Setting the Stage for Speech Production: Infants Prefer Listening to Speech Sounds With Infant Vocal Resonances

Purpose: Current models of speech development argue for an early link between speech production and perception in infants. Recent data show that young infants (at 4–6 months) preferentially attend to speech sounds (vowels) with infant vocal properties compared to those with adult vocal properties, suggesting the presence of special “memory banks” for one's own nascent speech-like productions. This study investigated whether the vocal resonances (formants) of the infant vocal tract are sufficient to elicit this preference and whether this perceptual bias changes with age and emerging vocal production skills. Method: We selectively manipulated the fundamental frequency ( f 0 ) of vowels synthesized with formants specifying either an infant or adult vocal tract, and then tested the effects of those manipulations on the listening preferences of infants who were slightly older than those previously tested (at 6–8 months). Results: Unlike findings with younger infants (at 4–6 months), slightly older infants in Experiment 1 displayed a robust preference for vowels with infant formants over adult formants when f 0 was matched. The strength of this preference was also positively correlated with age among infants between 4 and 8 months. In Experiment 2, this preference favoring infant over adult formants was maintained when f 0 values were modulated. Conclusions: Infants between 6 and 8 months of age displayed a robust and distinct preference for speech with resonances specifying a vocal tract that is similar in size and length to their own. This finding, together with data indicating that this preference is not present in younger infants and appears to increase with age, suggests that nascent knowledge of the motor schema of the vocal tract may play a role in shaping this perceptual bias, lending support to current models of speech development. Supplemental Material https://doi.org/10.23641/asha.17131805

Morphological Bias of Ancient Artifacts: A Case Study of Incense Burners in Ming and Qing Dynasties

This study verifies the relevance of the combination of traditional Chinese artifacts and perceptual semantic research. It provides new research ideas to study the Chinese artifact culture. Moreover, it helps people to understand the cultural spirit better and design crystallization of traditional artifacts. This study considered Chinese traditional incense burners in Ming and Qing dynasties to adopt morphological analysis and affinity diagram to select representative experimental samples. Furthermore, this research applied the perceptual engineering theory to explore the relation between design group’s description of perceptual semantics and the shape of incense burners. The focuses were the design group on the shape and style of ancient artifacts in aesthetic consideration. According to the results of semantic principal component analysis, the perceptual semantic bias of the design group towards incense burners was concentrated, which is related to the style acceptance of incense burners. Among these related incense burner styles, the design group paid more attention to the proportional design of “incense burner foot” in the perceptual bias of incense burner shape and preferred the proportional incense burner shape of “long foot.”

Testosterone amplifies the negative valence of an agonistic gestural display by exploiting receiver perceptual bias

Many animals communicate by performing elaborate displays that are incredibly extravagant and wildly bizarre. So, how do these displays evolve? One idea is that innate sensory biases arbitrarily favour the emergence of certain display traits over others, leading to the design of an unusual display. Here, we study how physiological factors associated with signal production influence this process, a topic that has received almost no attention. We focus on a tropical frog, whose males compete for access to females by performing an elaborate waving display. Our results show that sex hormones like testosterone regulate specific display gestures that exploit a highly conserved perceptual system, evolved originally to detect ‘dangerous' stimuli in the environment. Accordingly, testosterone makes certain gestures likely to appear more perilous to rivals during combat. This suggests that hormone action can interact with effects of sensory bias to create an evolutionary optimum that guides how display exaggeration unfolds.

Set in Perception

<p>When a person is set, he is said to be prepared for narrowed range of possible events. Instead of being equally prepared for all possible contingencies, he expects only a few. The general notion has been variously expressed as selective attention, specific expectancies or hypotheses, relative sensitisation, abstraction, perceptual bias, and in many other ways. Set, as a result of such preparation, is said to lead to greater efficiency of perception, and to greater efficiency of any later behaviour dependent upon the perception.</p>

Set in Perception

<p>When a person is set, he is said to be prepared for narrowed range of possible events. Instead of being equally prepared for all possible contingencies, he expects only a few. The general notion has been variously expressed as selective attention, specific expectancies or hypotheses, relative sensitisation, abstraction, perceptual bias, and in many other ways. Set, as a result of such preparation, is said to lead to greater efficiency of perception, and to greater efficiency of any later behaviour dependent upon the perception.</p>

Contraction bias in temporal estimation

When asked to compare the perceptual features of two serially presented objects, participants are often biased to over- or under-estimate the difference in magnitude between the stimuli. Overestimation occurs consistently when a) the two stimuli are relatively small in magnitude and the first stimulus is larger in magnitude than the second; or b) the two stimuli are relatively large in magnitude and the first stimulus is smaller in magnitude than the second; underestimation consistently occurs in the complementary cases. This systematic perceptual bias, known as the contraction bias, was demonstrated for a multitude of perceptual features and in various modalities, but it is yet unknown whether it also exists in the temporal domain. Here, we tested whether estimation of time-duration is affected by the contraction bias. In each trial of three experiments (n=20 each), participants compared the duration of two visually presented stimuli. Findings revealed over- and under-estimation effects as predicted by the contraction bias. In addition, we found that the bias was asymmetrical, indicating that, in some cases, the subjective center of the distribution was shifted to the left. Here, we discuss this asymmetry and describe how these findings can be explained via a Bayesian inference framework.

