scholarly journals Pengembangan Desa Wisata Taro berbasis digital marketing sosial media

2021 ◽  
Vol 1 (2) ◽  
pp. 116-124
Author(s):  
Ni Made Anggia Paramesthi Fajar ◽  
I Wayan Diasa ◽  
Ade Maharini Adiandari

Taro Village is one of the tourism villages that has the oldest history in Bali. This Taro Tourism Village is an old village in Bali that is rich in stories and cultural relics of the past. The existence of this village is closely related to the visit of a sacred person in the past from East Java to Bali around the 8th century. This Taro Tourism Village has green and beautiful nature. The cool air and the trees make the atmosphere shady. As well as residents' houses with the characteristics of traditional Balinese houses. Besides enjoying the natural atmosphere, the tourist village of Taro also has many cultural values that can be an interesting source of knowledge for visitors to the tourist village. However, along with the development of the times, the Taro Tourism Village began to experience a setback because of the many other tourist attractions that offered new "experiences" for tourists. so it requires the need for new packaging of tourism activities while still using religious culture and beautiful nature as the main components.

Author(s):  
Cumhur Coskun

A passport is an identity given to an individual by his country, to travel to other countries. With globalisation, ‘passports’ that were papers stamped at the entrance and exit by customs during the past centuries have increasingly become critical documents. It is not only a personal document, but it also represents the country to which it belongs. The designs should reflect the cultural identity of a nation, in the form of visual elements, illustrations and photographs. Countries that are aware that their passports reflect their cultural values are able to combine their passport designs with the modern design concept of the times creatively and stylishly, as an artistic work. This qualitative study is aimed at evaluating passport designs in terms of being a representative of a cultural identity and examining passport designs that are re-examined with innovative and modern understanding cultural identity. Keywords: Passport design, cultural identity, graphic design.


2019 ◽  
Vol 2 (2) ◽  
Author(s):  
Yudiaryani Yudiaryani ◽  
Wahid Nurcahyono ◽  
Sylvia Angreni Purba

Cultural identity in ketoprak performance should depart from all cultural products themselves. Strengthening the form of ketoprak performance in the middle of the era becomes important for artists in building their creativity. The strategy was designed so that people assume that ketoprak was theirs and able to be their representation. Based on the data collected, the number of groups, performances, and ketoprak artists in DIY were as follows. The number of groups in four districts and one municipality were 497 groups. The number of ketoprak showed from 1999-2009 was 145 times. The highest number of ketoprak groups was in Kulonprogo Regency, followed by Gunungkidul Regency, Bantul Regency, Sleman Regency, and finally the Municipality. The year 2005 was a milestone in the development of ketoprak to the present. The successful renewal of ketoprak shows can be seen by the number of shows which are 113 times over five years (from 2005 to 2009), which means that there were twenty ketoprak shows every year, and every month there were two ketoprak shows. The condition was triggered by several factors as follows. First, local government awareness to determined the icon of DIY tourism as part of globalization. Second, the awareness of artists to package performances that match the demands of the times. Third, awareness of the artistic layout strategy using symbolic and supported by Tobong ketoprak tricks. Fourthly, the influence of ketoprak humor and ketoprak R&D which still uses the style of play and jokes, causes the ketoprak show to be no longer a mere political tool, but a tool and place of friendship for the citizens. Fifth, the story was no longer based on myths, chronicles and legends, but penetrated the wayang story but with a more contextual interpretation of the story with the present. By seeing the many activities of ketoprak performances in DIY it can be said if ketoprak has become an icon of culture and tourism in DIY. Ketoprak performances tread its survival was no longer a traditional art, but has become a form of modernist art. Over the past ten years, the ketoprak show has experienced quite improved conditions. The vigilance of artists and audiences must be constantly reminded. The trick was to continuing to enhance the role of government as a protector of arts and culture. The ketoprak festival must continuing to be held continuously. Improving the skills of ketoprak artists must continuing to be sharpened. Of course the friendship between Ketoprak artists must continuing to be encouraged. Government’s appreciation for ketoprak artists must be increased.Keywords: identity; ketoprak; strengthening; globalization


2015 ◽  
Vol 3 (3) ◽  
pp. 100
Author(s):  
Muhammad Tayeb ◽  
Sherly Asriany ◽  
Ridwan Ridwan

