Bringing the Mess That is Life into Theology: The Representational Task of Ethnography

Most academic theology is written in an abstract manner that elides the “mess that is life.” Most academic anthropology rejects theological modes of reasoning and representation. The present article makes the case for an “anthropological theology” that brings together ethnographic thick description of life lived and theological modes of writing. The result is a mixed and interlaced way of writing that is richer than the traditional modes on representation in either anthropology or theology. Throughout, the author offers thick descriptions of his work as an addiction recovery coach with persons addicted to opioids in order to help display in writing the argument that he is making about writing.

The Renewal of Arts, Lives, and a Community through Social Enterprise: The Case of Oficina de Agosto

The present work investigates, with a cultural approach, the emergence of an art-based social enterprise and an art-entrepreneurial ecosystem in Southeastern semi-rural Brazil, shedding light on how local private initiatives may build stronger communities and vice-versa, in a mutually transformative relationship. The focus lies on Oficina de Agosto, a folk-art studio, school, and shop. Fieldwork design combined ethnography and art-based research. The thick description of the phenomenon is organized under the acronym P.L.A.C.E., a conceptual framework describing five principles of community development. The contributions of this study are three-fold: (1) it illustrates how social enterprise may work as an alternative market model that could support community building; (2) it raises awareness to the possibility that social enterprises’ initial social focus may not be perennial or unshakeable, in an undesirable change that might require a both/and mindset and a patient management of paradoxes; and (3) it offers practical managerial recommendations to the SE under focus, which might be extended to other local businesses, or to SEs in other semi-rural Brazilian towns, or even in international settings that might bear economic and social resemblance to our researched context.

International students’ language socialization in an English-medium university

This article investigates second language socialization of three international students in a tertiary institute in New Zealand. To understand the experiences of international students, the article draws on the theoretical framework of the production of space to examine how the students experienced their new social space. The article uses multiple sources of data including video/audio recordings of the classroom interaction, field notes, interviews with the focal students/teachers/tutors/lecturers, diaries, and institutional documents to provide a thick description of students’ participation, language socialization, and identities. It does a within and across case analysis of the students’ experience to situate the learning experiences but at the same time to highlight the role of space as a participating social being in the socialization process. The concepts of language socialization and identities are reconceptualized as ever-evolving and ever-changing phenomena, whose production depends on the social conditions and relationships in the social space.

A Trauma-Ridden Body Lifted High: Eschatological Imagination in a Public Square

Public demonstrations shed much meaning when the precarity of the human body’s standing in the public space is considered. This article seeks to decipher the complex messages such instances communicate through a case study of a one-person protest against a multinational conglomerate on a CCTV pole in Seoul. It describes how the body’s precarity generates transformative social imaginations through interdisciplinary analysis. Starting with a thick description of the protester’s and his community’s history, this article interprets the message conveyed in this particular public space through interdisciplinary analysis. The resulting interpretation allows the formation of an eschatological theological imagination which brews with the possibility to transform the public onlooker into participants in such imagination.

‘Getting Deep into Things’: Deep Mapping in a ‘Vacant’ Landscape

Areas in cities typically denoted as ‘Vacant and Derelict Land’ are frequently presented in policy documents as absent of meaning and awaiting development. However, visits to many of these sites offer evidence of abundant citizen activity occurring outside of planning policy. Dog walkers, DIY skatepark builders, pigeon fanciers and reminiscing former factory workers, for example, can all be found inscribing their own narratives, in palimpsest like fashion, upon these landscapes. This spatio-temporally bound and layered mix of contested meanings extend beyond representational capacity offered by traditional cartographic methods as employed in policy decision-making. Such a failure to represent these ecologies of citizen-led practices often results in their erasure at the point of formal redevelopment. In this chapter, we explore how one alternative approach may respond to these challenges of representation through a case study project in Glasgow, Scotland. Deep mapping is an ethnographically informed, arts research practice, drawing Cifford Geertz’s notion of ‘thick description’ into a visual-performative realm and seeking to extend beyond the thin map by creating multifaceted and open-ended descriptions of place. As such, deep maps are not only investigations into place but of equal concern are the processes by which representations of place are generated. Implicit in this are questions about the role of the researcher as initiator, gatherer, archivist or artist and the intertwining between the place and the self. As a methodological approach that embraces multiplicity and favours the ‘politicized, passionate, and partisan’ over the totalizing objectivity of traditional maps, deep mapping offers a potential to give voice to marginalized, micro-narratives existing in tension with one another and within dominant meta-narratives but also triggers new questions over inclusivity. This methodologically focused chapter explores the ways in which an ethnographically informed, arts research practice may offer alternative insight into spaces of non-aligned narratives. The results from this investigation will offer new framings of spaces within the urban landscape conventionally represented as vacant or empty and generate perspectives on how art research methods may provide valuable investigative tools for decision-makers working in such contexts. The deep mapping work is available to view at http://www.govandeepmap.com.