Grasp aperture corrections in reach-to-grasp movements do not reliably alter size perception

When grasping an object, the opening between the fingertips (grip aperture) scales with the size of the object. If an object changes in size, the grip aperture has to be corrected. In this study, it was investigated whether such corrections would influence the perceived size of objects. The grasping plan was manipulated with a preview of the object, after which participants initiated their reaching movement without vision. In a minority of the grasps, the object changed in size after the preview and participants had to adjust their grasping movement. Visual feedback was manipulated in two experiments. In experiment 1, vision was restored during reach and both visual and haptic information was available to correct the grasp and lift the object. In experiment 2, no visual information was provided during the movement and grasps could only be corrected using haptic information. Participants made reach-to-grasp movements towards two objects and compared these in size. Results showed that participants adjusted their grasp to a change in object size from preview to grasped object in both experiments. However, a change in object size did not bias the perception of object size or alter discrimination performance. In experiment 2, a small perceptual bias was found when objects changed from large to small. However, this bias was much smaller than the difference that could be discriminated and could not be considered meaningful. Therefore, it can be concluded that the planning and execution of reach-to-grasp movements do not reliably affect the perception of object size.

Self-generation and sound intensity interactively modulate perceptual bias, but not perceptual sensitivity

The ability to distinguish self-generated stimuli from those caused by external sources is critical for all behaving organisms. Although many studies point to a sensory attenuation of self-generated stimuli, recent evidence suggests that motor actions can result in either attenuated or enhanced perceptual processing depending on the environmental context (i.e., stimulus intensity). The present study employed 2-AFC sound detection and loudness discrimination tasks to test whether sound source (self- or externally-generated) and stimulus intensity (supra- or near-threshold) interactively modulate detection ability and loudness perception. Self-generation did not affect detection and discrimination sensitivity (i.e., detection thresholds and Just Noticeable Difference, respectively). However, in the discrimination task, we observed a significant interaction between self-generation and intensity on perceptual bias (i.e. Point of Subjective Equality). Supra-threshold self-generated sounds were perceived softer than externally-generated ones, while at near-threshold intensities self-generated sounds were perceived louder than externally-generated ones. Our findings provide empirical support to recent theories on how predictions and signal intensity modulate perceptual processing, pointing to interactive effects of intensity and self-generation that seem to be driven by a biased estimate of perceived loudness, rather by changes in detection and discrimination sensitivity.

The communicative value of complex singing in passerine birds

Birdsong is one of the most complex signals in the animal world, as it may consist of many different sounds grouped according to certain rules. Singing acts as a distant signal, indicating, e.g., the species and gender identity of the singer. However, territorial songbirds also use singing as an interactive social signal during territorial disputes, as well while interacting with female. In these contexts, males vary the type and timing of their songs to convey graded information about their motivational state, and those variations can play a role in communication. In this review, we considered how male songbirds vary their singing in territorial context. To study such variations, researchers usually simulated territorial intrusion by broadcasting conspecific singing in territories, including singing modified in a manner necessary for the researcher. For comparison, we considered briefly how singing vary in intersexual context. The author of the paper focuses on the role of singing complexity in communication. Therefore, not all known context-dependent changes in singing are considered, but only those related to “complexity”: the diversity of song/sound types and the transitional patterns of different song/sound types in the course of singing. Our review has shown that males change their singing when they detect environmental changes such as the appearance of a female or a competitor as follows: 1) song rate increases, 2) syllable rate increases, 3) song-type switching rate increases, 4) song-type diversity increases (i.e., the observed repertoire size), and 5) longer and more complex songs are predominantly used. In some species, the song bout organization may also change, but the data is still scarce. Typically, one or more, but not all the aforementioned acoustic behaviors have been found in a given song-bird species. All these behaviors (tactics) come down to a single strategy, namely: maximizing the acoustic diversity over a short period of time (e.g., several minutes), that is, increasing the number of different song and/or note types. The proximate causes of how the increased acoustic diversity work in the territorial competition context might lie in a sensory, or perceptual bias of the receiver. Namely, habituation should occur to repeated presentation of the same song type faster than to presentation of different song types. Therefore, by vocalizing more diversely, males more effectively influence the signal recipient’s behavior.