scholarly journals A Feminist Critical Discourse Analysis of the Tropes of (Sexually) Objectified or/and Oppressed Men in Selected Contemporary African Prose Works

2021 ◽  
Vol 2 (5) ◽  
pp. 12-27
Author(s):  
Ayodele Adebayo Allagbé ◽  
Yacoubou Alou ◽  
Ibrahim Sanusi Chinade
Keyword(s):  
Discourse Analysis ◽  
Critical Discourse Analysis ◽  
Social Order ◽  
Social Life ◽  
Research Method ◽  
Systemic Functional Linguistics ◽  
African Literature ◽  
Critical Discourse ◽  
Male Characters ◽  
Feminist Critical Discourse Analysis

This paper examines the tropes of (sexually) objectified or/and oppressed men in selected contemporary African prose works. Drawing on Feminist Critical Discourse Analysis (henceforth, FCDA) for theoretical underpinnings, Systemic Functional Linguistics (henceforth, SFL) for grammatical tools and the qualitative research method, this study seeks to analyze how contemporary feminist writers like Amma Darko, Daniel Mengara, and Lola Shoneyin employ language in their fictional texts The Housemaid (1998), Mema (2003) and The Secret Lives of Baba Segi’s Wives (2015) respectively to represent the phenomenon of (sexually) objectified or/and oppressed male characters. This article cogently argues that the tropes of (sexually) objectified or/and oppressed men, as enacted in the aforementioned prose works, encode a form of gendered experience which irrefutably has a given recondite function or meaning which only a critical linguistic analysis of the writers’ language can uncover. The findings reveal that the three authors intentionally use language to depict their male personae as (sexually) objectified or/and oppressed individuals with a view to challenging the established social order in social life and establishing a certain balance in the representation of gender or/and power relations in African literature.

scholarly journals A CRITICAL DISCOURSE ANALYSIS OF GENDER SUBJECTIVITY IN HENRY JAMES’ THE PORTRAIT OF A LADY

2021 ◽  
Vol 5 (2) ◽  
Author(s):  
Shah Mir ◽  
Saima Jahangir
Keyword(s):  
Discourse Analysis ◽  
Critical Discourse Analysis ◽  
Henry James ◽  
Social Order ◽  
Critical Discourse ◽  
Power Structures ◽  
Portrait Of A Lady ◽  
Feminist Critical Discourse Analysis ◽  
Patriarchal Power ◽  
Gender Subjectivity

Reassessment and interpretation of gender dynamics in the current social order has been prevalent theme within gender discourses. The yoke of subordination borne by women as readers, writers or fictional characters in the patriarchal pyramid occupies a central space across the whole spectrum of debates. This study utilizes a qualitative mode of inquiry which is centered on textual analysis. The present study evaluates the instances of gender subjectivity and patterns of subjugation within the textual arena invested with hegemonic ideologies as depicted in the novel The Portrait of a Lady by Henry James. The paper employs feminist critical discourse analysis as a tool to analyze The Portrait of a Lady by Henry James in order to dissect the underlying ideologies present in the Victorian time period and investigates discourses of subjectivity. The findings of the study demonstrate that notwithstanding temporal advancements, gender power structures remain intact, and women continue to suffer under patriarchal power structures. <p> </p><p><strong> Article visualizations:</strong></p><p><img src="/-counters-/edu_01/0874/a.php" alt="Hit counter" /></p>

scholarly journals A Study of Gender Discourse in Zoya Pirzad Novels

2017 ◽  
Vol 8 (1) ◽  
pp. 1225-1228
Author(s):  
Dr. Foroogh Kazemi ◽  
Shohreh Dalaee
Keyword(s):  
Discourse Analysis ◽  
Critical Discourse Analysis ◽  
Family Life ◽  
Research Method ◽  
Point Of View ◽  
Critical Discourse ◽  
Female Characters ◽  
Gender Discourse ◽  
Dominant Discourse ◽  
Male Characters

In this article, two novels by Zoya Pirzad has been investigated considering Fairclough Critical Discourse Analysis. This article is trying to show how ideology and power of male-characters have influenced on female-characters in these novels. This paper shows that males patriarchal dialogues that are influenced by society, law and ideology put female characters in challenge and pushes aside their dialogues. This paper has investigated the influence of tradition, culture, and ideology on family life and particularly on peoples linguistic interactions from gender point of view. It has been found that the dominant discourse is patriarchal and most of novel females are passive. The research method in this article is analytical and analysis unit is sentences and dialogues of Zoya Pirzads  two novels.