Centennial Stances: Museums, Morals and the First World War

<p>This thesis examines the extent to which New Zealand’s Centennial Great War exhibitions impact visitor perceptions, particularly those regarding their personal moral values. Two case studies are used, in order to inform discussions on the current and desired roles of New Zealand museums in relation to activism. While this research aims to provide New Zealand museums with more relevant findings than literature gaps currently allow, any discussions and recommendations may be more broadly applied to other countries. Similarly, despite a focus on the topical and largely publicised subject of WWI ‘100 years on’, discussions and recommendations are also relevant to general queries regarding museum representations, visitor interpretations and activism in museums. This research also intends to emphasise the benefits of interdisciplinary research by including museological, criminological and, to a lesser extent, philosophical literature. The research methods used within the two case studies can be broadly separated into three parts. First, a thick description method is used to provide in-depth overviews of The Great War Exhibition and Te Papa Tongarewa’s Gallipoli: The Scale of Our War. This section attempts to present a largely unbiased description of Great War representation in New Zealand’s capital. Second, the interpretations of ten visitors from each exhibition are gathered in the form of researcher-accompanied, audio-recorded visits. Such a research method intends to extract visitor thought processes in a relatively fluid and natural way. Finally, visitor questionnaires taken at the conclusion of each visit provide information on visitor demographics and overall thoughts regarding the exhibition, war itself and any inclusion of activism in museums. Alongside museum studies literature, criminological literature and debates are referenced to explain and exemplify the plentiful and diverse perceptions surrounding war. Overall, this study found most participants to be wary of activism in museum exhibitions. However, it also found that New Zealand museum visitors tended to possess a strong desire to determine their own moral perceptions through exposure to as many alternative narratives as possible. Therefore, any opposition to activism is not, in this case, due to any overriding wishes to favour ‘traditional narratives’. It is consequentially recommended that emphasis be put on clarity, transparency and multi-narrative approaches in museum exhibitions, as visitors appear to so strongly value their right to autonomous interpretation.</p>

Centennial Stances: Museums, Morals and the First World War

<p>This thesis examines the extent to which New Zealand’s Centennial Great War exhibitions impact visitor perceptions, particularly those regarding their personal moral values. Two case studies are used, in order to inform discussions on the current and desired roles of New Zealand museums in relation to activism. While this research aims to provide New Zealand museums with more relevant findings than literature gaps currently allow, any discussions and recommendations may be more broadly applied to other countries. Similarly, despite a focus on the topical and largely publicised subject of WWI ‘100 years on’, discussions and recommendations are also relevant to general queries regarding museum representations, visitor interpretations and activism in museums. This research also intends to emphasise the benefits of interdisciplinary research by including museological, criminological and, to a lesser extent, philosophical literature. The research methods used within the two case studies can be broadly separated into three parts. First, a thick description method is used to provide in-depth overviews of The Great War Exhibition and Te Papa Tongarewa’s Gallipoli: The Scale of Our War. This section attempts to present a largely unbiased description of Great War representation in New Zealand’s capital. Second, the interpretations of ten visitors from each exhibition are gathered in the form of researcher-accompanied, audio-recorded visits. Such a research method intends to extract visitor thought processes in a relatively fluid and natural way. Finally, visitor questionnaires taken at the conclusion of each visit provide information on visitor demographics and overall thoughts regarding the exhibition, war itself and any inclusion of activism in museums. Alongside museum studies literature, criminological literature and debates are referenced to explain and exemplify the plentiful and diverse perceptions surrounding war. Overall, this study found most participants to be wary of activism in museum exhibitions. However, it also found that New Zealand museum visitors tended to possess a strong desire to determine their own moral perceptions through exposure to as many alternative narratives as possible. Therefore, any opposition to activism is not, in this case, due to any overriding wishes to favour ‘traditional narratives’. It is consequentially recommended that emphasis be put on clarity, transparency and multi-narrative approaches in museum exhibitions, as visitors appear to so strongly value their right to autonomous interpretation.</p>

