“Masking” Makeup: Cosmetics and Constructions of Race in Rio de Janeiro

This article examines applications of bright, eye-catching makeup on the periphery of Rio de Janeiro, Brazil. Tracking the aesthetic decisions of makeup artists and their clients, I analyze how colorful manipulations of the bodily surface relate to local constructions of race. But the bodily surface does not simply reflect established and conventional understandings of race, nor are the aesthetics described herein merely symbolic of assumptions of difference. Instead, the aesthetic practices portrayed in this article may also be regarded as experimental, “nondiscursive” moments—operating on a complementary semiotic register—in the production of yet-to-be actualized ideas about race and being. This research shows how makeup practices often disrupt the aesthetic and conceptual links that tie insides to outsides, essences and souls to physical appearance, and in so doing chip away at the foundations on which race in Brazil has historically been built. Through sixteen months of ethnographic fieldwork (2019–2020) in Rio’s northern suburbs, I observed as disparate aesthetic practices—namely, beautification and transformation—merged with eclectic understandings of the body and notions of being. Through these alternating lenses, makeup enthusiasts often interpreted material signs of the body as pointing to categorical constructions of race, on the one hand, and to beauty, sex, and desire, on the other.These semiotic oscillations and their interpretations often stood in conflict with established racial discourses, and yet rather than being exceptional, I argue that such exploratory, sensuous aesthetics are in fact mundane. Taking as a starting point the understanding that racial discourse in Brazil, as elsewhere, is internally ambiguous and rife with epistemic conflict, this article describes nondiscursive aesthetic practices as strands of material disorder—latent with possibility but often incongruous with what we think we know about race—working to forge novel understandings of race, beauty, and the body.

Faith, Identity and Magical Realism in Leila Aboulela’s Bird Summons

This article adopts a literary analytical approach to illuminate the use of magical realism in the contemporary Anglophone Arab narrative of Leila Aboulela’s Bird Summons (2019). The study follows a methodology which combines two critical approaches to magical realism: first, a textual approach, and then a contextual one. Accordingly, the study uses key magical realist elements in Bird Summons to delineate the poetics of magical realism within the narrative, before determining the context in which magical realism functions in the narrative. Simultaneously, the study benefits from Christopher Warnes’s two strands of magical realism, ‘faith-based magical realism’ and ‘irreverent magical realism’ in providing a coherent basis for the use of magical realism in the text. This study aims at examining the significance of the magical realist narrative in articulating Arab British identity in Bird Summons. The analysis will interpret the role of magical realism in conveying and undermining the dominant ethnic and racial discourses which shape Arab British identities in Britain. The study’s findings demonstrate how the use of magical realism in the examined Anglophone Arab novel reinforces the fictional purposes of Aboulela as a hyphenated Arab, as it allows her to undermine dominant discourses on hyphenated Arab identities. At the same time, the use of magical realism allows Aboulela to (re)construct Arab British identities within her novel, apart from essentialist views of identity.

Our skin is trouble: Racial discourse in Athol Fugard’s Sizwe Bansi is Dead, Joseph Conrad’s Heart of Darkness and Wole Soyinka’s ‘Telephone Conversation’

The recent incident in Minneapolis, United States, where George Floyd, an African-American man, was manhandled by a police officer has brought about the resurgence of racial awareness as championed by the Black Lives Matter Movement. The concept of race has shaped the lives of so many generations and continues to do so in the 21st century. Racial segregation as well as the public hysteria on racism has had so much influence on societies and has led to discrimination and racial slurs across races. Using Critical Race Theory, this study examines racial discourse in Athol Fugard’s Sizwe Bansi is Dead, Joseph Conrad’s Heart of Darkness and Wole Soyinka’s ‘Telephone Conversation’. The analysis of the discourse reveals racial tendencies in the description of the black race through white-black (Self/Other) binary (racial segregation), race-based discrimination and animal metaphors. The paper contributes to scholarship on racial discourses and foregrounds the function of language in depicting the racial orientation of characters in literary texts.

