BIBLIOGRAFI SEJARAH PAKAIAN DI INDONESIA PADA MASA PEMERINTAHAN HINDIA BELANDA

Clothing history is currently starting to be in demand. This is due to the emergency of a new trend in the use of masks and changes in the time of wearing clothes due to the global pandemic that is still ongoing today, namely Covid-19. To trace the development of clothes in Indonesia in the past, of course, it is necessary to study the literature or bibliography. Of course, in the past there have been publications related to clothes developments such as books, journals, magazines, newspapers that can be accessed for use in reconstructing the history of clothes. Beginning by describing the historical context during Dutch East Indies government, the purpose of this research is to take an inventory and identify a number of publications related to the history of clothes. The method used is the historical method. The results of this study indicate that the publications related to the history of clothes are numerous and varied. Therefore, it must be used properly and effectively so that the dynamics that occur in the clothes sector look more complete and comprehensive. In addition, it is hoped that research on the bibliography of clothes history can help historical researchers who are interested in studying the history of clothes in Indonesia.

PEREMPUAN, ALAM, SILUMAN, DAN TABU DALAM NOVEL BURAK SILUMAN KARYA MOH. AMBRI: TINJAUAN REALISME MAGIS

Women, nature, ghost, and taboo are the main discourses related to magical realism in “Burak Siluman”, a novel by Moh. Ambri. In Burak Siluman, women (the main sign) were connected to the discourse of nature, ghost, and taboo. In it, women represent the suppressed desires of the lower class for wealth, position, honor wrapped in narratives of fascination, search, wandering, misfortune, and a curse. Discourses on the supernatural, half-ghost, and taboo legends in the novel are important traditional realities that are studied and seen by the workings of the concepts of magical realism in the colonial period of the Dutch East Indies. The main problem is: how does the concept of magical realism affect the construction of the world (physical and supernatural), especially related to ghost and taboo narratives in “Burak Siluman”. Thus, the main objective of this research is the interaction of the influence of magical realism on narratives construction related to women, nature, ghost, and taboo. To resolve the issue, the concept of contemporary magical realism is used from a postcolonial perspective. The results of this study is the placement of the "between" space (magic in rational) which is represented in the wandering figure is the core idea of ​​magical realism in “Burak Siluman”.

All the Poor and Wretched

In this article, Ng examines Tan Malaka's engagements with labor universalism and Muslim universality in his respective attempts to theorize the problematic of minority subjectivity vis-à-vis universal emancipation. Located at the periphery of global capitalism, Indonesia, though embodying conditions of subordination, exploitation, and unfreedom through historical colonialism, is notably marked by a necessary unevenness in totalization and complete subsumption; this set of heteronomous conditions gave rise to historically distinct and specific discourses and forms of resistance. In positing the Dutch East Indies as one of the peripheral sites within a global Marxist knowledge economy, Ng argues that the constellation of Marxist discourses articulated by Tan Malaka—organized around the “Muslim question”—attempt to powerfully link the question of peripherality to emergent notions of the universal. Ultimately, the “Muslim” for Tan Malaka emerges not as an identity, historical subject, or a people per se, but as a “minor” political model of composition immanent to the relations of capital.

Staatsburgerschap en Nederlanderschap in Nederlands-Indië in de negentiende eeuw

The development of political citizenship in the Dutch East-Indies in the nineteenth century This article aims to analyze the political inequality between Dutch subjects in the Dutch East-Indies and the Netherlands based on developments in nineteenth century national citizenship debates and legislation. It argues that the juridization of the idea of political citizenship by J.R. Thorbecke in the 1840s and 1850s, led to the exclusion of the indigenous colonial population on the basis of descent (ius sanguinis). A close inspection of this principle shows how it was legitimized and implemented for the colonial territories on the basis of a ‘Dutch and European civilization criterion’ under which a series of other criteria – such as religion, skin color, education – could be used for political, cultural and economic exclusion. The ‘colonial differences’ that were gradually enshrined in legislation surrounding political citizenship in the nineteenth century would create a new layer of colonial hierarchy in the Dutch East-Indies.

Collective Memory and the Dutch East Indies

Collective Memory and the Dutch East Indies: Unremembering Loss examines the afterlife of decolonization in the collective memory of the Netherlands. It offers a new perspective on the cultural history of representing the decolonization of the Dutch East Indies, and maps out how a contested collective memory was shaped. Taking a transdisciplinary approach and applying several theoretical frames from literary studies, sociology, cultural anthropology and film theory, the author reveals how mediated memories contributed to a process of what he calls "unremembering." He analyses in detail a broad variety of sources, including novels, films, documentaries, radio interviews, memoirs and historical studies, to reveal how five decades of representing and remembering decolonization fed into an unremembering by which some key notions were silenced or ignored. The author concludes that historians, or the historical guild, bear much responsibility for the unremembering of decolonization in Dutch collective memory.