The conflictological profile of the organisation as an element of cultural identity

In contemporary research on organisational effectiveness, the concept of culture is gaining ground. Not only organisational and/or national culture is considered, but also the whole range of local subcultures: professional, personal, age, etc., which also need to be analysed and taken into account. This circumstance affects the micro- and macro-level functioning of the organisation in the cultural code. The article studies the phenomenology of conflict from the perspective of an organisation’s conflictological profile, which is a reflection of its cultural identity. A typological cross-section of the conflict, its operational, strategic and symbolic types has been revealed. They have individual characteristics and have an impact on the functioning of the organisation, shaping its unique conflictological profile.

The anthropology of the heart as a way to ecumenical dialogue

The article describes, taking as its main starting point the encyclical Fides et ratio, the importance of the way of thinking appropriate to the culture of the Christian East in the relationship between reason and faith. The encyclical of John Paul II has many different aspects, including the not often emphasised ecumenical and dialogical aspects. The Pope, who held Eastern (Orthodox) Christianity in high esteem and appreciated the Slavic cultural code, also positively points to this method of discovering the truth. In this context, the anthropology of the heart is particularly important (metaphysics of the heart, mysticism of the heart or spirituality of the heart), which enriches and complements the Western way of thinking and of discovering anthropological and theological truth. The anthropology of the heart also appears in the West and for this reason it has an ecumenical significance which is important for the dialogue between Catholicism and Orthodoxy.

Interpreting Dante's code in art

The purpose of the article is to study the interpretational possibilities of Dante's code in artistic samples of various types of art. Methodology. Methods of observation, modeling, comparison, analysis, and synthesis were used in the methodology of the work. The scientific novelty of the work lies in the fact that the analysis of interpretations of Dante's code on the example of fine art, computer games, cartoons, musical arrangement in a ballet performance is carried out. Conclusions. Dante's code is a kind of cultural code that contains common information. The observation method was applied to fix the perception of works of art in order to study Dante's code. Modeling and comparison methods allowed us to determine the features of Dante's code in different genres and types of art. In the history of the visual arts, Dante's code is interpreted both in the works of artists and becomes a creative process with a generalized content of D. Alighieri's works, but with the exact use of the code name (S. Dali). Comparing the use of Dante's code in computer games, cartoons, we state that in the visual arts and modern video series, Dante's code is reproduced in accordance with the content of D. Alighieri's works. In the history of music, in the musical design of a ballet performance, Dante's code is reproduced in a generalized form, where the reference to the name and title of D. Alighieri's works dominates. In the libretto of the Kyiv ballet of the same name, Dante's code is embodied in two appeals: to a love story and fragmentarily and generally to the work "The Divine Comedy". The musical series of the ballet "Dante" is not directly related to Dante's code, but there are attempts by the authors to find allusions, reminiscences in the music of composers (A. Dvořák, R. Wagner, Ezio Bosso). Keywords: Dante's code, interpretation, ballet, fine arts, musical arrangement of a ballet performance, computer game, cartoon.

Manto and Culture: An Exploration of Cultural Code in Manto’s “My Name is Radha”

This study aims to explore Manto’s short story “My Name is Radha” from a cultural perspective. The purpose of the investigation is to bring the hidden meaning to the surface, which is there but not visible. Manto has used many political, religious, historical, and cultural references in the story, which are significant in the understanding of the researcher. These references have deflected the norms, values, and taboos of Indian society. These are investigated with the help of Barthes, cultural code. This code helps in cultural understanding of the story. The study finds that Manto has used many cultural elements in his text like, bhai, behan, Raksha Bandan, kurta, sari, and panjama. These words provide a vivid description of the Indian people, as well as their culture. Furthermore, this study discovers that Manto has used a unique codec language to portray the way of living of the Indian people. Sometimes he has spoken directly of the cultural taboos and sometimes he has spoken indirectly of the said. The study concludes that the writer has deflected the society through different cultural elements. And these elements help in the true understanding of the text.

Historical identity in the coordinate system of world development

The purpose of the article is to conceptualize the phenomena of «ethnic» and «national» identity and to determine the vectors of their development. Research methods are based on the fundamental principles of historical and cultural analysis. The methodological core of the research is a comparative analysis of ethnic and national identities in the chronotype as complex sociocultural systems. The scientific novelty lies in the conceptualization of the ethnonational identity dichotomy through the prism of the cultural code. It is substantiated that in the conditions of modern modernization, the ratio between the ethnic and national components of identity depends on the direction of their development vectors: a) when the vectors are parallel and equally oriented (for example, one of the ethnic communities monopolizes power), there is a reduction of national identity to ethnic one; b) when the vectors are parallel, but oppositely oriented (for example, when an ethnic community seeks to recognize its right to political self-determination), national identity collides with the interests of the ethnic community, entering into confrontation with it. Conclusions. Within the framework of constructivism, the phenomenon of ethnic identity is analyzed as a social construct and the factors of deviation from this model are revealed (in particular, adaptation to the environment, acculturation, violation of the demographic balance between different groups), causing its variability. The systemic characteristics and the main conceptual components of national identity (internal and external) are analyzed, factors of the weakening of social ties due to the processes of globalization, the growth of entropy, and information expansion in society are identified. Typical models of interaction of ethnic and national identities are considered. Keywords: ethnic identity, national identity, cultural code, ethnos, nation.