The production of broad and strict senses in the discourse on musical creativity and their influences on the self-concept of musicians as creative

2020 ◽  
pp. 030573562097343
Author(s):  
Luciano da Costa Nazario ◽  
Leonardo Roman Ultramari ◽  
Benjamin Pacce
Keyword(s):  
Discourse Analysis ◽  
Critical Discourse Analysis ◽  
Incidence Rate ◽  
Social Order ◽  
The Self ◽  
Broad Sense ◽  
Critical Discourse ◽  
Self Concept ◽  
Strict Sense ◽  
Musical Creativity

This article presents an analysis of the construction of beliefs/values related to musical creativity. From the perspective of critical discourse analysis, we seek to comprehend how individuals constitute broad and strict senses of creativity and how these senses can influence their perceptions of themselves as creative. Open questionnaires were administered to students in the process of scholarly training and non-scholarly musicians. The results indicate that the presence of both senses of creativity in participants’ discourse reflects a social order that qualitatively and quantitatively produces and reproduces those senses. The broad sense of creativity has a smaller incidence rate (about 31%) and tends to allow participants to form a positive self-concept. In contrast, the strict sense appears more frequently (about 69%) and may lead to a negative self-concept when subjects do not reach the assigned values.

scholarly journals Feminist Critical Discourse Analysis of The Stone Woman by Tariq Ali

2020 ◽  
Vol V (III) ◽  
pp. 275-287
Author(s):  
Muhammad Asaf Amir ◽  
Sajid Ali ◽  
Farheen Akhter
Keyword(s):  
Discourse Analysis ◽  
Social Class ◽  
Critical Discourse Analysis ◽  
Social Institutions ◽  
Critical Discourse ◽  
Feminist Critique ◽  
The Social ◽  
Feminist Critical Discourse Analysis ◽  
Family And Marriage ◽  
Status Of Women

This paper brings out the Feminist Critique of Ali's Novel The Stone Woman by applying Critical Discourse Analysis (henceforth CDA). The study employs a corpus-driven technique. Lazar's (2007) feminist CDA model has been used to study how women are kept out of the social circle, and the ideology of the superiority of men has been institutionalized and naturalized. This, in turn, gives power and hegemony to man as a social class. It has been concluded that the place and status of women in society have been gendered, and they are victims of social and economic discrimination. Men are supported by social institutions like family and marriage to make their discourse privileged, preferred and justified.

scholarly journals Quest for Body and Voice: A Feminist Critical Discourse Analysis of Shamsie's Broken Verses

2021 ◽  
Vol VI (II) ◽  
pp. 78-84
Author(s):  
Mashhood Anjum ◽  
Iftikhar Baig ◽  
Abdul Hameed
Keyword(s):  
Discourse Analysis ◽  
Critical Discourse Analysis ◽  
Critical Discourse ◽  
Paradigm Change ◽  
Feminist Discourse ◽  
Discourse Strategies ◽  
Feminist Critical Discourse Analysis

In contemporary and postmodern literary discourses, feminism has introduced a paradigm change in the sex debates. The plan of feminist critical discourse analysis is to explore different discourses from a feminist viewpoint. The planned study conforms to this field of feminist discourse that will attempt to analyze Kamila Shamsie's selected work, Broken Verses. She, being a famous feminist, has produced discourses in which structural and thematic samples absorb sex debates. Her feminist tendency has established clear expression in all the aspects of her works: body, voice and characterization. The current study shows how she has used feminist discourse strategies in conventionality with her feminist literary position. This research extensively improves the perceptive of Kamila Shamsie's work and pictures how the feministic arrangement and feminist critical discourse analysis have been inventively infused in her famous works.

Critical Discourse Analysis

2013 ◽  
Author(s):  
Martin Reisigl
Keyword(s):  
Discourse Analysis ◽  
Critical Discourse Analysis ◽  
Social Engagement ◽  
Systemic Functional Linguistics ◽  
Social Science Research ◽  
Science Research ◽  
Discourse Theory ◽  
Critical Discourse ◽  
Cognitive Approach ◽  
Discourse Historical Approach

Critical Discourse Analysis (CDA) has entered the mainstream of linguistic and social science research with a strong transdisciplinary orientation and social engagement. This chapter introduces six variants of CDA: (1) Fairclough’s approach, which is strongly social theoretically embedded and informed by systemic functional linguistics; (2) van Leeuwen’s and Kress’s social semiotic and systemic functional approach; (3) van Dijk’s socio-cognitive approach; (4) the form of CDA promoted by the Duisburg Group around S. and M. Jäger, who keenly draw on Foucault’s approach to discourse analysis and Link’s discourse theory; (5) the Oldenburg approach, which is upheld by Gloy, Januschek, and others; and (6) the “Viennese” and “Lancaster” traditions of CDA, often termed the “discourse historical approach” and sometimes “discourse sociolinguistics.”

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