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Tekstualia ◽  
2021 ◽  
Vol 1 (7) ◽  
pp. 3-8
Author(s):  
Żaneta Nalewajk

The question of universals helps address ways in which the unique aspects of Bolesław Leśmian’s literary creation refl ect crucial concerns of Polish literature and culture. The local and the singular become international and universal. This article demonstrates that Leśmian’s idiomatic, seemingly untranslatable literary works enable translators and foreign readers to experience what appears to be a higher order of universality


2021 ◽  
Vol 56 ◽  
Author(s):  
Barbara Mitrenga

Historical Polish Intensifiers Derived from the Old Czech přieliš This article is devoted to a historical-linguistic analysis of the equivalents of the Old Czech přieliš in historical Polish: the words bezlisz, brzezlisz, przelisz, przezlisz and przylisz. The study refers to key findings of researchers about these words, their origins and meaning. On the basis of analysis of linguistic material the author formulates conclusions about word-formation of the equivalents of přieliš in Polish, their frequency in monuments of Polish literature from the Old Polish period to the end of the sixteenth century, their meaning and status in Polish, as well as presumable causes of their disappearance from the language. The paper presents examples that confirm their functioning in monuments of the Polish language, such as Biblia królowej Zofii [Queen Sophia’s Bible] from the mid-fifteenth century and Biblia Jana Leopolity [John Leopolita’s Bible] from 1561, as well as in dictionaries of Polish. The study also considers information about Old Czech and compares parallel verses of Polish and Czech Bible translations. Dawne polskie intensyfikatory wywodzące się od staroczeskiego přieliš Artykuł poświęcony jest historycznojęzykowej analizie odpowiedników staroczeskiego přieliš, czyli wyrazów bezlisz, brzezlisz, przelisz, przezlisz i przy­lisz w dawnej polszczyźnie. Autorka przytacza najważniejsze opinie badaczy o wymienionych wyrazach, ich pochodzeniu i znaczeniu. Na podstawie ana­lizy materiału językowego formułuje wnioski dotyczące budowy słowotwór­czej staroczeskich odpowiedników přieliš w języku polskim, ich frekwencji w zabytkach literatury polskiej od staropolszczyzny do końca XVI w., znaczenia i statusu tych wyrazów w polszczyźnie, a także przypuszczalnych przyczyn ich zaniku. W artykule przedstawiono przykłady potwierdzające funkcjonowanie wspomnianych wyrazów zarówno w zabytkach języka polskiego m.in. w Biblii królowej Zofii z połowy XV w. i Biblii Jana Leopolity z 1561 r., jak i w słowni­kach języka polskiego. Ponadto autorka przywołuje informacje o staroczeskim i porównuje równoległe wersety przekładów Biblii na język polski i czeski.


2021 ◽  
Vol 15 ◽  
pp. 277-296
Author(s):  
Jagoda Wierzejska

The article is the second part of a comprehensive study on representations of Hutsuls and the Hutsul region in the interwar Polish literature, which showed them during the First World War and the wars for the borders of the Second Polish Republic, as well as in the 1920s and 1930s. The article discuses, first and foremost, literary visions of Hutsuls and their native land in the third and fourth decade of the 20th century. The interwar Polish literature, which showed the Hutsul region “of today”, paid special attention to peacetime partnership of Poles and Hutsuls, which was to follow their wartime joint actions against Russians in the Eastern Carpathians in 1914–1915. It implied that this partnership was a result of a perfect match between the Polish national component and the Hutsul ethnic element. The article argues that Polish literature showed the compatibility of Poles and Hutsuls in the macro and micro dimensions. On the macro level, it was to be manifested, on the one hand, in the effective help of the Polish state institutions for Hutsuls, on the other hand, in the gratitude of Hutsuls for Poles. On the micro level, the Polish-Hutsul compatibility was to be manifested in friendly or intimate relations of representatives of both groups; relations which were invariably successful in spite of the fact that the Polish side dominated them and felt entitled to lead a civilization mission among Hutsuls. Such literary visions presented the Hutsul region as an integral part of the Second Polish Republic and its indigenous inhabitants as loyal citizens of the entire country. They also made it clear that Hutsuls affirmed Polishness and that Poles were welcomed and needed in the Hutsuls’s land. 


