The Essence of Poetry Application as Indonesian Pop Songs Lyrics in the Perspective of Utilitarianism Ethical Axiology

Background: The existence of literature among the younger generation is increasingly difficult to detect. Meanwhile, literature plays an important role in character education as well as the existence of bahasa Indonesia as the national language. One form of literature whose popularity is declining is poetry. Using poems as song lyrics is a new way to deliver poetry. Aim: This study aims to determine the essence of poetries application as Indonesian pop song lyrics on the spread of literature. Methods: The research was conducted using a qualitative approach with an open questionnaire data collection method and interview. The population is Faculty of Humanities (FIB) of Universitas Airlangga students from the cohort of 2019-2021. The sample was taken using a random sampling technique with the number 40 respondents for the questionnaire and 14 participants for the interview. For the questionnaire, the respondents were asked to interpret three lyric snippets of popular pop songs in Indonesia. The purpose of the questionnaire was to measure the respondent's level of understanding of the song lyrics so that conclusions could be drawn. The data analysis method was done using the classification technique, which was grouping the answers from the questionnaire into four categories, namely: 1). completely understand, 2). somewhat understand, 3). do not quite understand, and 4). do not understand at all. Results: The results show that the use of poetry as song lyrics has an effect on increasing respondents' literary understanding. Recommendation: Younger generation should utilize songs as media for dissemination as well as learning literature, especially poetry. Limitation: However, further in-depth research is needed due to the limitations of this study. The respondents and participants involved are still restricted to FIB students from Universitas Airlangga, hence the resulting data does not represent the young generation from all over Indonesia.

Evolution of the English-speaking song discourse in the XX–XXI centuries.

The article analyses various tendencies in the development of the English-speaking song discourse, that have revealed themselves in the course of the previous 50 years. The aim of the research is to identify these tendencies and to determine the reasons of their emergence. The goals of this research were to trace the evolution of this type of discourse by way of analysing a vast corpus of song lyrics and to identify the factors that had influenced the changes that followed. The focus of our attention was mainly on rock song lyrics due to their obvious non-commercial nature. The results of the research allow us to state that in the course of evolution of the English-speaking song discourse such tendency as a tendency to simplification/sophistication manifested itself persistently. Moreover, both vectors either replaced one another or developed simultaneously. Besides, a tendency to melodicism, related to the abovementioned one, also revealed itself. We should also mention a tendency to commercialisation, typical of mass culture in general. Another one is a tendency to technological dependency, mainly of synthesizers and computers. Among the most influential tendencies we can name a tendency to visualisation, which actually brings the song discourse close to cinematographic discourse.

Arransemen Lagu Bertemakan Keselamatan Lalu Lintas Untuk Guru PAUD

Kindergarten is located in Bandar Seikijang District which is on the edge of the eastern causeway which is an accident-prone road. In addition, there is no curriculum related to traffic safety in the learning process. In overcoming partner problems, the service team provides solutions in the form of assisting the arrangement of the song with the theme of traffic safety which is applied to the curriculum in schools. The steps for implementing the solutions offered in overcoming these problems are four stages, (1) the preparation, (2) the activity, (3) the simulation and microteaching, and (4) evaluation. From the results obtained there is an increase in the result of 50% of the pretest and posttest questions. Then 85% of participants agreed to increase learning creativity with song media and 75% of participants felt this activity was useful and 85% of teachers really followed the course of the activity and teachers could cerate song lyrics with the theme of traffic safety and directly practice it by means of microteaching.

Feminativi v luči sodobne slovenske glasbe

Feminitives in Contemporary Slovene Music This article focuses on the use of feminine forms derived from masculine nouns in contemporary Slovene music. Feminine nouns denoting persons were extracted from selected song lyrics and analysed in terms of their word formation. Based on the analysis of feminine forms derived from masculine nouns it is suggested that in music women are often sexualised – their overall image implies sexuality and is clearly based on male fantasies; linguistic reality often reflects social reality. Feminatywy we współczesnej muzyce słoweńskiejNiniejszy artykuł skupia się na wykorzystaniu form żeńskich pochodzących od rzeczowników rodzaju męskiego we współczesnej muzyce słoweńskiej. Rzeczowniki żeńskie oznaczające osoby wyekstrahowano z wybranych tekstów piosenek i zanalizowano pod względem słowotwórczym. Analiza form żeńskich pochodzących od rzeczowników rodzaju męskiego wskazuje, że w muzyce kobiety są często seksualizowane – ich ogólny wizerunek implikuje seksualność i jest wyraźnie oparty na męskich fantazjach; rzeczywistość językowa często odzwierciedla rzeczywistość społeczną.

