scholarly journals The principles of Cultural Heritage Law based on the Polish Law as an example

2021 ◽  
Vol 17 (3) ◽  
Author(s):  
Małgorzata Joanna Węgrzak ◽  
Kamil Zeidler
Keyword(s):  
2012 ◽  
Vol 11 (2) ◽  
pp. 083-098
Author(s):  
Bogusław Szmygin ◽  
Ewa Banak

One of the topics of spatial data that will form the basis for the creation of Polish Infrastructure for Spatial Information, data on the state of the resource and the protection of cultural heritage. This article is designed to test the broader assessment of progress on the creation of Polish database of spatial information in the field of cultural heritage protection. Presents the current state, as well as insights on the possible inclusion of built file system information about the Polish monuments and cultural heritage. Studies were used as a source of available literature, data from the official websites of the institutions responsible for the transposition of the INSPIRE Directive into Polish law, and above all the materials Surveyor General of the Land and the National Heritage Board of Poland.


2021 ◽  
Vol 13 (7) ◽  
pp. 3947
Author(s):  
Piotr Stec ◽  
Alicja Jagielska-Burduk

Cultural security is a comprehensive notion that has gained much attention in the recent cultural heritage debates. In terms of the EU, it encapsulates cultural heritage destruction and protection in armed conflicts, post-war cultural heritage management, restitution, illicit traffic of cultural property, cultural diversity, and intercultural dialogue. The article aims to present how cultural security matters appear in the EU legal system and policy. The authors argue that cultural security is present in different policies regarding cultural property and the fight against illicit trafficking, as well as in EU external cultural relations. Digitization in the cultural sector constitutes a challenge, facilitates access to cultural heritage, and is an important tool for future cultural security. Therefore, EU law in the context of cultural security is analyzed. The authors took the Polish law as an example of how cultural security can be safeguarded while promoting an EU Member State’s jurisdiction. The paper’s educational part offers some ideas on creating and incorporating law and cultural security courses into varied higher education programs.


Author(s):  
Aleksandra Guss

Digitization in the narrow sense means the conversion of analogue data into digital form. Looking more broadly through the prism of the protection of cultural heritage, digitization of its objects means not only the conversion of analogue objects into their digital version, but is also related to the processing of the obtained material, file management, and finally, but not always, the sharing of digital documentation. It is not a simple procedure because it has many limitations, including those arising from issues of the copyright protection of digitized works. The aim of this article is to present the challenges related to copyright in relation to the digitization of cultural heritage in the light of Polish law and policy. Poland is one of the countries where the process of digitization of cultural heritage is developing dynamically, both through government programmes and grassroots digitization movements. However, there is no separate regulation in the Polish legal system devoted to the digitization of cultural heritage resources. This makes it difficult to ensure the digitization of a significant part of collections due to the limitations resulting from copyright and their relation to works that can potentially be transferred into the digital space.


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