Doxography and Psychoanalysis, or Relegating Truth to the Lowly Status It Deserves

2019 ◽  
pp. 5-22
Author(s):  
Barbara Cassin
Keyword(s):  
Nineteenth Century ◽  
Classical Scholar ◽  
Psychoanalytic Discourse

This chapter serves as an introduction to the history and methodology of “doxography” as the deeply problematic means by which Presocratic texts have been transmitted and passed down to us.It highlights the importance of Diogenes Laertius, as one of the most brilliant early doxographers, and the ground-breakingDoxographiGraeci of the nineteenth century German classical scholar and philologist, Herman Diels.Like the sophists, Lacan questions the primacy of truth in both philosophical and psychoanalytic discourse, which is “relegated to the lowly status it deserves.”

Islam and War: Tradition versus Modernity

2010 ◽  
Vol 4 (1-2) ◽  
pp. 181-212
Author(s):  
Joseph S Spoerl
Keyword(s):  
Nineteenth Century ◽  
Islamic Law ◽  
Classical Scholar ◽  
Law Of War ◽  
Critical Method ◽  
Entire World ◽  
Modernist Project ◽  
Early Islamic ◽  
Muslim Scholars

Islamic thinking on war divides roughly into two main schools, classical and modern. The classical (or medieval) view commands offensive war to spread Islamic rule ultimately across the entire world. The modernist view, predominant since the nineteenth century, limits war to defensive aims only. This paper compares the views of two important Muslim scholars, the classical scholar Ibn Ishaq (d. 767) and the modernist scholar Mahmud Shaltut (d. 1963). This comparison reveals that the modernist project of rethinking the Islamic law of war is a promising though as-yet-unfinished project that can benefit from the insights of Western scholars applying the historical-critical method to the study of early Islamic sources.

scholarly journals The Reception of Petrarch’s Africa in Fascist Italy

2021 ◽  
Author(s):  
Samuel Asad Abijuwa Agbamu
Keyword(s):  
Nineteenth Century ◽  
Roman Empire ◽  
Fourteenth Century ◽  
Critical Edition ◽  
Classical Scholar ◽  
Italian Fascism ◽  
Second Punic War ◽  
History Of ◽  
History Of Literature

AbstractIn his 1877 Storia della letteratura (History of Literature), Luigi Settembrini wrote that Petrarch’s fourteenth-century poem, the Africa, ‘is forgotten …; very few have read it, and it was judged—I don’t know when and by whom—a paltry thing’. Yet, just four decades later, the early Renaissance poet’s epic of the Second Punic War, written in Latin hexameters, was being promoted as the national poem of Italy by eminent classical scholar, Nicola Festa, who published the only critical edition of the epic in 1926. This article uncovers the hitherto untold story of the revival of Petrarch’s poetic retelling of Scipio’s defeat of Hannibal in Fascist Italy, and its role in promoting ideas of nation and empire during the Fascist period in Italy. After briefly outlining the Africa’s increasing popularity in the nineteenth century, I consider some key publications that contributed to the revival of the poem under Fascism. I proceed chronologically to show how the Africa was shaped into a poem of the Italian nation, and later, after Italy’s invasion of Ethiopia, of Italy’s new Roman Empire. I suggest that the contestations over the significance of the Africa during the Fascist period, over whether it was a national poem of Roman revival or a poem of the universal ideal of empire, demonstrate more profound tensions in how Italian Fascism saw itself.

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