Indonesia has many religious culture that should be preserved one of  which is the imperial mosque. Most of the imperial mosque has its own characteristics in carrying out activities both religious and cultural. Sultanate of Ternate is the largest sultanates in eastern Indonesia which would give other peculiarities that need to be raised as a typical Indonesian culture. The purpose of this study is to identify the type of tradition in doing at the mosque sultanate by people of Ternate and changes in cultural values of the people of Ternate in the imperial mosque. In this study found the phenomenon characteristic changes in cultural values by linking changes in the physical aspect and non-physical. To determine the effect of these factors, the method used is the method of observation of physical traces. This method is expected to be able to explain the effect of the change occurred. Based on the results of the study indicate compliance is still customary rules of religious traditions in the imperial mosque although some traditions that formerly taboo has been done, the progress of the times, increase knowledge, and make the implementation of the reform and renewal of cultural values carried by the community for various reasons theTernate.


Edupedia ◽  
2020 ◽  
Vol 4 (2) ◽  
pp. 71-79
Author(s):  
Junaidi Junaidi ◽  
Fildza Avisyah

The rapid development of the times, has implications for the implementation of education both non-formal education, formal education, and informal education is very necessary. Religious education is now known formally, not only in Islamic classes in the classroom by conveying material but Islamic religious lessons are also given in activities in Islamic boarding schools. Islamic boarding school is a unique system. Not only unique in the level of learning, but also in the values   of life, the way of life adopted, the structure of the division of authority, and all other aspects of personality and society. This paper tries to explain explicitly about (1) Internalization of religious cultural values   in increasing the independence of students of Salafiyah Syafi’iyah Sukorejo Islamic Boarding School. (2) The efforts of pesantren in enhancing religious cultural values   at the Salafiyah Syafi’iyah Sukorejo Islamic Boarding School. In order to obtain new knowledge about the internalization of religious cultural values   in increasing independence and the efforts of pesantren in improving religious culture.


Inner Asia ◽  
2006 ◽  
Vol 8 (1) ◽  
pp. 123-34
Author(s):  
Junko Miyawaki–okada

AbstractMost members of the Japanese public today, when hearing the words Mongols or Mongolia, immediately think of three different tales: 1) That the forefathers of the Japanese Imperial Family were the horsemen of the Mongolian Plateau, who came through the Korean Peninsula to conquer Japan; 2) that Chinggis Khan, the founder of the Mongol Empire, was really Minamoto no Yoshitsune, a Japanese general; and 3) that the Mongol invasion of the thirteenth century failed because of a typhoon caused by a Divine Wind (kamikaze), which saved Japan from Mongolian subjugation. Each of these three stories emerged to fill the psychological requirements of national pride in the times after Japan experienced the modernisation process launched by the Meiji Restoration in 1868. These can be seen as a Japanese version of The Invention of Tradition famously described by Hobsbawm and Ranger. The second of these tales was also born in England. Kenchō Suyematsu, 1855–1920, was ordered to study in England at national expense in 1878–86. He wrote a book in English, The Identity of the great conqueror Genghis Khan with the Japanese hero Yoshitsune, An historical thesis, and published it in London in 1879. Suyemastu’s arguments for the identity of Chinggis Khan with Minamoto no Yoshitsune are all absurd. Nevertheless, in 1924 after the Japanese dispatch of troops to Siberia, there appeared a study by Mataichirō Oyabe entitled, Genghis Khan is Gen Gi–kei (Jingisu Kan wa Gen Gi–kei nari) packed with the abundant results of numerous field surveys, which became a runaway best seller. This paper aims to explain why the Japanese became so particularly interested in the Mongols, among the many Asian nations of the Asian Continent, and why they displayed such enthusiasm about the Mongols, but not the Chinese, in relating connections with the history of the past.


2020 ◽  
Author(s):  
Thomas Richardson

Ratios are widely used in the social and life sciences, particularly the evolutionary behavioural sciences. However, over the past few decades, several problems have been identified with them leading many disciplines to abandon their use. Ratios show statistical properties that are not always obvious, are difficult to interpret properly and can have unintended implications. Uncertainty about their precise meaning impedes the development of effective theory. Arbitrary choices of which variable is used as the numerator and which is used as the denominator can lead to different results. Additionally anthropometric variables rarely remove the influence of body size and can induce spurious effects. Fortunately, advances in statistical techniques and software mean that most of these issues are easily resolved and have rendered ratios mostly unnecessary. Any researcher with a firm grasp of multiple regression can avoid the pitfalls associated with ratios. This review aims to introduce readers to the many issues associated with ratios and how to overcome them, with a special emphasis on the ratios most widely used in the evolutionary behavioural sciences. Using open access datasets I demonstrate both the potential problems with ratios and their solutions. I outline the times when ratios are acceptable and useful, and when our science would be more rigorous and productive without them.