2021 ◽  
Vol 27 ◽  
pp. 167-189
Author(s):  
Adam Mazurkiewicz

Taking into consideration the variety of Shakespearean elements both in world and Polish literature, it is hard to resist the impression that it is the phenomenon without which European culture would be impossible to imagine. At the same time, the writer — whose works not only constitute an important part of Western culture and determine its canon, but also have an influence on current, globalised culture — is perceived as a “dangerous trap”. The above-mentioned danger seems to derive, paradoxically, from the ubiquity of Shakespeare’s works, which are used as a point of reference for modern stories and sometimes treated instrumentally as the “culture brand”. However, it is important to determine if the reception of Shakespeare — present in the socio-cultural aesthetics as well as in the area of paratheatrical avant-garde — among Polish audience is followed by the pop-cultural assimilation of his works. The success on the market of crime fiction whose authors relate to Shakespeare’s works implies the reductio ad absurdum question: how much of Shakespeare remains in these Shakespearean inspirations? Are they really inspirations or is Shakespeare only the brand-author who, due to his name, elevates a given text on the cultural level? If that was the case, we would be experiencing the branding after the pattern of culturally imposed stereotypes. They are in turn assimilated by the popular culture and have a significant impact on the everyday behaviours of the readers — including their attitude towards the past. Thus, tracking the Shakespearean traces within this cultural circuit usually remains a “wishful thinking”, while countless Polish stories (or the ones that the readers know from translations into the Polish language) about “crime and punishment” are the exceptions that prove the rule.


2021 ◽  
Vol 15 ◽  
pp. 257-276
Author(s):  
Jagoda Wierzejska

The article is the first part of a comprehensive study on representations of Hutsuls and the Hutsul region in the interwar Polish literature, which showed them during the First World War and the wars for the borders of the Second Polish Republic, as well as in the 1920s and 1930s. The article discuses, first and foremost, literary visions of Hutsuls and their native land in the wartime. It argues that these visions were deeply affected by war events that took place in the Eastern Carpathians in 1914–1915, when Polish soldiers from the 2nd and 3rd Legions Infantry Regiments fought with Russians and occasionally cooperated with some military volunteers recruited from the Hutsul community. The interwar Polish literature showed the Eastern Carpathians as a space where Polish soldiers’ bravery and dedication to the national cause were distinctly manifested. It also described and, as a matter of fact, exaggerated acts of fraternization between Polish legionnaires and the Hutsuls. This way the Polish literature imposed an important, patriotic significance to the Hutsul region and strengthened its position in the Polish national memory. Simultaneously, it showed the whole Hutsul community as allies of Poles in the fight for independence. This literary approach suggested that Hutsuls had their own history and cultural reality that differed from the Ukrainian one but fit in well with the history and contemporary times of Poles.


2021 ◽  
Vol 24 (4) ◽  
pp. 23-50
Author(s):  
Wita Szulc

The author discusses Polish publications on the theoretical foundations of art therapy published in Poland in chronological order and confronts them with the world literature of Art Therapy. One of theproblems discussed in this paper is plagiarism in the Polish literature on Art Therapy, which is an obstacle on the way to Art Therapy achieving the status of science. The article covers such issues as sources of knowledge about Art Therapies, terminology, types, models and paradigms of Arts therapy. The aim of this article is to draw attention to the need for a critical approach to the available and disseminated sources of knowledge about the theory.


