dialectical philosophy
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2021 ◽  
Vol 32 (2) ◽  
pp. 73-99
Author(s):  
Herwig Weber ◽  

One of the greater influences on Xavier Villaurrutia’s poetry was the philosophical work of Martin Heidegger. Also, among the Mexican poet’s favorite readings was The notes of Malte Laurids Brigge, a novel by Rainer Maria Rilke, which is conceptually connected with Georg Wilhelm Friedrich Hegel’s dialectical philosophy and Friedrich Schiller’s humanism. The present work is an interpretation of Nostalgia de la muerte by Villaurrutia based on the concepts of “turn towards the open” (Heidegger), “personal death” (Rilke), “subject as the absolute and as nothingness” (Hegel) and “aesthetic education of the human” (Schiller).


2021 ◽  
Vol 10 (2) ◽  
pp. 143-158
Author(s):  
Mohamad Wildan Syamsu Dluha

Abstrak: Filsafat merupakan sebuah ilmu yang sering kita dengar dan merupakan salah satu ilmu yang paling dasar dalam kehidupan. Filsafat adalah seni bertanya terhadap sesuatu di dalam hidup. Pertanyaan yang diajukan oleh filsafat itu unik karena tujuannya tidak untuk mendapat jawaban tetapi untuk dapat digali lagi pertanyaan lain dari persoalan yang ditanyakan. Pemikiran filsafat beragam salah satunya adalah Filsafat Dialektika yang dicetuskan oleh Georg Wilhelm Friedrich Hegel. Penelitian ini menggunakan metode historis yang terdiri dari tahapan heuristik, kritik sumber, interpretasi dan historiografi. Hasil penelitan menunjukkan bahwa perstiwa Perang Diponegoro memiliki relevansi dengan filsafat dialektika Hegel. Hal ini tercermin dari adanya unsur tesis, sintesis dan antitesi dalam peristiwa tersebut. Kepentingan yang diterapkan Belanda menimbulkan perlawanan kerajaan. Perlawanan tersebut merupakan respon rakyat terhadap kebijakan yang tidak tepat. Kondisi tersebut disebut tesis. Konflik ini melahirkan pula taktik strategi perlawanan yang kemudian disebut antitesis.Kata Kunci: Filsafat, Dialektika, Hegel, Perang Diponegoro.Abstract: Philosophy is a science that we often hear and is one of the most basic sciences in life. Philosophy is the art of asking questions in life. The question posed by philosophy is unique because the aim is not to get an answer but to be able to explore other questions from the problem being asked. Various philosophical thoughts, one of which is the Dialectical Philosophy which was initiated by Georg Wilhelm Friedrich Hegel. This study uses a historical method consisting of heuristic stages, source criticism, interpretation and historiography. The results of the research show that the events of the Diponegoro War have relevance to Hegel's dialectical philosophy. This is reflected in the existence of thesis, synthesis and antithesis elements in the event. The interests of the Dutch led to royal resistance. The resistance is the people's response to inappropriate policies. This condition is called a thesis. This conflict also gave birth to a strategy of resistance tactics which was later called antithesis. KataKeywords: Philosophy, Dialectics, Hegel, Diponegoro War.


2020 ◽  
pp. 275-289
Author(s):  
Sayram SOBIROVA

It is well known that cinema has one of the important roles in shaping the worldview of a person and culture with certain features. For this reason, the development of the young generation's ability to perceive works of art and the formation of their aesthetic views, as well as timely and effective satisfaction of the emerging needs, is of particular importance. In this sense, it seems more relevant to show not only the graphic row but the full-fledged images in films. When analyzing and interpreting images based on the achievements of modern cinematography, recognizing each film as an integral system, as well as the role of the image in the system of the constituent components of the film should be established on the basis of dialectical philosophy and dialectical categories and laws of logic. Although the image is a general category for all types of art, its analysis and interpretation require a special approach based on the specifics of each type.


2020 ◽  
Vol 24 (1) ◽  
pp. 138-157 ◽  
Author(s):  
Daryl Cressman ◽  

Unsatisfied with an intellectual history that divides the philosophy of technology into classical and empirical approaches, the following paper suggests a renewed attention to dialectical philosophies of technology. Drawing on the work of Andrew Feenberg, I argue that dialectical philosophies of technology are not essentialist holdovers from the past, but are empirically grounded approaches that direct researchers to ask why we have the technologies we do. From this, dialectical philosophies of technology open up ways to think about technology that prioritize the tension between the sociotechnical world as it is and concrete potentials of what it could be. Contrasting this against postphenomenology, I argue that avoiding these moments of potential can lead to a conservative and paternalistic philosophy of technology that fixes sociotechnical agency to a professional class of designers, engineers, and policy makers. I conclude by suggesting that Feenberg's dialectical philosophy of technology presents a modest alternative to the design imperatives that now guide the trajectory of postphenomenology.


2019 ◽  
Vol 64 ◽  
pp. 323-333
Author(s):  
Wei WANG

The German female writer Charlotte Kerner has created a series of works on the theme of science and technology to explore the relationship between people and technology and nature. One of the most striking features of his work is the frequent appearance of the "double" motive. This phenomenon is most evident in the book Blueprint. This article explores the "double" motive in the novel Blueprint from the perspectives of "mother-daughter doubles" and "person-painting doubles". This paper analyzes the aesthetic effect of its performance, and then studies the relationship among the motive, the author's aesthetic strategy and the theme of the work. In addition, it is concluded that "double" is full of dialectical philosophy of opposition and unity. It not only highlights the author's aesthetic strategy of paying attention to the dual combination of character and dialectical movement in character shaping, which makes the character of the character more full and contradictory conflict more intense, but also endues the work with the depth of human nature.


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