The Jewish family in the 19th and early 20th centuries

2021 ◽  
pp. 273-287
Author(s):  
Agnieszka Zielińska
Keyword(s):  
2018 ◽  
Vol 47 (2) ◽  
pp. 195-214
Author(s):  
Ewout van der Knaap

In his story The End of the Winter of Starvation, Robert Menasse portrays a Jewish family that in 1944 survived the war in a monkey cage in the Amsterdam Zoo. The article uncovers the representation of historical matters, scrutinizes the narrative strategy that both strives to question the truth of memory and aims to reveal how ritualized memory-talk is. By interpreting the performance of memory in Menasse’s story, and by highlighting insights from animal studies, the intertextual negative of Franz Kafka’s story A Report to an Academy is revealed.


2019 ◽  
pp. 462-471
Author(s):  
Lyudmila Shirokova

The historical polyethnicity of the Slovak society and the connected problems of the interrelations of cultures, ethics, interpersonal relations, are reflected in the works of modern Slovak prose. They are represented most clearly in the novels of middle generation writers P. Rankov, S. Lavrík, P. Krištúfek. They dwell upon the dramatical events of the 20 th century. They cover wide range problems, from the fruitful coexistence of various ethnic groups and their representatives to national contradictions and racial repressions. The artistic quality of the mentioned works, their composition, the way of narrating, the type of the main character, can be highly evaluated. For example, in a novel by P. Rankov the plot, in spite of its linearity, is a chain of episodes in the span of 30 years from the life of the main characters. It reflects not only their fates, but also the historical and political changes of the world they live in. The main female character of a S. Lavrík ’s novel narrates about everyday life and tragedies in the lives of the dwellers of a Slovak town in the Slovak Republic during the war. P. Krištúfek in his novel focuses on several decades from the life of a Slovak-Jewish family and dwellers of a Slovak provincial society with types and relations specific for this milieu.


1967 ◽  
Vol 29 (1) ◽  
pp. 41-64
Author(s):  
Louis L. Snyder

Edward Lasker, German parliamentarian, was born on August 14, 1829, in Jaroczin, a small village in the province of Posen, the Polish area of Prussia. The offspring of an orthodox Jewish family, the young man studied the Talmud and translated Schiller into Hebrew verse. At first he showed a preference for philosophy and mathematics but turned later to history, political science, and law. Influenced by contemporary pre-Marxian socialism, he, together with his fellow students, fought on the barricades during the revolution of 1848. It became clear to him after passing his law examinations that he could not expect an adequate appointment in the civil service of reactionary Prussia.


Author(s):  
Tina Frühauf

Abstract The miniseries Hotel Polan und seine Gäste tells the story of three generations of a Jewish family of hoteliers in Bohemia from 1908 to National Socialist persecution. Produced by GDR television in the early 1980s, the series was subsequently broadcast in other European countries and met with a mixed reception. Later on, scholars evaluated it as blatantly antisemitic and anti-Zionist. This essay seeks to re-evaluate these prerogatives by centring the analysis of the miniseries on a close reading of its music—a method not often used in Jewish studies, but a suitable lens through which to interrogate the employment of stereotypes, especially in film, and in light of textual sources from the Cold War era often being reflective of ideologies rather than facts. Employing critical theories of cultural studies and film music, it seeks to identify stereotypes and their dramatic placement and to analyse their operation. It asserts that story, image, and sound constitute both synchronous and asynchronous agents that perpetuate various stereotypes associated with Jews, thereby placing Hotel Polan in the liminal space of allosemitism. Constructed through difference from a perceived norm, Hotel Polan ultimately represents a space in which the egregious stereotype and the strategic employment of types meet. Its deployment of Jewish musical topics specifically shows that it is less their dramatic function that is of relevance, but the discourse that they have the power to enable.


2003 ◽  
Vol 250 (6) ◽  
pp. 733-740 ◽  
Author(s):  
Alexander Lossos ◽  
Avinoam Reches ◽  
Aya Gal ◽  
Joel P. Newman ◽  
Dov Soffer ◽  
...  

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