scholarly journals VOCES Y OTREDAD. DE LAS CARTAS DESDE MI CELDA A BÉCQUER Y LAS BRUJAS

Author(s):  
Miriam LÓPEZ SANTOS

La crítica especializada ha relacionado las leyendas de las cartas Desde mi celda de Bécquer con la insistencia por parte del autor en la búsqueda y recuperación del folclore y de las tradiciones populares. No obstante, el acercamiento a las mismas exige una doble lectura. La riqueza polifónica muestra que, al Bécquer folclorista, habría de añadírsele su faceta de lector afamado, imprescindible en su configuración como narrador de historias. El escritor sevillano mira al pueblo, recoge y bebe de la tradición, pero la filtra a través del prisma del movimiento gótico, de los ecos que aún permanecían en la literatura y que se atisbaban en las últimas manifestaciones de las narraciones románticas y en la incipiente narrativa realista. El largometraje recientemente estrenado Bécquer y las brujas ahonda en esta riqueza polifónica de una figura, construida desde la más pura otredad: la de la bruja. Abstract: Literary scholarship has credited the legends collected in Bécquer’s letters Desde mi celda for the writer’s interest in the research and recovery of folklore and popular traditions. However, when approaching these traditional stories, another perspective is possible: Bécquer’s polyphonic narrations are rooted in his wide readings, from which he draws the material of his stories. The Sevillian writer observes and grasps the people’s cultural traditions, but through the filter of the Gothic, the echoes of the last romantic prose and the emerging realist narrative. The newly released film Bécquer y las brujas highlights the richness of his compositions, based on the purest otherness: the figure of the witch.

Author(s):  
Надежда Степановна Коровина

Глубокая и прочная связь коми и русской сказочных традиций отмечалась неоднократно, вместе с тем конкретных разысканий по данной проблеме недостаточно. По этой причине в статье предпринята попытка исследовать особенности взаимодействия сказок соседних народов, принадлежащих к разным языковым семьям, но имеющих близкие культурные традиции. Материалом стал сказочный сюжет СУС 502 «Медный лоб». Проанализировав пять вариантов коми сказки, можно заметить, что в них реализованы все значимые эпизоды этого сюжетного типа. Однако наблюдения над коми региональным материалом меняют представление о стабильности законов народной сказки. При современном процессе затухания сказочной фольклорной традиции произошли изменения в наиболее устойчивой ее составляющей - сюжетно-композиционном строении. Широкое варьирование коми сказочниками сюжетов, образов, их трансформация привели к «новеллизации» некоторой части коми сказок, превращению их в авантюрно-фантастические устные повести. Традиционные сюжеты переосмыслялись прежде всего путем контаминации, а также путем сближения фольклорных сказок с русскими книжными произведениями. Приведенные примеры закономерных изменений отнюдь не говорят о полном разрушении его глубинной традиционной основы. Исследование показало, что коми сказочники имели представление о традиционной сказочной обрядности, широко ими пользовались, что во многом способствовало сохранению волшебной сказки как жанра. The strong connection between the Komi and Russian fairy tale traditions has been noted repeatedly, yet research on this issue is clearly insufficient. In this article the author attempts to define the interaction of fairy tales of these neighboring peoples which belong to different linguistic families but which have closely related cultural traditions. Its specific focus is fairy tale SUS number 502 “Copper Forehead.” It examines five Komi variants of the fairy tale that contain all of the significant elements of this plot type. Examination of the Komi material challenges the idea that the laws governing folktales are stable. With the fading of folkloric traditions, there have been changes in fairy tales’ most stable components, their plot and compositional structure. Komi storytellers have introduced changes that transform Komi fairy tales in the direction of “novelization,” turning them to some extent into oral tales of adventure and fantasy. Traditional stories are reinterpreted primarily due to contamination, including bringing folklore tales closer to those from Russian books. At the same time, these normal changes by no means indicate the complete destruction of Komi folklore’s deep traditional basis. The study also demonstrates that Komi storytellers have had a clear notion of traditional fairy-tale patterns and made wide use of them, which has largely contributed to the preservation of the fairy tale as a genre.


2020 ◽  
Vol 4 (2) ◽  
pp. 83-97
Author(s):  
Emelie Jonsson

Abstract Ian Duncan's Human Forms and Devin Griffiths's Age of Analogy attempt to illuminate interactions between evolutionary theories and literature from the late eighteenth century up through the nineteenth century. They do not advance knowledge about this subject. Both authors treat evolution as a semi-fictional construction that owes more to literary inspiration than to the scientific method, and they reduce literature to a battleground for ideological forces. They write using dense terminology, shifting rhetoric, and flights of verbal performance that obscure their claims. In all these respects, they are representative of the field “science and literature”—and particularly of the subfield that studies evolution and literature. I analyze the history of this subfield of literary scholarship and attempt to explain how it developed into its present form. The subfield was founded in the 1980s on the basis of poststructuralist theory and has never escaped the core assumptions of that theory: our minds cannot reach outside culture; our thoughts, behaviors, and ideas about the world are primarily the result of our culture; some cultural traditions are oppressive while others are liberating; and the meaning of texts cannot be determined. Though Duncan and Griffiths represent the highest level of scholarship on evolution and literature, I argue that they fail their fascinating subject by offering very little that is new within their own field, and nothing that is of value to other fields.


