small things
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2021 ◽  
Author(s):  
Emma C. Halliday ◽  
Vivien Holt ◽  
Koser Khan ◽  
Fiona Ward ◽  
Paula Wheeler ◽  
...  
Keyword(s):  

Author(s):  
Parjita Munshi ◽  
Udit Pandya ◽  
Dhara Prajapati ◽  
Gargi Chauhan ◽  
Priyanka Shah ◽  
...  

To provide a better life to human, A six edges Robotic arm prototype model is developed. For the movement of every part there are Motors attached with them and for controlling we used Arduino UNO, for connection there is breadboard. A Robotic arm provides a facility to pick a thing from place and put that thing to another place. This prototype is used at home for carrying small things. With the reference to this prototype model a heavy thing carrying robotic arm can be use in industries.


2021 ◽  
Author(s):  
R. P. Banerjee

Experiencing stress in our everyday life is only human. Be it altercations with peers, upcoming deadlines or unnerving life events which can’t be controlled. There’s good stress that motivates us, and there’s stress that’s unhealthy; it controls our thoughts and feelings, leading to insomnia, heart diseases and even mental health issues. So how do we stop sweating over small things and start living blissfully? Through mind engineering, we can! Stress Management through Mind Engineering takes the readers through the process of mind engineering to help them create a stressless mind. A mind that can bear the force of the external environment by tapping the power within. Read this book to not only win over stress but also eliminate the risk of burnouts, understand the cause of high stress, reflect on one’s actions and behaviour and ultimately live a happier, healthier life.


Author(s):  
monica lalanda

ABSTRACT FOR GRAPHIC SUBMISSION TO:“COMICS IN AND OF THE MOMENT”. THE COMICS GRIDMónica LalandaBack in March 2020, when it became obvious that we were heading a big global disaster, I created a folder called Coronavirus Graphic Medicine. Since it was a unprecedented health care crisis, I expected a huge amount of art material related directly to the illness, the symptoms, the medical care, tests, treatments…I saw it as a great oportunity to confirm the use of such fabulous communication tool. Everytime I came accross a comic, infographic or cartoon in social media (mostly twitter and Instagram), I’d save it in my folder. I concentrated on work created in spanish but also foreign ones without any text.Within weeks, I was already surprised that the amount of graphic outpour was huge but there was little in terms of “proper” graphic medicine. As I continued to look into it in more detail, analysing all these amazing pieces, I could see that the illness itself was not the main character of the story, the protagonists of the covid-19 crisis were not the patients or the disease. It was clear that there was little contact with the patients, either locked in ther own rooms or in hospitals with no visitors. Covid-19 victims were surprisingly not the real issue. This in itself is very meaningful. .The illustrators also drew a lot about death but little about the dead ones, creamated without witnesses and buried almost in solitute . As the vignettes continued to enter my folder, I could see that somehow they were able to give an amazing narrative of the pandemia, there was hardly any graphic medicine but more of a story about a whole society going through a unique and damaging common experience. A kind of social graphic medicine of some sort. The suffering of a whole society rather than the illness of the individuals.They fitted into various themes that were obviouly catching the artists’ imagination. In my on-going analysis I ended up creating subfolders that allowed me to clasify and study them in a more logical way. These were the issues that gave way to more pieces:- Health care providers as heroes- Health care providers as victims of the system- Coping with the confinement.- The virus itself (anthopromorphism)- Death- “The curve”- Face masks- Timely themes (schools, Halloween, christmas…)- Information for people to avoid illness- vaccinesNow that things have settled, there is a new and different creation with a kind of retrospective eye. Yet again graphic medicine as such is missing. I’ve recently being invited to write the introduction of an anthology of comics about the pandemia where some of the best spanish comic creators have produced their own pieces about covid19. I notice a tendency to search for answers, to look into our society and our communities with some queries, to measure the effect of social inequalities or the importance of belonging, there is a concern about the psicological effect of those deaths that we were not allowed to mourn, the oportunity to value small things that we never noticed before. I almost sense a call to forget the ugly and to rebuild a new society upon the old ashes. It’s surprising the change in tone. Deep pesimism mixed with cheerful expectations.I’d like to create a comic reflecting on the analysis of all those hundreds of cartoons and comics that I’ve been looking at for over a year.My own work during the pandemia has been mostly graphic medicine as such and here is a link to some of it:https://monicalalanda.com/


2021 ◽  
Vol 32 (5) ◽  
pp. 5-6
Author(s):  
DG Buys ◽  
SC Brown

Author(s):  
Mary Snell-Hornby

For a language with a wealth of great literature such as English, globaliza-tion has been a mixed blessing. The International English of Mc World is a poor descendant of the language of Shakespeare and Dickens. On the other hand, English literature has been tremendously enriched by writings from the former colonies of the British Empire, creating their own ‘norms’ of English – ‘a new English’, as Chinua Achebe famously put it, “still in full communion with its ancestral home, but altered to suit its new surroundings ”. In the postcolonial literary scene, such ‘hybrid’ texts – or ‘métissés ’– are now a familiar feature, but a complicated one for translators working into other European languages. This essay concentrates on India, and looking at writings by Sethu (Pandavapuram in English translation) and Arundhati Roy (The God of Small Things in English and in German translation), it investigates the striking features of hybrid source texts and the cultural and linguistic problems involved in re-creating them for a European target culture.


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