2021 ◽  
Vol 19 ◽  
pp. 101-115
Author(s):  
Jan Zdunik

The aim of this article is to present a didactic proposition on the introduction of thanatopedagogical themes in Polish language lessons in high school while discussing contemporary literature. The first part of the work presents the most important elements of thanatopedagogy as a science in the context of literary studies. The history of the concept is described in the context of changes in the cultural understanding of death, and the way of presenting the final things in the literature of children and adolescents — from didactic to personalistic — is discussed. In the following subsections, two texts from the latest Polish literature are interpreted: The Things I Didn’t Throw Out by Marcin Wicha and Mira Marcin’s Bezmatek. Proposals are made for using these works to introduce elements of reflection on the finality of things to Polish lessons (the subject of mourning, anthropology of death and dying, the language used for speaking about passing away). The text ends with a summary of the most crucial research conclusions: about the important role of recent literature in conversations on ultimate topics, the need for thanatopedagogical education for teachers, and the need for large psychological competences to conduct such conversations.


Author(s):  
S.V. SAVCHENKO ◽  
K.A. PROKOFIEVA ◽  
O.M. RESHETILOVA

Ukrainian historical thought of the seventeenth century is an interesting intellectual phenomenon, the genesis and social and cultural functioning of which took place against the background of political, geopolitical and interfaith confrontation in Eastern Europe. In Ukrainian historiography, this period of cultural and intellectual development was called “the first Ukrainian national and cultural revival”. Its characteristic feature was the growing interest of society in historical memory, in particular, in the memory of the Ancient Rus era as the origins of Rus-Ukraine, which is trying to find its place among other peoples of Europe. The question of reflecting the ancient n era in the historical thought of Ukraine in the late sixteenth − seventeenth centuries. in historiography it is elaborated in fragments, within the framework of side plots, at best, at the level of coverage of the views of individual authors (Feodosii Sofonovych, Inokentii Hizel, author of the Ukrainian Chronograph, some Polish writers, etc.). Among the monuments of historical thought of this tame period, the “Hustynskyi Litopys” attracts attention, the authorship of which is still the subject of discussion. The problem of authorship of the monument is quite old, but this issue has not been finally resolved. There is an assumption that y 20s of the seventeenth century. Zacharii Kopystenskyi worked on the chronicle. The list of Mykhailo Losytskyi, the hieromonk of the Hustyn monastery, made in 1670, is considered to be the final edition of the monument. This editing preserves the conceptual identity and consistency of presentation. The chronicle, despite its conceptual dependence on Polish literature, is based on its own concept, within substantiates the peculiarities of Rus' historical path among neighboring peoples, and explains the genesis of the Cossack factor, which became decisive in Eastern European politics of the sixteenth and seventeenth centuries. Ukrainian historical thought in the form of a chronicle of the 16−17th century needs further meticulous research.


2021 ◽  
Vol 59 ◽  
pp. 49-77
Author(s):  
Magdalena Bis

The main goal of this article is to analyse post-medieval slipware found during archaeological excavations in Tykocin Castle and to describe its distinguishing features: decorative characteristics and forms. Further considerations are aimed at reconstructing the functions of the Tykocin slipware vessels in the castle household throughout the 16th to 18th centuries and attempting to determine their provenance. The analysis is preceded by the list of terminological problems pertaining to this pottery group in the Polish literature as well as elementary information on its production centres in Poland against the European background.


2021 ◽  
pp. 79-86
Author(s):  
Nataliya Shcherbij

The article deals with different approaches to identify the notions of verbal nouns. The main attention is given to the terms for the nomination of the verbal nouns and their classification. Verbal nouns are a clear example of hybridity as they combine categories typical for different classes of words. The verb nature of these formation is proved by the grammatical categories of aspect and number. Thus, two types of verb nouns are distinguished: predicate nouns, which are used only in the singular and imitate aspectual semantics, and subject nouns, which accordingly lose their aspect and can be used in the plural, they are divided into several semantic subtypes: terms, mode of action, condition, etc. The results of this comparison with examples from the modern Ukrainian and Polish literature are presented in the article, in particular regarding new formed examples, which are used in the Internet space.


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