1997 ◽  
pp. 33-36
Author(s):  
Anatoliy Moskovchuk

Ukraine is the motherland of not only Ukrainians but also of many national minorities with different cultures and traditions. Ukraine is a Christian country in general, with non-Christian and non-Christian religions and confessional currents, along with traditional churches - Orthodox, Catholic, Protestant - rooted and actively developing non-traditional Ukrainian culture and spirituality. In Ukraine there is a complex process of spiritual revival, especially in the intellectual environment. Many are written and talk about the preservation of cultural heritage. Everywhere, monuments of architecture, art, which testify to the generally recognized historical contribution of Christianity to the development of spirituality and morality of the Ukrainian people, are restored. In our eyes, there are changes in social and religious relations.


2017 ◽  
Vol 4 ◽  
pp. 77-92
Author(s):  
Natali Cavanagh ◽  
Sarah James ◽  
Shannon Walter

Lafcadio Hearn has written and adapted many Japanese folktales that explore religious and cultural traditions of the civilization. "Jikininki" tells the tale of a Buddhist priest who encounters a cursed, corpse-eating ghost. The authors examine the depiction of this corpse-devouring moster, its relation to teh cultural forces in rural Japan, and the representation of a fear of losing both the global Zen Buddhist and rural traditions through selfish mistreament and material desires.


2008 ◽  
Vol 10 (2) ◽  
pp. 23-49 ◽  
Author(s):  
Todd Lawson

This article highlights two features of Qur'anic style and content: duality/opposition and typological figuration, which can be seen as providing a continuous and consistent ‘narrative stream’ through the Qur'an. It is of some interest that both of these features have been singled out as distinctive of apocalypse as a genre in the study of numerous religious and cultural traditions. As debate on whether or not the Qur'an is a bona fide example of apocalyptic literature quietly continues, the interplay of conceptual and substantive oppositions and dualities is discussed in order to highlight the importance of this prominent feature to both the form and contents of the Book. It is suggested that its function is profoundly related to the typological figuration indispensable to the Qur'anic depiction of, for example, the character of the prophets and therefore prophethood. Whether or not this represents a genuine instance of apocalyptic literature, it nonetheless remains that the prominence of the motif renders the Qur'an susceptible of a reading expressive of something called an apocalyptic imagination. It is hoped that this article succeeds in demonstrating that in fact these apparently familiar subjects are stimulated to new life by considering them as defining, interlocking, structural elements of a distinctive Islamic apocalypse.


2004 ◽  
Vol 2 (2) ◽  
pp. 198-221 ◽  
Author(s):  
Ala Al-Hamarneh

At least 50 per cent of the population of Jordan is of Palestinian origin. Some 20 per cent of the registered refugees live in ten internationally organized camps, and another 20 per cent in four locally organized camps and numerous informal camps. The camps organized by the United Nations Relief and Works Agency for Palestine Refugees in the Near East (UNRWA) play a major role in keeping Palestinian identity alive. That identity reflects the refugees' rich cultural traditions, political activities, as well as their collective memory, and the distinct character of each camp. Over the past two decades integration of the refugees within Jordanian society has increased. This paper analyses the transformation of the identity of the camp dwellers, as well as their spatial integration in Jordan, and other historical and contemporary factors contributing to this transformation.


Author(s):  
Aleksey E. Shishkin

Relevance. The market-imposed system of consumerism overstepped the boundaries of bifurcation and entered into “legitimate rights” to abolish the living traditional world, thereby disturbing the balance in society and thereby signed the death sentence to itself. The problem of research. Exploring the possibilities of social reloading from consumerism to communitarianism to restore the balance of power in society. Scientific novelty and research results. Our novelty of research lies in the application of scientific tools to analyze a possible reload. We used the complementarity principle of N. Bohr, the principle of spontaneous emergence of I. Prigogine, the principle of incompatibility L. Zade, the principle of managing uncertainties, the principle of ignorance of individual opinions and collective ideas, the principle of conformity, the principle of diversity of development of a complex system, the principle of unity and mutual transitions, the principle oscillatory (pulsating) evolution – showed instability in the management of society by mondialist-compradors and a possible countdown of the transition from the sensual age to the ideation nnuyu, and in our case – from consumerism to communitarianism. The main purpose of the work. From the apparent modern triumph of consumerism over communitarianism, we are not interested in a fact-problem, but in the idea of transforming reality that can stop the process of obscuration. Discussion and Conclusion. In the Middle Ages, during the construction of the project “Holy Russia”, communities were created according to the principle of “big”. Around the devotee of piety, voluntary monastic settlements were created, which grew into suburbs. Of these, the ascetic-hesychast stood out, who went into the forest and chopped down a new temple. To the righteous people flocked, yearning for a just life. This is how a new community was created. There was a new prayer book and then the big man blessed him to organize other settlements. The state should be interested in finding new forms of solutions for educational, economic, technical, cultural and food programs, therefore the initiative of communitarianists should not be punished, but supported. Today, foreign investors are becoming owners of not only factories, but even entire branches of domestic industry and are able to significantly influence domestic politics in our country. The growing number of immigrants as a destabilizing factor is becoming increasingly important. In such a situation, the fate of the country depends on the ability of the people to a new unification. It is necessary to unite on the basis of religious and cultural traditions on the principle of professional fraternities; if only there would be more centers of spiritual culture, but not by the principle of quantity, as is always the case with officials, but by the qualitative qualification of the “big man” as a center of creative and integrative power. From the foregoing, the idea of building ideational (communitarian) cohorts is born, which, through their ascetic life and creative work, should set a new vector for historical development (“salt”) consumer society.


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