social semiotics
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2022 ◽  
Vol 0 (0) ◽  
Author(s):  
Tiyasha Sengupta

Abstract The article investigates the Self and Other binaries in wartime visual literature published in Bengali-language children’s periodicals in West Bengal, India during the Bangladesh Liberation Struggle 1971. The study applies a critical multimodal framework using the Social Actors Approach and Social Semiotics within the Discourse-Historical Approach. The binaries are defined by the representation and subsequent differentiation of physical, linguistic, and cultural features of the Bengali and non-Bengali social actors and through their actions in the plots. The representation of social actors in the texts conforms to as well as deviates from typical wartime propaganda.


2022 ◽  
Vol 27 ◽  
pp. 802-807
Author(s):  
Min Niu ◽  
Thawascha Dechsubha

Contemporary Pragmatics has the semiotic features from the respects of disciplinary naming, the means of development, and theoretical source to research object and method. It is not only an independent linguistics and language science, but also an interdisciplinary field and paradigm. This paper is to explore the semiotic features and dimensions of Pragmatics for tracing back the origin and the theoretical resources from semiotic perspective, and to define its research scope and clarify the connotation of its conception. As Semiotics has a triad dimension of semiosis, one of which is the “pragmatic dimension”. Therefore, contemporary pragmatics includes at least three semiotic dimensions: scientific semiotics, linguistic semiotics and social semiotics. The semiotic analysis of Pragmatics could be conducive to clarify and fix the semiotic and philosophical origin, definition, disciplinary connotation and meaning of Pragmatics, which is also theoretically helpful for clarifying the concepts for the study of philosophical pragmatism, pragmaticism, semiotics, semantics and syntax.   Key Words: Semiotic, Pragmatics, Pragmaticism


2022 ◽  
pp. 97-114
Author(s):  
Helle Pia Laursen ◽  
Line Møller Daugaard ◽  
Uffe Ladegaard ◽  
Winnie Østergaard ◽  
Birgit Orluf ◽  
...  

In this article, the authors build on empirical data from the ongoing longitudinal research project Signs of language (2008 – 2018) to examine how multilingual children in a primary school setting use metalinguistic resources linked to several written languages. Grounded in social semiotics and drawing on newer social perspectives on metalanguage, the authors focus on a researcher-generated activity designed to invite the children to reflect on language and literacy. In two particular interactions, they explore how the children “engage with the meta” by navigating between different languages and sign systems, and how their use of metalinguistic resources in a referential sense is inextricably linked to a dialogically formed and performative negotiation of social identity and social relations. Thus, adopting a metalanguaging perspective, this article demonstrates how metalinguistic statements about language are closely interwoven with an ongoing production and negotiation of the communicative situation.


2022 ◽  
pp. 548-570
Author(s):  
Hossam Mohamed Elhamy

The social semiotics approach examines the meaning-making process in order to demonstrate how meaning is constructed in social actions and contexts. The rising interest of researchers in social media and its widespread use in society have both highlighted new challenges for data analysis. Social semiotics can provide a deep understanding of the visual grammar of the social media meaning-making process by assuming that this process is considered a social practice. The main objective of this chapter is to guide researchers and enable them to use the social semiotic approach as a research tool for the analysis of visuals in the social media environment. The chapter introduces the key elements, principles, assumptions, and rules of using the social semiotics approach in the analysis, understanding, and interpretations of social media visuals and how to explore the role played by visual elements in the meaning-making process in a social media within a specific social context.


2021 ◽  
Vol 1 (1) ◽  
pp. 79-95

This paper aims to show how and why the Economist constructs the post-Brexit European Union’s (EU) image in a string of commentaries published in the Charlemagne section in the 2017-2021 period. The theoretical concepts that provide the interdisciplinary methodological framework within which the research topic – the exposure of the discursive and cognitive mechanisms whereby the global media of British origin constructs the EU’s image and frames the debate about the EU – is explored encompass social semiotics and critical discourse analysis. The findings suggest that through its interplay of headline and subheading, together with the cartoon and textual body, the Economist holds the assumption that Brexit threatens the cohesion of the EU and prompts the drawing of a new balance of interests.


2021 ◽  
Vol 13 (24) ◽  
pp. 13848
Author(s):  
Vladimiras Dolgopolovas ◽  
Valentina Dagiene

This article explores the development directions of the phenomenon of Computational Thinking (CT) from the perspectives of discourse analysis. The motivation is based on the understanding of CT as an advanced educational approach, methodology, and community, aimed at a set of learners’ digital and further competences having a huge impact on modern education and society. The novelty of this study lies in the attempt to look holistically at CT and its perspectives, considering it as an evolving phenomenon per se, leaving aside discussion on its internal characteristics or applications. The study utilizes a comprehensive analysis, applying discourse analysis and social semiotics methods. The results present the most trended storylines associated with CT and its context, providing a thorough introduction to the CT discursive landscape. The findings and discussion present a reflective insight into the discursive landscape directions, focusing on meaning-makers and their identities, the transformative and transductive potential of CT, observing the phenomenon’s development paths from a metaphorical perspective and positioning it towards the development of the socio-technical networks it mediates. In the conclusion, the options for development and possible trends in the reconstitution of the CT phenomenon are outlined.


