scholarly journals TRACING CULTURAL MORPHING AND DIASPORIC IDENTICAL APPREHENSIONS: POST-PARTITIONED (1947) CONTEXTUAL IDEOLOGIES IN LIQUID MODERN ERA

2020 ◽  
Vol 7 (2) ◽  
pp. 150-161
Author(s):  
Hassan Bin Zubair ◽  
Dr. Nighat Ahmed

This research explores the diasporic experiences of South Asian immigrants and cultural ambivalence in Kiran Desai’s The Inheritance of Loss (2006). It highlights the conditions when East Pakistan had to adjust to an altogether new environment separated from their original culture after the Partition of this subcontinent in the year 1947. It reveals that the same historical, ideological, and thematic properties have been coming through generations and diasporic writers select these themes as their major subject of discussion. This research explores the varied nuances of family relationships in the writings of recent diaspora writers like Desai. The surge of globalization has washed away solitary identities. Theories presented by Homi K. Bhabha and Stuart Hall help this study in finding the answers of the proposed research question. This research provides a chance to understand the impact of Post-Partitioned (1947) ideologies behind the theme selection in the writings of diasporic Anglophone writers.

2021 ◽  
pp. 11-12
Author(s):  
Simran Siwach

Chitra Banerjee Divakaruni is an author, poet, activist and professor. She is considered an Indian American writer. Divakaruni often focuses on the experience of South Asian immigrants and her works are largely set in India and the United States. The present paper deals with the reading of Chitra Banerjee Divakaruni's remarkable historical ction- “The Palace of Illusion”. A number of researches have been done on this work with a Feminist and Psychological approach. This research paper will attempt the analyzing the work with an alternative perspective which is a Dystopian vision. With answering these questions- How Divakaruni's work- 'The palace of Illusion' is re-imaging the protagonist's perspective in a dystopian society instead of retelling the Indian epic? How dystopian vision is an appropriate choice for analyzing the present work? The paper will also argue that Dystopia is not just bounded to science ction although it can also be related to other genres of ction.


2011 ◽  
Vol 85 (2) ◽  
pp. 230-236 ◽  
Author(s):  
Manasi Ashok Tirodkar ◽  
David William Baker ◽  
Neerja Khurana ◽  
Gregory Makoul ◽  
Muhammad Wasim Paracha ◽  
...  

2016 ◽  
Vol 29 (8) ◽  
pp. 941-947 ◽  
Author(s):  
Stella S. Yi ◽  
Lorna E. Thorpe ◽  
Jennifer M. Zanowiak ◽  
Chau Trinh-Shevrin ◽  
Nadia S. Islam

2016 ◽  
Vol 19 (2) ◽  
pp. 373-380 ◽  
Author(s):  
Belinda L. Needham ◽  
Bhramar Mukherjee ◽  
Pramita Bagchi ◽  
Catherine Kim ◽  
Arnab Mukherjea ◽  
...  

Author(s):  
Uzma Quraishi

The epilogue reflects on the contemporary experiences of Indian and Pakistani Americans in the greater Houston area. Using anecdotal evidence, it draws attention to the enduring lived reality of race, class, and ethnicity in South Asian immigrants’ lives, and immigrants’ conflicting understandings about identity. It also provides a conclusion to the book.


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