Theorizing race, marginalization, and language in the digital media

Digitization of the communication medium has transformed the mute, marginalized ‘audience’ into a heterogeneous and credible content ‘producer.’ Drawing on this dynamics and operation of the digital media, it has urged the need to re-theorize ‘marginalization’ and ‘race.’ Hence, this paper critiques the digital-media tool, blogs, using a rhetoric-textual analysis method and critical discourse analysis method for the fictional text, Americanah. These methods employ the psychoanalytical-Althusserian critique of Adichie’s fictional narrative, Americanah. In the psychoanalytical sense, blog-writing can qualify as a mechanism of ‘sublimation’ in the post-modern world. In the Althusserian sense, blogs become persuasive mechanisms for a subject’s interpellation into non-dominant ideology. Among the plethora of marginalized global communities, African-Americans are enormously embracing the virtual communication trends for socio-political motives. This paper theorizes the correlations between race-related blogging, psychoanalytic sublimation, and the socio-political repudiation of power structure by employing the literary text as material evidence. Accordingly, the literary study has concluded that digital-mediums (i.e., in this case, political blogs) can depose the power vested in the ideological-state-apparatuses and impose a high potential for expression of unrestrained, credible, and democratic voice of the marginalized. It also validates that blogs/blogging influences and moulds national/political/racial discourses by lending a liberated voice and context-independent perspective to the racially oppressed.

A Dose of Law

This chapter argues that disability was central to the production of racialized medical knowledge in the antebellum years. As white southern physicians professionalized, they constructed racial discourses that dovetailed with disabling legal fictions of blackness. The criminal, property, and manumission laws of slavery analogized blackness and disability by overemphasizing the state of enslaved people’s bodies, while slave codes metaphorically “handicapped” blacks in society through pass laws, literacy laws, and the denial of citizenship rights. Samuel Cartwright, Josiah Nott, and others borrowed from this legal lexicon and invented new conditions and theories of black abnormality. Enslaved women, sexuality, reproductive health, and the imagined link between hereditary defects and racial inferiority played a major role in these conversations and positioned physicians as “experts” of black bodies.

The Smell of Risk

The Smell of Risk considers the capacities of olfaction as a tool for sensing and staging modernity’s differentiated atmospheres and their associated environmental risks. Focusing on American literature and art from the 1890s to the present, the book considers how smell stages the pathways through which environmental materials enter and interact with bodies in detective fiction, naturalist novels, environmental illness memoirs, environmental justice narratives, and olfactory art. These texts reframe modernization as a regime of differential deodorization that relocates bad air and its associated noxious odors to vulnerable spaces and populations even as it derecognizes olfaction as a mode of embodied knowledge. The Smell of Risk brings insights from the fields of material ecocriticism, sensory studies, atmospheric geography, and critical race studies to bear on diverse contexts of atmospheric disparity, including Latinx communities exposed to freeway exhaust and pesticides, Asian diasporic artists’ responses to racial discourses about Asiatic odors, and writings that explore the atmospheric devastation of settler colonialism and the olfactory capacities of Indigenous plants.

Emergent Feminisms and Racial Discourses of Televisual Girlfriendship

This chapter focuses on the cycle’s integration of emerging feminist discourses and its disruption of the postfeminist sensibility by interrogating its focus on female friendship. It highlights how the centrality of female friendship demonstrates the cycle’s liberal politics and therefore its appeal to upscale liberal or progressive audiences. The close, complex, honest relationships between main female friends on these shows, like Abbi and Ilana on Broad City, Gretchen and Lindsay on You’re the Worst, Quinn and Rachel on UnReal, or Rebecca and Paula on Crazy Ex-Girlfriend, allow them a critical self-awareness to interrogate gender norms, whiteness, and millennial culture. But the cycle’s incredibly insular and encouraging friendships also obscure racial politics and diversity by recentering whiteness and celebrating a particularly narrow type of liberal feminist girl culture that also frequently centralizes white fragility. Thinking through the critical humor and other modes of political discourse of these friendships within the context of television’s racist and postfeminist roots, this chapter situates these representations of female friendships in the context of contemporary empowerment rhetoric to interrogate the potential and limitations of television’s representational politics in this era of the reemerging or mainstreaming of feminism.

Race, Memory, and Military Men’s Sexuality

This chapter analyzes Okinawan discourses on race and military men's sexuality, with a focus on how Japanese and American racial discourses have shaped local understandings of difference. It discusses how the imperial rhetoric positioned Okinawans and other Asians alongside the Japanese in unified opposition to Europeans and Americans. During the postwar occupation, the U.S. military and its personnel were introduced into the Okinawa discourses on U.S. imperialism in Asia, Jim Crow segregation, and the 1960s civil rights and black power movements. The chapter also features the personal narratives of individuals who self-consciously viewed their relationships as transgressing established racial boundaries. It narrates stories that illustrate the struggle of military international couples in order to understand and rework racial ideologies and expectations in Okinawa's postwar society.