2021 ◽  
Vol 5 (S3) ◽  
pp. 1678-1691
Author(s):  
Febrika Dwi Lestari ◽  
Rina Octavia Simarmata ◽  
Nurhayati Sitorus ◽  
Usman Sidabutar

COVID-19 Street banner is one of various ways and medias used for communicating and informing about the virus that contain of whether invitation, prohibition, or strategies to reduce the spread of Corona virus outbreak to society. Based on an interdisciplinary theoretical framework, this study revealed to the genaral understanding of the COVID-19 banners and how this media contribute to the overcoming of the pandemic spreading. In order to examine and explain the interpretations and influences of this media associated with the awareness and information on how to reduce the COVID-19 outbreak through the images and verbal signs of the banner, this present work analyzed COVID-19 street banner that circulated on the street and building around Medan to Binjai about COVID-19. The study employed the theories of social semiotics by using Barthes theory with descriptive visual study design approach to reveal the code and message of the banner. The result showed that those banners conveyed the similar message that doing the heath protocols are able to reduce the spreading of the virus and they have special effect on society. Government ministry and various organizations worked together to educate and encourage society about COVID-19 through street banners as their communicative strategy.


2021 ◽  
Author(s):  
◽  
Keely Kidner

<p>A multimodal, critical approach to Discourse allows us to understand contemporary environmental debates in a nuanced way. Fossil fuel mining has become especially controversial due to the environmental, health, and social impacts, as well as the substantial economic dependence on such development. Wider discussions surrounding mining projects tend to diverge into two major oppositions: that of the industry itself, and that of local activists protesting development on their lands. Research in these areas has leaned towards a focus on the use of environmental language by polluting industries, termed ‘greenwash’, missing to some degree the ways in which these and other Discourses are articulated multimodally through interaction. This thesis brings a critical, multimodal analysis to controversial mining debates which go ‘beyond greenwash’, in order to track how Discourses are appropriated, resisted, and re-entextualised.  In this thesis I adopt overlapping critical, multimodal, and ethnographic theoretical lenses to view interaction surrounding two controversial mining case studies: the Athabasca tar sands in Alberta, Canada and a lignite coal mine expansion in Southland, Aotearoa/New Zealand. Drawing upon an understanding of human communication as inherently multimodal, I include video-recorded interviews with both activists and industry representatives, as well as relevant artefacts (such as pamphlets, photographs, signs, etc) in my dataset. Using mediated action as the unit of analysis, I employ Multimodal Interaction Analysis to examine interview interaction, coupled with methods from Social Semiotics to interrogate designed artefacts. These analytical frameworks, viewed through combined theoretical lenses, provide a unique perspective on the way Discourses are appropriated and creatively resisted in debates about resource development.  In both case studies, Discourses of the environment and the economy are appropriated by activists and industry actors, forming the basic ‘Environment v. Economy’ Discourse. This dichotomy is expanded through the appropriation of additional Discourses, such as regional identity in both Southland and Alberta. Activist groups subsequently resist and re-appropriate these regional Discourses by multimodally re-contextualising them. In Alberta, additional Discourses of Indigenous and LGBTQ+ identities are appropriated by industry actors in attempts to legitimise mining expansion. While some of these appropriations draw upon ideas of intersecting oppressions, mining industries fail to adequately address the ways in which resource extraction contributes to those oppressions. However, these actions are both recognised and resisted by local anti-tar sands activists, who use public events and designed artefacts to display their opposition and reappropriate Discourses.  Although both case studies are concerned with similar types of fossil fuel extraction, there are notable differences. Whereas Discourses of the environment, the economy, and regional identity are both appropriated and resisted in Southland and Alberta, it appears that in Alberta, industry actors draw upon a wider variety of Discourses. This may be due, in part, to the fact that the Athabasca tar sands controversy has had a longer development period and more international resistance, meaning there is more pressure to legitimise new and ongoing projects. This has led to a type of ‘discursive arms race’, where wider Discourses are appropriated as other, more directly-linked, Discourses are exhausted (e.g. the environment). In response, activists in both Southland and Alberta make use of creativity and humour in mundane performances to enact satirical representations of powerful industry actors. While these performances occur regularly in many of my interviews, activists in Alberta also tend to stage elaborate and humorous theatrics in order to criticise government and industry approaches to fossil fuel development.  The unique framework employed in this thesis has resulted in a number of research implications. These include the combination of Critical Discourse Analysis with a multimodal, ethnographic approach, and the coupling of Multimodal Interaction Analysis with Social Semiotics to expand my analytical reach. Additionally, I have made use of a variety of modes in this thesis’ presentation, in order to exploit each mode’s affordances and better represent the complexity of my dataset. Finally, from a critical perspective, this research offers an agenda of empowerment for environmental justice activist groups struggling to protect their lands.</p>