2016 ◽  
Vol 8 (3) ◽  
pp. 779
Author(s):  
Vladimir D. Mihajlović

Postcolonial and postmodern perspectives, entering the humanities over the last decades of the 20th century, have contributed to the awareness that the present European interpretations of the past have been strongly influenced by the social and ideological context of the 19th and 20th centuries. Consciously or otherwise, the pioneers of research into the Classical antiquities have perceived the object of their research through their own perception of the relations in the world that surrounded them, thus inscribing their contemporaneous values onto the past and using thus conceived past in understanding, explaining and justifying the modern social/cultural phenomena. This contribution poses the question to which extent the social trends in the Kingdom of Yugoslavia have inspired and enabled the creation of an academic narrative about the uniqueness of the Balkan lands, based upon the continuity with the "ancient humanism", and social/cultural values, (allegedly) defined at the times of Ancient Greece and Hellenism. The relationship is considered between the modern trends and the formation of academic issues in the case of social and political circumstances that coincided with the creation of the discourse of the "Balkan spirit". The narrative is considered from the times of its formation up to the present, as well as the reasons for its wide popularity both in the academic community and the general public.


Author(s):  
Benjamin F. Trump ◽  
Irene K. Berezesky ◽  
Raymond T. Jones

The role of electron microscopy and associated techniques is assured in diagnostic pathology. At the present time, most of the progress has been made on tissues examined by transmission electron microscopy (TEM) and correlated with light microscopy (LM) and by cytochemistry using both plastic and paraffin-embedded materials. As mentioned elsewhere in this symposium, this has revolutionized many fields of pathology including diagnostic, anatomic and clinical pathology. It began with the kidney; however, it has now been extended to most other organ systems and to tumor diagnosis in general. The results of the past few years tend to indicate the future directions and needs of this expanding field. Now, in addition to routine EM, pathologists have access to the many newly developed methods and instruments mentioned below which should aid considerably not only in diagnostic pathology but in investigative pathology as well.


2020 ◽  
Vol 5 (1) ◽  
pp. 6-11 ◽  
Author(s):  
Laurence B. Leonard

Purpose The current “specific language impairment” and “developmental language disorder” discussion might lead to important changes in how we refer to children with language disorders of unknown origin. The field has seen other changes in terminology. This article reviews many of these changes. Method A literature review of previous clinical labels was conducted, and possible reasons for the changes in labels were identified. Results References to children with significant yet unexplained deficits in language ability have been part of the scientific literature since, at least, the early 1800s. Terms have changed from those with a neurological emphasis to those that do not imply a cause for the language disorder. Diagnostic criteria have become more explicit but have become, at certain points, too narrow to represent the wider range of children with language disorders of unknown origin. Conclusions The field was not well served by the many changes in terminology that have transpired in the past. A new label at this point must be accompanied by strong efforts to recruit its adoption by clinical speech-language pathologists and the general public.


2020 ◽  
Vol 1 (2) ◽  
pp. 157-172
Author(s):  
Thomas Leitch

Building on Tzvetan Todorov's observation that the detective novel ‘contains not one but two stories: the story of the crime and the story of the investigation’, this essay argues that detective novels display a remarkably wide range of attitudes toward the several pasts they represent: the pasts of the crime, the community, the criminal, the detective, and public history. It traces a series of defining shifts in these attitudes through the evolution of five distinct subgenres of detective fiction: exploits of a Great Detective like Sherlock Holmes, Golden Age whodunits that pose as intellectual puzzles to be solved, hardboiled stories that invoke a distant past that the present both breaks with and echoes, police procedurals that unfold in an indefinitely extended present, and historical mysteries that nostalgically fetishize the past. It concludes with a brief consideration of genre readers’ own ambivalent phenomenological investment in the past, present, and future each detective story projects.


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