Theory and Practice from the Standpoint of Dialectical Materialism

2017 ◽  
Vol 21 (2) ◽  
pp. 98-114
Author(s):  
Oleh Hirnyi

The last decade, and especially the years after the Revolution of Dignity and the association of Ukraine with the EU, are marked by the rhetoric of the «European civilization choice» and «the return to European values». In the education system, it is reflected in the slogan «New Ukrainian School», built on values. The last slogan raises the question: is there a school (or certain type of school education), which is NOT built on values? Or, in other words: is it a school, which is not built on values, possible in general? The questions are obviously rhetorical, because without values education is impossible. It is the values that are the basis of any upbringing. Therefore, in the declared general sense, this slogan is not different from the former Soviet “datsi-bao”, such as “We will come to a victory of covictory of commmunist labour!”. We need to be much more concrete in these cases. It seems to me, . It seems to me, that the major-that to me, that the major-that the major-the majorthe major--ity of the failures in the reforms in our country arise from the lack of concretization of common slogans – an alive consequence of the communist methodological heritage in this area. Therefore, the article deals with the ideological, philosophical and methodological foundations of constructing formal and ethical (moral) requirements for the system of school education in the USSR, the system of education and upbringing which Ukraine had inherited. In particular, this applies to the so-called “cosmocentric” ontology, the methodology of “dialectical materialism” (in particular, the so-called “unity of theory and practice”) and the class (so-called “proletarian”) - absolutely relativistic – ethics, constructed on it.So, the problem is the lack of a rational explanation and concretization of common slogans, in particular educational ones, which are put forward as a leit­motif of reforms in the school, and appeals to the concept of “values” that has emerged. As a result, we have absence of a corresponding scientific (philosophical) theory of values in Ukraine and a kind of vacuum in the field of ethics. In my opinion, in this area, we should study the Polish experience, represented by a whole school of rational thinking in all branches of humanities, known as the Lviv-Warsaw School. Due to the traditions of this school, the Polish school system and society as a whole could resist the dialectical “brainwashing” and liberate itself from the dogmas of communist thinking, as far as carry out the necessary reforms, in particular, in the area of education, making it compatible with the educational systems of EU countries. As an example, logically connected, based on experience and open to criticism, is the presentation of ethical issues in the theory of values of one of the last repre­sentatives of the Lviv-Warsaw School, Andrzej Gzegorczyk, presented in his paper “An attempt to describe the world of values and its ethical implications”.


1983 ◽  
Author(s):  
Μαρία Γερμανού

This thesis examines the use of dialectic in the work of John Arden and Margaretta D'Arcy, Edward Bond and Steve Gooch and arguesfor the possibility of applying the philosophy of historical and dialectical , materialism and the concept of political contradiction to the construction of meaning in playwriting. Bertolt Brecht who initiated such a dramatic theory and practice is not used as a constant point of reference nor is my focus on a detailed comparison between him and the other writers. Having located his historical and dramatic limitations for present-day practice and after a critical and historical account of his reception in England, my concern is to examine how his idea of a theatre of dialectical and historical materialism was ignored, distorted, adopted and developed by these four playwrights. Conceiving theatre writing not as an innocent reflection of "objective" reality but as a conscious political and aesthetic practice capable of transforming the raw material found in life, my focus is on the ways by which this transformation takes place and on the ends it serves. To fulfill this function I examine the position that the relationship between the texts and the writers' ideological, aesthetic and political views occupies within the dominant ones. Within this context what runs through the thesis is a criticism of certain dominant ideas: that of humanism and idealism, the ideological implications of classic realism and the use of class and gender reductionism as the most recurrent drawbacks of a theatre practice which, instead of reproducing the established aesthetic, and ideological framework, aims to question it and suggest different possibilities. The criticism aims to locate the potential or the limitations of certain dramatic practices and political positions, develop them, or, when possible, suggest alternatives. On this basis the main issues I deal with concern popular and workingclass theatre, the use of character and caricature, history plays,propaganda and agitation, the representation of women, the position of the spectator and the relationships that define the theatre apparatus. As such the thesis is intended as an initial effort to build a theory for a dramatic practice concerning certain central issues that theatre workers confront when they want to use theatre as an agent of social change.


2012 ◽  
Vol 21 (3) ◽  
pp. 74-81 ◽  
Author(s):  
Debbie Witkowski ◽  
Bruce Baker

Abstract In the early elementary grades, the primary emphasis is on developing skills crucial to future academic and personal success—specifically oral and written communication skills. These skills are vital to student success as well as to meaningful participation in the classroom and interaction with peers. Children with complex communication needs (CCN) may require the use of high-performance speech generating devices (SGDs). The challenges for these students are further complicated by the task of learning language at a time when they are expected to apply their linguistic skills to academic tasks. However, by focusing on core vocabulary as a primary vehicle for instruction, educators can equip students who use SGDs to develop language skills and be competitive in the classroom. In this article, we will define core vocabulary and provide theoretical and practical insights into integrating it into the classroom routine for developing oral and written communication skills.


2020 ◽  
Vol 41 (4) ◽  
pp. 207-218
Author(s):  
Mihaela Grigoraș ◽  
Andreea Butucescu ◽  
Amalia Miulescu ◽  
Cristian Opariuc-Dan ◽  
Dragoș Iliescu

Abstract. Given the fact that most of the dark personality measures are developed based on data collected in low-stake settings, the present study addresses the appropriateness of their use in high-stake contexts. Specifically, we examined item- and scale-level differential functioning of the Short Dark Triad (SD3; Paulhus & Jones, 2011 ) measure across testing contexts. The Short Dark Triad was administered to applicant ( N = 457) and non-applicant ( N = 592) samples. Item- and scale-level invariances were tested using an Item Response Theory (IRT)-based approach and a Structural Equation Modeling (SEM) approach, respectively. Results show that more than half of the SD3 items were flagged for Differential Item Functioning (DIF), and Exploratory Structural Equation Modeling (ESEM) results supported configural, but not metric invariance. Implications for theory and practice are discussed.


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