The Image of the Yellow (Huang He) River in Chinese Painting

The article is devoted to the creative works of artists who have created pictures of life of the people living along the Yellow (Huang He) River in all nine regions of China. The Huang He River, as the main artery of the country, has long been the subject of study by historians, writers and painters. However, contemporary artists who dedicated their works to the river have not been researched. This work examines the collective image of the Huang He River in the works of Chinese artists from the 1980s to the present day in order to get acquainted with its peculiarities. The methodological basis for the study of contemporary art is the historical and cultural and socio-cultural approaches. The methods of historical-comparative and sociological analysis of art, biographical and iconographic analysis, semiotics and hermeneutics methods are used. For the first time the features of oil painting in different regions along the Huang He River are presented: the geomorphological characteristics, national characters and folk customs in the river basin, and the cultural protection function of painting. The names of a number of Chinese artists have been introduced into Russian art history, and the panorama of the development of painting in the works of Chinese masters painting on the Huang He River has been shown. The works of these artists are correlated with the traditional art and religious ideas of the people living along the Huang He River: the role of created paintings in preserving the cultural code of the inhabitants through the portrayal of national costume, folk and religious holidays is traced. The results can serve as a basis for historical and comparative studies of the artworks of Chinese masters and become the basis for courses on the history of Chinese art.

Cultural identity as a resource for social development

The purpose of the article is to conceptualize the phenomenon of cultural identity as a resource for social development. The methodology is based on the dialectical interrelationship of the following methods: hermeneutic method – for reveal the essence of the phenomena «cultural code» and «cultural identity»; systematic-structural approach – for comprehending cultural identity as a complex system in its structural correlation; historical-comparative – to determine the transformation algorithm of the phenomenon. The scientific novelty consists in the analysis of cultural identity (individual and group) in the chronotope through the prism of the cultural code and the identification of an invariant basis that ensures the integrity of its structure during external and internal changes. Conclusions. The essence and structure of the cultural code as a moderator of cultural identity are revealed. The interpretation of cultural identity as a resource of social development from the perspective of the I–Another concept was carried out. The semantic transformations of cultural identity in the context of the entry of one culture into the axiosphere of the Another were analyzed. Key words: cultural code, cultural identity, acculturation, a transformation of cultural identity.

Developing Society Integrity and Cultural Code by Means of Social and Cultural Activity as Factor of Ensuring National Security

Trends of developing relations in today’s society, spread of digital technologies and restrictions in movement during the last year showed a rising diffusion of society, split of opinions and weakening of the cultural code of the Russian population. The article studies sources of these changes and searches for solutions based on means of social and cultural activity. It is well known that cultural code is formed for decades and it is the social and cultural sphere that can concentrate this process and direct it to strengthening of national self-identification, rise in the rate of patriotism, education and wellbeing of the population. The process of shaping the civil society in the post-soviet period is based on pursuing cultural policy financed at the expense of the country budget, in contrast to western countries. This aspect makes us think about the necessity to change means and methods of social and cultural activity with due regard to processes of society digitalization. At the same time cultural policy acts as a significant section of the system of national security, as a way of shaping civil society, keeping cultural values and traditions. The research showed that non-linear interaction of such tensors, as sustainable development, corporate social responsibility, national security, digitalization, technologization of society can seriously affect the processes of diffusion of society integrity, destruction of its cultural code and sovereignty of state as it is. Preserving the cultural code as a foundation of national culture and overcoming problems of society diffusion are possible in case the state participation in reforming approaches to pursuing cultural policy is extended. A separate aspect is developing the HR potential of cultural institutions of the future oriented to advanced technologies, continuous learning the achievements of psychology as a science, which can create patriotic feelings in society promoting values of cultural inheritance as a foundation of national identification.

The Origin and Formation of the National Symbols of Catalonia within the Framework of the Renaixença and their Visual Representation in the 19th Century

The article presents the study of national symbols of Catalonia: their emergence and visual representation in the art of the 19th century. National symbolic system of Catalonia date back to the Renaixença movement in literature that initiated the formation of the Catalan language and literature. The scope and purpose of the article included an investigation of the works of the most prominent representatives of the Catalan national renaissance in order to identify the origins of the symbols they deploy. Consideration of symbols serves the purpose of defining the way national aspects get their visual representation. The method of historical typology was used to systematize the sources. Memoirs and publications in the press were analyzed with the textual method, and visual materials – with stylistic and iconic methods. Detailed research of the works of Renaixença has shown that Catalan cultural code initially emerged in poetry. In the second half of the 19th century, the symbols acquired visuality in fine art, namely paintings and visual design of the front pages of Catalan newspapers and magazines. The article provides a detailed account of selected examples of such visuals. At that time, Catalan intellectuals created works devoted to the history of Catalan-speaking lands, seeking to find roots that would picture the ancient nature of their motherland. They searched the archives and looked into medieval literature and folklore to prove the continuity of prosperous medieval Catalonia, part of the Kingdom of Aragon, and nineteenth-century Catalonia. Thinking over national history gave birth to national identity. At the same time history acquired a visual dimension. Churches, monasteries, memorable dates, leaders and thinkers that bore distinct national identity were visualized. Medieval plots penetrated art that tapped into heroic deeds of the past for inspiration. The spread of visual images helped bridge the gap between past and present. The newly acquired continuity of tradition strengthened the national narrative. The process enabled the national unity of the Catalan people with the central idea of an imaginary community of a nation-state.

„Kulturowe DNA” – w czasach pandemii

This outline is dedicated to the reconstruction of an individual cultural code of high school students, who, due to the 2020 lockdown, were forced to self-isolate from peers and limit their school activity to online contacts. Based on the analysis of students’ written assignments, the author discusses what builds their identity and impacts the outlook on the world, as well as reconstructs youth’s beliefs regarding the role of old and contemporary, elitist and popular art. The study indicates the spheres of life important to young people, documents their understanding of how being apart, they can still demonstrate care of others, and emphasises the significance of students’ independence and benefits arising from recognition of their empowerment. The statements of high school girls and boys quoted by the researcher inspire further reflections on both the objectives of humanities education and the means of their implementation.