not enough”—is a mode of exceeding dominant boundaries that enables a multilayered, intersectional dance-making practice that queers gender, queers cultural belonging, and embodies queer female desire.


Author(s):  
Elisabeth Oxfelt

The article investigates how SKAM negotiates between feelings of individual shame and a sense of global guilt. By analyzing the opening and closing sequences, as well as the Syrian refugee theme in the second season, I argue that the series operates with an understanding of love and solidarity in which one has to tend to the self before one can turn to others. In terms of politics, the series prioritizes identity politics, yet continually reminds the viewer of issues pertaining to geopolitics as well. It is especially through Noora and William that issues of ideal politics vs. realpolitik are treated. The couple, I maintain, may be understood from the perspective of a national allegory in which the woman embodies the nation’s spirit, while the man represents its institutionalization – as a nation state. The series’ goal is to create healthy individuals who may in turn fight for world justice.


Sign in / Sign up

Export Citation Format

Share Document