scholarly journals A Moral Response to the Corruption of Individualism in Kenya Today

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Slavic Review ◽  
2009 ◽  
Vol 68 (2) ◽  
pp. 284-307
Author(s):  
Olga Matich

The article examines the aversive emotion of disgust and its deployment in the visual arts and in the premier Russian modernist novel, Andrei Belyi's Petersburg, which has not been considered in regard to its affective poetics before. Based on recent studies of the emotions in cultural history and theory, it explores the philosophical, psychological, and aesthetic aspects of disgust as a response to something viscerally and/or morally repugnant. The emotion, induced by the experience seen or imagined close up, provokes the observer's recoil as defined by cultural norms. As such, disgust is performative in spatial terms. Olga Matich argues that movement away from the loathsome image or idea affords the possibility of making the experience cognitively readable or legible, that disgust creates a space in which the individual negotiates her emotional as well as moral response. Yet she claims that aesthetically—and in certain instances ethically—disgust, which is always about the boundaries of the permissible, is also liberating: it offers society, its artists, and their consumers the opportunity to transgress established norms. Through extensive close readings of Petersburg, Matich shows that Belyi's experimental novel does precisely that, challenging the reader not to avert her readerly gaze from that which is unsettling and to appreciate, even to delight in, his shocking metamorphic image-making. She calls Petersburg a modernist exemplar of baroque aesthetics, characterized by excessive affect and grotesque representation, especially of the corpse, invoking the transience of life and dissolution of form.



2018 ◽  
Vol 32 (1) ◽  
pp. 78-87 ◽  
Author(s):  
Craig Hovey

By law, women seeking abortions in some US states must undergo compulsory ultrasound viewing. This article examines the moral significance of this practice, especially as understood by pro-life religious groups, in light of Foucault’s recently published lectures on ‘The Will to Know’ and the place of the aesthetic. How does the larger abortion-debate strategy of ‘showing’ and ‘seeing’ images—whether of living or dead fetuses—work as an aesthetic form of argument that intends to evoke a moral response in the absence of reason-giving? The article draws on recent, parallel debates regarding disgust before concluding with a theological response to the priority of will over knowledge and vision over action as commentary on the future of abortion debate and law, especially in the United States.



Society ◽  
1983 ◽  
Vol 20 (6) ◽  
pp. 26-29
Author(s):  
Elliott Abrams
Keyword(s):  


2019 ◽  
Vol 18 (3) ◽  
pp. 249-271 ◽  
Author(s):  
Leslie Sekerka ◽  
Marianne Marar Yacobian


2013 ◽  
Vol 7 (2) ◽  
pp. 78-99 ◽  
Author(s):  
Ilan Safit

The primary concern of environmental ethics pushed to the limit is the question of survival. An ethic of survival would concern the possibility of morality in an environmental crisis that promises humanity immeasurable damage, suffering, and even the possibility of species extinction. A phenomenological analysis of the question of moral response to such future catastrophe reveals—in Heideggerian fashion contra-Heidegger—that the very question positions us in a relation of responsibility towards a world and a humanity that lies beyond one’s reach and extends into the future. Responsibility, then, arises as a constituting element that defines humanity and therefore cannot be bracketed away or suspended in a time of crisis. Through a reading of Hans Jonas’ notion of responsibility and a critique of some major notions of Environmental Ethics, this article argues that an ethic of survival is conditioned by the survival of humanity as a moral, responsible species. The main challenge of this responsibility is further suggested to be the clash between the autonomy and dignity of the individual and the vital needs of the larger community in the struggle for survival. 





Comunicar ◽  
2015 ◽  
Vol 22 (44) ◽  
pp. 149-158 ◽  
Author(s):  
Isidoro Arroyo-Almaraz ◽  
Raúl Gómez-Díaz

The current paper is based on the hypothesis that communication through the new digital technologies modifies the moral response of users, and therefore reduces social capital. This approach has been contrasted by designing and conducting an experiment (N=196) using our own adaptation of the Spanish version of the Defining Issues Test on subjects who have been socialized by Internet and who constitute the representative samples of this study. This test on paper was adapted to our research following an expert validation procedure and then transferred onto two types of digital audiovisual formats. Finally, The use of digital communication technologies and students’ fluid intelligence response were evaluated in order to establish whether their response was significant and if it modified moral response. The results confirm the hypothesis and show that the quality of moral response decreases when digital technologies are used instead of pencil and paper. This difference is greater when virtual images of people designed by animation are used rather than visual images of real people. In addition, the results show that fluid intelligence mitigates these modifications. Se investiga cómo la comunicación mediada por tecnologías digitales modifica la respuesta moral de los usuarios, y por tanto, varía el capital social. Se diseña y realiza un experimento con 196 sujetos que se sirve de una adaptación de diseño propio del «Defining Issues Test» en papel, a partir de la versión española, sobre una muestra representativa del universo de sujetos que se han socializado con Internet. Se valida la adaptación del test sometiéndolo a juicio por un panel de expertos, se amplía el mismo a otros dos formatos digitales audiovisuales diferentes: con imágenes reales de personas o con imágenes virtuales de personas a través de animación, y se comprueba si la inteligencia fluida de los sujetos es significativa en la modificación de la respuesta moral. Los resultados confirman las hipótesis y demuestran que la calidad de la respuesta moral disminuye cuando se usan tecnologías digitales respecto a cuando se usa papel y lápiz. Esta diferencia es mayor cuando se usan imágenes virtuales de personas a través de animación que cuando se usan imágenes audiovisuales de personas reales. En todos los casos la inteligencia fluida es un atenuante de estas modificaciones.



HEC Forum ◽  
1996 ◽  
Vol 8 (1) ◽  
pp. 71-79
Author(s):  
Richard L. Allman ◽  
Brian H. Childs


2020 ◽  
Vol 27 (6) ◽  
pp. 144-147
Author(s):  
Yusrita Zolkefli

We recognise that people lie to health professionals for several reasons. However, these incidents endanger the well-being of the professionals and bring us to the question of whether people have an exclusive moral duty to always profess the truth about their health and other facts, particularly in a pandemic crisis. This review argues that an honest patient is a key to undertaking their roles as health professionals and delivering the best services possible to meet the needs of the patient. Greater awareness and comprehension of the potential ramifications of dishonesty, not only helps establish the moral obligation, to tell the truth, particularly in a pandemic situation, but also translates into a better relationship with health professionals. It also enforces an ethical solidarity on every single of us to show tangible moral response to ensure that those most vulnerable to risks from the pandemic illness such as health professionals are protected as far as possible.



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