The problem of genre in mozart (on “Cosi fan tutte”)

Sphere of Culture ◽

10.48164/2713-301x_2020_1_37 ◽

2020 ◽

pp. 37-48

Author(s):

M.Ya. Kuklinskaya

Keyword(s):

Download Full-text

Cosi Fan Tutte: Information, Beliefs and the Compliance with Norms

SSRN Electronic Journal ◽

10.2139/ssrn.1497922 ◽

2009 ◽

Author(s):

Peter Kotzian

Keyword(s):

Download Full-text

‘COSÌ FAN TUTTE’ A WELL-KEPT SECRET

Music and Letters ◽

10.1093/ml/xlvi.4.316 ◽

1965 ◽

Vol XLVI (4) ◽

pp. 316-321

Author(s):

ANN LIVERMORE

Keyword(s):

Download Full-text

Così Fan Tutte at the Limits

Grand Street ◽

10.2307/25008207 ◽

1997 ◽

pp. 93

Author(s):

Edward W. Said

Keyword(s):

Download Full-text

XXI. 1790: Trachtet nach Erkenntnis der Wahrheit: Oder: Così fan tutte und die Abgründe des Alltags

Mozart ◽

10.17104/9783406661334-338 ◽

2014 ◽

pp. 338-357

Author(s):

Eva Gesine Baur

Keyword(s):

Download Full-text

‘Così Fan Tutte’: Dramatic Irony

The Signifier and the Signified ◽

10.1007/978-94-010-1087-0_5 ◽

1977 ◽

pp. 93-120

Author(s):

Frits Noske

Keyword(s):

Download Full-text

Gespielte Liebe: Così fan tutte ossia la Scuola degli Amanti

Im Garten der Texte ◽

10.3726/978-3-653-05389-0/16 ◽

2016 ◽

Keyword(s):

Download Full-text

Prager Aufführungsmaterial zu Così fan tutte aus der Zeit Mozarts

Mozart Studien Band 27 ◽

10.2307/j.ctv1jpf68s.18 ◽

2020 ◽

pp. 331-360

Author(s):

Milada Jonášová

Keyword(s):

Download Full-text

Character and Character Swapping in Mozart’s Così fan tutte

Questions of Character ◽

10.1093/acprof:oso/9780199357703.003.0025 ◽

2016 ◽

pp. 433-443

Author(s):

Stephen Davies

Keyword(s):

Download Full-text

Così fan tutte. A Compositional History - By Ian Woodfieldï¿½ Così fan tutte. Dramma giocoso und deutsches Singspiel: Frühe Abschriften und frühe Aufführungen - By Claudia Maurer Zenck

Journal for Eighteenth-Century Studies ◽

10.1111/j.1754-0208.2009.00187.x ◽

2010 ◽

Vol 33 (1) ◽

pp. 124-126

Author(s):

David J. Buch

Keyword(s):

Compositional History ◽

Download Full-text

Edmund Goehring. Three Modes of Perception in Mozart: The Philosophical, Pastoral, and Comic in ‘Così fan tutte’. Cambridge: Cambridge University Press, 2004. pp. xvi+280

Cambridge Opera Journal ◽

10.1017/s0954586707002285 ◽

2007 ◽

Vol 19 (1) ◽

pp. 91-96 ◽

Author(s):

Stephen Rumph

Keyword(s):

Cambridge University ◽

Download Full-text