scholarly journals LÍNEAS DE FUERZA DE LO FANTÁSTICO EN LAS CREADORAS ESPAÑOLAS EN EL SIGLO XXI

Author(s):  
Natalia ÁLVAREZ MÉNDEZ

Este estudio preliminar funciona como contextualización sintética de la sección monográfica, planteando las premisas iniciales y una fundamentación teórico-crítica. La pretensión es doble: plasmar la necesidad de defensa de la existencia de una tradición femenina en el ámbito de la literatura de lo irreal y sintetizar los aspectos esenciales que conviene considerar en el análisis de dicha creación en el siglo XXI, entre ellos el hibridismo genérico, la significación del espacio doméstico y corporal, la relevancia de las voces narradoras de mujer, el protagonismo femenino con una marcada agencia, el modo de abordar la monstruosidad, así como las perspectivas feministas y de compromiso social y político.  Abstract: This preliminary study serves as a brief contextual framework of the following monographic section, including its cornerstones and a theoretical background. It has two goals: the claim of a female tradition in the field of unreal literature, and a synthesis of the essential aspects which must be taken into account in the analysis of this type of writing in the 21st Century, including genre hybridity, domestic and corporeal space signification, the relevance of women’s narrative, the prominence of female characters as agents, the ways in which monstrosity is tackled, as well as feminist, social and politically engagée perspectives.

2018 ◽  
Vol 46 (4) ◽  

Eduard Cuelenaere, Gertjan Willems & Stijn Joye Same same same, but different: a comparative film analysis of the Belgian, Dutch and American Loft Against the theoretical background of the concept ‘karaoke-Americanism’, this article compares the Belgian, Dutch and American version of the film Loft. Several (dis)similarities in the representation of sexuality, female characters, and ethnicity, as well as some formal changes, are observed. By combining these results with self-conducted, in-depth and press interviews with the filmmakers of these films, it is ascertained that, although the three versions share a similar use of specific Hollywood conventions, the changes in representation were motivated by perceived cultural differences. Building on known cultural stereotypes and clichés, filmmakers reinforce specific cultural (and national) identities, with the aim of enhancing the recognizability for their local audiences. In conclusion, the Dutch and Belgian filmmakers, in an attempt of localizing the universal, realized a hyperreal version of their own or another culture. Keywords: film remakes, cross-cultural adaptation, cinema in the Low Countries, karaoke-Americanism, cultural identity


Author(s):  
Alexis A. Burykin ◽  

Studying and representing grammatical paradigms of phraseological units is one of the most challenging tasks of Russian phraseology. The electronic resource «Lexicographer's Library» enables to keep track of the time when words and idioms are introduced into the language, the system of their meanings, semantic dynamics, historical stylistic dynamics, and communicatively dependent variation. The phraseological unit vstavit' (svoi) pyat' kopeek (= interfere into other people’s affairs) is generally used to denote a speech act, the other occurrences are rare. The unit emerged in late 1990s and the 21st century marked the peak of its use. The statistics of its use by certain authors shows that female authors are less enthusiastic with it while male authors are inclined to attribute it to female characters. The unit appeared as the euphemism for a much ruder expression that means «to poke one’s pig nose into other people’s affairs».


Author(s):  
Nguyen Duy Mong Ha ◽  
Nguyen Thanh Nhan ◽  
Bui Ngoc Quang

Developing educational institution culture contributes much to the training of learners to become adaptable and useful, moral citizens with lifelong-learning spirits and skills, with standard lifestyle, with awareness and fighting capacity, who can actively and effectively contribute to the development of local communities and of the country. First of all, the article aims to (1) outline the theoretical background of educational institution culture, (2) overview some core values and norms that are of interest in building educational institution culture in the 21st century so as to improve morality, lifestyle and lifelong learning spirits for learners (high school as well as undergraduate students), and then (3) suggest the development and promotion of core values and integrate them into all activities of the educational institutions to achieve the goal of whole-person training via the general analysis of some schools and universities in Binh Duong province. The research group summarizes some relevant contents from various documents, does discourse analysis of some statements in the institutional official websites, studies and observes some schools and universities in Binh Duong province that has attracted a lot of immigrants from many places in Vietnam. The research results show that, due to the big increase in scale and in the needs for the development of schools and universities in terms of quantity and quality, educational institution culture increasingly becomes an urgent issue in Binh Duong province, in which the values of morality, humanity and lifelong learning should be deeply and widely developed. The leaders of educational institutions need to be trained for the procedure and tools of developing educational institution culture.


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