2021 ◽  
Author(s):  
◽  
Keely Kidner

<p>A multimodal, critical approach to Discourse allows us to understand contemporary environmental debates in a nuanced way. Fossil fuel mining has become especially controversial due to the environmental, health, and social impacts, as well as the substantial economic dependence on such development. Wider discussions surrounding mining projects tend to diverge into two major oppositions: that of the industry itself, and that of local activists protesting development on their lands. Research in these areas has leaned towards a focus on the use of environmental language by polluting industries, termed ‘greenwash’, missing to some degree the ways in which these and other Discourses are articulated multimodally through interaction. This thesis brings a critical, multimodal analysis to controversial mining debates which go ‘beyond greenwash’, in order to track how Discourses are appropriated, resisted, and re-entextualised.  In this thesis I adopt overlapping critical, multimodal, and ethnographic theoretical lenses to view interaction surrounding two controversial mining case studies: the Athabasca tar sands in Alberta, Canada and a lignite coal mine expansion in Southland, Aotearoa/New Zealand. Drawing upon an understanding of human communication as inherently multimodal, I include video-recorded interviews with both activists and industry representatives, as well as relevant artefacts (such as pamphlets, photographs, signs, etc) in my dataset. Using mediated action as the unit of analysis, I employ Multimodal Interaction Analysis to examine interview interaction, coupled with methods from Social Semiotics to interrogate designed artefacts. These analytical frameworks, viewed through combined theoretical lenses, provide a unique perspective on the way Discourses are appropriated and creatively resisted in debates about resource development.  In both case studies, Discourses of the environment and the economy are appropriated by activists and industry actors, forming the basic ‘Environment v. Economy’ Discourse. This dichotomy is expanded through the appropriation of additional Discourses, such as regional identity in both Southland and Alberta. Activist groups subsequently resist and re-appropriate these regional Discourses by multimodally re-contextualising them. In Alberta, additional Discourses of Indigenous and LGBTQ+ identities are appropriated by industry actors in attempts to legitimise mining expansion. While some of these appropriations draw upon ideas of intersecting oppressions, mining industries fail to adequately address the ways in which resource extraction contributes to those oppressions. However, these actions are both recognised and resisted by local anti-tar sands activists, who use public events and designed artefacts to display their opposition and reappropriate Discourses.  Although both case studies are concerned with similar types of fossil fuel extraction, there are notable differences. Whereas Discourses of the environment, the economy, and regional identity are both appropriated and resisted in Southland and Alberta, it appears that in Alberta, industry actors draw upon a wider variety of Discourses. This may be due, in part, to the fact that the Athabasca tar sands controversy has had a longer development period and more international resistance, meaning there is more pressure to legitimise new and ongoing projects. This has led to a type of ‘discursive arms race’, where wider Discourses are appropriated as other, more directly-linked, Discourses are exhausted (e.g. the environment). In response, activists in both Southland and Alberta make use of creativity and humour in mundane performances to enact satirical representations of powerful industry actors. While these performances occur regularly in many of my interviews, activists in Alberta also tend to stage elaborate and humorous theatrics in order to criticise government and industry approaches to fossil fuel development.  The unique framework employed in this thesis has resulted in a number of research implications. These include the combination of Critical Discourse Analysis with a multimodal, ethnographic approach, and the coupling of Multimodal Interaction Analysis with Social Semiotics to expand my analytical reach. Additionally, I have made use of a variety of modes in this thesis’ presentation, in order to exploit each mode’s affordances and better represent the complexity of my dataset. Finally, from a critical perspective, this research offers an agenda of empowerment for environmental justice activist groups struggling to protect their lands.</p>


2021 ◽  
pp. 779-807
Author(s):  
Paulo Roberto Gonçalves-Segundo ◽  
Gabriel Isola-Lanzoni

The aim of this paper is to discuss how the verbal and the pictorial modalities interact to construe argumentative meanings in a transport campaign promoted by Lisbon’s subway company in 2018. As an instance of multimodal practical argumentation aimed at behavioral change, the campaign constitutes a significant corpus for discussing a series of relevant issues in the field, such as the illative reconstruction of arguments, the affordances of each modality in schematization, and the operationalization of pictorial analysis in regard to its argumentative potential. By drawing on a dialogue between Social Semiotics and Argumentation Theory, we arrived at the following conclusions: (i) the campaign established verbal and pictorial subcanvases specialized in construing certain parts of the main practical argumentation schemes; (ii) images were inherently tied to the construction of Circumstantial premises, thus exerting a direct role in argumentation, and tended to portray complex representational meanings, with three combined process types; (iii) the most productive argumentation schemes utilized were the instrumental practical reasoning scheme, the argument from values and the argument from consequences; (iv) there were two targeted audiences – the readers/clients in general, usually identified with the affected depicted people, and the clients whose behavior was being targeted in the campaign, represented as transgressors in the pictorial subcanvas


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