Figure of Speech Stylistic Analisys on Song Liryc in Sami Yusuf’s Albums

This research aimed to analyze figure of speech Stylistic in Sami Yusuf’s song lyrics. The author is intrigued by the songwriter's lyrics that may occur in the life we live. The purpose of this study is to determine whether or not there are any figure of speech features in Sami Yusuf's song lyrics, as well as to examine the meaning of the song lyrics found in Sami Yusuf's song lyrics. Content analysis was a part of this study. The method used in this study is descriptive qualitative research, and the design is qualitative research. The data was gathered through library research. The researcher is the research instrument since he or she is the main instrument in this study who collects and evaluates the data. After finishing the investigation, the researcher discovered that the most common figure of speech is personification, which has 14 data, and the least common figure of speech is paradox, which has one data. Metaphor (4 data), simile (7 data), synecdoche (10 data), metonymy (5 data), symbol (4 data), and hyperbole (5 data) are some of the other data collected. In other cases, the researcher found no figures of speech like allegory, apostrophe, understatement, or linguistic irony. The connotations of figure of speech utilized in Sami Yusuf's song lyrics are varied. Keywords: figure of speech, song lyric, stylistic

The Use of Ateji as Figurative Speech in Japanese Song Lyrics

This study aims to analyze the types of ateji used in Japanese song lyrics, and to analyze ateji as a form of figurative speech by the semantic-semiotic connection between the words used in ateji’s writing and reading. Analysis is done qualitatively based on Shirose’s theory of ateji classification and Japan’s hiyu hyougen (figurative speech) theory. This research resulted in the finding of 4 ateji types in Japanese song lyrics, which are ateji for foreign words pronunciation, ateji for pronouns, ateji for replacing words, and ateji for words used in specific titles/works. The use of metaphor (in’yu), metonymy (kan’yu), and synecdoche (teiyu) are also found between the uses of ateji, based on the relation of the words in said ateji. The words can be linked through contextual relation, conceptual relation, or semantical relation. The connection of the words can also result in similar uses as other figurative speeches not included in Japanese’s hiyu hyougen, which indicated that ateji can be handled and understood as a general form of figurative speech in written Japanese language.

Proses Awal dalam Penghasilan Komposisi “Kelampan Bajang” dengan Mengadaptasi Struktur Musik Pop Suku Sasak Lombok

The musical composition, entitled Kelampan Bajang, is the main narrative of the composition theme about the story of the journey of the young Sasak tribe which is semiotically depicted in three different times, namely morning, afternoon, and night. This composition emerged due to several phenomena found, including 1) there are no complete Sasak songs in transcripts and arrangements, 2) many musicians arrange songs in Sasak but often cause controversy in lyrics and music, 3) many talented young musicians cover repeating noname songs on several songs performed by many pop singers in Lombok, 4) many sasak pop songs but most of them do not represent local culture in terms of lyrics and music. This paper aims to explain the initial process of musical composition with the theme Kelampan Bajang including 1) Bekuliq, 2) Bekayaq, 3) Matur Tampiasih, 4) Sepi Alam Dese, 5) Lalo Midang, and 6) Merariq. All song lyrics are written in the Sasak language. The research uses the autoethnographic method to discuss the problem, how the idea of ​​creating musical compositions can be aligned with the diversity of musical culture in Lombok. After conducting an in-depth study, the author concluded that in order to create a compositional work that could represent regional culture and not cause controversy among the public, namely 1) the author inserted an exploration of the pelog and slendro melodic motifs in the vocal melody section as regional identity, 2) the author inserted the motif the melodies of pelog and slendro in the musical arrangement section, and 3) the author uses good and correct local language lyrics that are in accordance with the regional culture in Lombok.