Use of Instagram as a Promotion Media of the Faculty Library at Gadjah Mada University

Background of the study: Libraries use social media to promote libraries for users, one of which is Instagram. Gadjah Mada University Library (UGM) and several faculty libraries have used Instagram as a promotional media, but not all are up to date. Purpose: The purposes of this study are to identify the way the faculty library promotes through Instagram and analyze the motivation factors and obstacles faced in promoting the library through Instagram. Method: This study was conducted at the faculty library at UGM used a thick description with a qualitative approach. Data collection techniques used are in-depth interviews, observation and literature study. This study discusses the use of Instagram as a library promotion media from librarians and staff who manage the library's Instagram. Findings: The results of the study show that: First, seven of the eighteen library libraries at UGM were promoted through Instagram. The way the faculty library promoting on Instagram is through posting content such as documenting events, library services, promoting events, and e-resources. Second, the motivation factor of the faculty library at UGM to use Instagram as a promotion media is to adapt to the generation of users and social media used by users. The obstacle faced by most faculty libraries in using Instagram as a library promotion media is the limitations of Human Resources (HR). Conclusion: The use of Instagram as a promotion media of faculty libraries at UGM is still not up to date. The majority of faculty libraries haven't used Instagram to promote the library. Seven faculty libraries have used Instagram but are not the same in up to date.

EVALUASI KEBIJAKAN SOSIAL DALAM PENINGKATAN TARAF HIDUP MASYARAKAT RENTAN MISKIN DI JAWA TIMUR

Program Jalin Matra (Jalan Lain menuju Masyarakat Sejahtera) Pemerintah Jawa Timur di bawah kepemimpinan Soekarwo-Saifullah Yusuf periode 2014-2019 cukup efektif menurunkan tingkat kemiskinan. Penelitian ini bertujuan mengukur sejauh mana efektivitas program tersebut, kendala di lapangan, dampak implementasi kebijakan, khususnya bagi keluarga rentan miskin. Penelitian ini menggunakan metode campuran (mix-method). Secara kuantitatif mengambil 100 responden warga desa penerima manfaat yang tersebar di empat kabupaten sampel (Sumenep, Jember, Malang, dan Madiun) dan diperdalam dengan metode kualitatif untuk mendapatkan gambaran yang mendalam (thick description). Hasil penelitian ini adalah: (1) sebesar 54% responden menyatakan program PK2 berjalan baik; (2) kendala terbesar yang dihadapi dalam implementasi program adalah klasifikasi rumah tangga sasaran (RTS); (3) dampak implementasi program PK2 adalah 63% responden menyatakan pendapatannya meningkat.

The Ground Shifting Beneath Us: Collective Memory of New Zealand's Neoliberal Revolution

<p>This paper explores the collective memory of the neoliberalisation of New Zealand and drastic structural adjustments beginning in 1984 with the election of New Zealand’s Fourth Labour government. Through a cultural sociological analysis of narrative, collected through interviews with both community and voluntary and trade union representatives, use of a cultural sociological understanding of thick description and maximal interpretation reveals how seemingly personal accounts and evaluations take on collective significance. In tracing a path from a collective need for change in New Zealand, to a realisation of the impact of structural adjustment and the collapse of New Zealand’s Labour tradition, this research concludes that the collective memory of this time in New Zealand’s recent history is an ongoing and culturally complex negotiation of collective meaning-making and interpretation. Through an understanding of the collective memory of those who were, and continue to be deeply affected by this period in history, we can begin to understand both the collective impact of neoliberalisation, and the ongoing repair-work needed in New Zealand’s Labour Party, and the Left more broadly.</p>