REPRESENTASI PEREMPUAN DALAM VIDEO KLIP GIRLBAND KOREA (ANALISIS SEMIOTIKA VIDEO KLIP DALLA DALLA DARI GIRLBAND ITZY)

Feminism is a social movement that demands justice and equal rights of women with men. Gender equality is still a matter of debate. One of them is in South Korea. Women who support feminism are considered to hate, do not need, and will feel their position is higher than men. This demand for equality covers the fields of economy, politics, social, lifestyle, culture and so on. This research was conducted with the aim of knowing how the representation of women displayed by Korean Girlband Itzy in their video clip entitled Dalla Dalla. Dalla-Dalla's video clip with the theme of women's freedom depicts the life movements of women who want freedom from the criticisms of others who consider them weak and discriminate. This video clip also shows them different from the others. Although in this video clip it is not clearly stated the relevance of feminism in it. Therefore, in order to get a detailed description of the issue of feminism and women in the video clip, the researcher uses John Fiske's semiotic theory with the main theory, namely The Codes of Television, to see that behind the video clips there are connotative and denotative representations. According to John Fiske's Semiotics, there are 3 levels, namely the level of reality, representation and ideology. So it is hoped that the representation of women in this video clip is clearly described. The results of the study show the meaning of signs at the level of reality, and representations indicate freedom, self-confidence, and personal existence. At the ideological level, it shows the existence of postmodern feminism. So at the level of signs and symbols related to the representation of post-modern feminism, namely creating new discourses or messages that are meaningful and provide positive energy to other women, so that they dare to fight oppression and discrimination. The song lyrics and narrative code in the video clip show several scenes that lead to on postmodern feminist symbols

RELASI MAKNA LEKSIKAL LIRIK LAGU KESENIAN RODAD SEKARWANGI BOYOLALI

AbstrakPenelitian ini membahas mengenai relasi makna leksikal lirik lagu pada kesenian rodad sekarwangi yang terletak di desa Kendelban, Kecamatam Kemusu Kabupaten Boyolali. Jenis penelitian yang digunakan adalah deskriptif kualitatif. Teori yang digunakan adalah teori dari I Dewa Putu Wijana dan Josh Daniel Parera. Pengumpulan data diperoleh dari dokumentasi dan diperkuat dengan wawancara serta observasi. Analisis data dilakukan dengan (1) mengumpulkan data dari lirik lagu kesenian rodad, (2) melakukan klasifikasi dari data yang termasuk ke dalam bagian relasi makna leksikal, (3) menyajikan data dalam bentuk tabel dan analisis, kemudian (4) menyimpulkan temuan data. Hasil penelitian menunjukkan, dalam lirik lagu kesenian rodad terdapat relasi makna leksikal berupa, antonimi 12 data, sinonimi 32 data makna denotasi sebanyak 72 data dan konotasi 13 data. Sehingga dapat disimpulkan, bahwa makna denotasi dominan guna mengetahu makna secara kongkrit sehingga merepresentasikan budaya masyarakat, agama masyarakat, kondisi bahasa, proses pembentukan kata dan penuturan yang berbeda. Kata kunci: semantik, relasi makna, rodad AbstractThis study discusses the relation of the lexical meaning of song lyrics in the Sekarwangi rodad art located in Kendelban village, Kemamatu Kemusu, Boyolali Regency. The type of research used is descriptive qualitative. The theory used is the theory of I Dewa Putu Wijana and Josh Daniel Parera. Data collection was obtained from documentation and strengthened by interviews and observations. Data analysis was performed by (1) collecting data from the lyrics of the rodad song, (2) classifying data included in the lexical meaning relation, (3) presenting data in tabular form and analysis, then (4) summarizing the data findings. The results showed, in the lyrics of the rodad art song there is a relation of lexical meaning in the form, antimony 12 data, synonym 32 data meaning denotation as much as 72 data and connotation of 13 data. So it can be concluded, that the meaning of the dominant denotation in order to find out the meaning concretely so that it represents the culture of the community, the religion of the people, the condition of the language, the process of word formation and different speech. Keywords: semantics, lexical relation, rodad