LA PALABRA IMAGEN: ESTUDIO SEMIÓTICO-COGNITIVO DE LA POESÍA VISUAL DE FERNANDO MILLÁN, FELIPE BOSO Y CLARA JANÉS

El presente trabajo propone un estudio de la llamada poesía visual mediante un método integrado que hará confluir las herramientas de análisis de la teoría semiótica con las consideraciones de la Poética Cognitiva respecto a este tipo de objetos intermediales. De esta manera, de un estudio teórico inicial que permitirá extraer estas herramientas cognitivo-semióticas de análisis, se pasará a un estudio práctico, mediante el método previamente desarrollado, de obras concretas y variadas de poesía visual, seleccionadas entre la creación de Fernando Millán, Felipe Boso y Clara Janés. Abstract: The present work develops a study on the so-called visual poetry by means of an integrated method which will fuse the analytical tools of the semiotic theory with considerations of Cognitive Poetics about this kind of intermedial objects. Therefore, from a theoretical study which will provide us with this cognitive-semiotic analytical tools, a practical study will follow with the analysis of specific and varied works of visual poetry, which will be selected within the works of Fernando Millán, Felipe Boso and Clara Janés.

Cultural Signs in Toraja Novels; When Love Finds Its Way Home; Charles Sanders Pierce Semiotic Studies

The aims of this research are; (1) Describe the form of cultural signs in the novel Toraja; When Love Finds its Way Home based on Charles Sanders Pierce's semiotic theory. (2) Describe the meaning of cultural signs in the novel Toraja; When Love Finds Its Way Home. This research is a qualitative research. The data in this study are data obtained from novels in the form of icons, indexes and symbols as well as data obtained from interviews. Sources of data in this study is a novel entitled Toraja; When Love Finds its Way Home by Endang, SSN, and also an informant who is the head of the Ke'te Kesu' tradition in North Toraja. The data collection technique used in this study is a documentation technique which includes observing and recording the various signs that are needed, as well as using open interview techniques. The results of this study indicate that the form of the sign is more dominant in the novel Toraja; When Love Finds its Way Home is a symbol consisting of five data. In addition to symbols, researchers also found signs in the form of icons (one data) and indexes (two data). As we know that based on his criteria, Pierce distinguishes signs into three, namely icons, indexes and symbols.

TAHLIL AL MA'ANY FI SYI'RI ROBI'ATI AL 'ADAWIYATI HAQIQATUL HUBBI : AL NAZHRATU AL SIMIYA'IYYATI AL RIFATIRY

This study aims to describe (1) heuristic reading (2) hermeneutic reading (3) matrix, model, and (4) hypogram in the poem “Hakikat Cinta” by Rabi'ah Al-Adawiyah. This research is a library research because the primary data and secondary data are in the form of books or related documents. This study uses a qualitative descriptive technique through the semiotic approach of Michael Riffaterre. The results of the study are as follows. (1) The heuristic recitation of each sentence shows that this poem tells the story of Rabi'ah's love for his Lord, in this case he gave his whole life and death to Allah. (2) The Hermeneutic reading tells about the rabi'ah immense love for Allah, this is expressed in every verse that she expresses through her poetry. (3) The matrix in this poem is the praises conveyed by the Rabi'ah to the creator. (4) The hypogram in this poem is an intertextual hypogram, which is an explanation related to the poetry written by Rabi'ah which is closely related to the verses of the Qur'an an. After using the semiotic theory of the riffaterre, it can be concluded that according to Rabi'ah the only purpose of life that is very natural to be loved is Allah. The word love which is repeated every time by the rabi'ah implies the integrated meaning of all love only to Allah, because all forms of love and feelings grow because of the beauty and perfection of Allah

Makna Syifa dalam al-Qur’an (Analisis Semiotika Roland Barthes pada QS al-Isra 82)

This paper examines the meaning of shifa in the Qur'an as stated in Q.S. Al-Israa [17]: 82 which can be used as a means of treating various diseases, both psychological and physical. Employing the semiotic theory of Roland Barthes consisting of two stages (the linguistic system which is also interpreted as denotative meaning and the system of mythology (myth) as connotative meaning), the results obtained that shifa is not only oriented to the psychic alone, but to healing both the psychic (spiritual) and physical. The message contained in the verse is that it is recommended to do treatment using the Qur'an, with lawful (halal) practices, and it is not allowed to practice medical treatment that can classify to shirk such as using magic spells, mediation of belief in objects, sacred places of worship, and other things that are superstitious. Tulisan ini mengkaji tentang makna syifa dalam Al-Qur'an sebagaimana tertuang dalam Q.S. Al-Israa [17]: 82 yang dapat digunakan sebagai sarana pengobatan berbagai penyakit, baik psikis maupun fisik. Dengan menggunakan teori semiotika Roland Barthes yang terdiri dari dua tahap (sistem linguistik yang juga diartikan sebagai makna denotatif dan sistem mitologi (mitos) sebagai makna konotatif), diperoleh hasil bahwa syifa tidak hanya berorientasi pada psikis saja, tetapi untuk penyembuhan baik psikis (spiritual) maupun fisik. Pesan yang terkandung dalam ayat tersebut adalah dianjurkan untuk melakukan pengobatan dengan menggunakan Al-Qur'an, dengan praktik yang halal dan tidak diperbolehkan melakukan praktik pengobatan yang dapat digolongkan ke dalam syirik seperti menggunakan mantra sihir, perantaraan benda-benda, tempat-tempat ibadah yang keramat, dan hal-hal lain yang bersifat takhayul.

Right for the wrong reason; wrong for the right reason: Gibson and Arnheim on picture perception

Although J J Gibson’s theory of picture perception was often crude and biased toward naturalism, its fundamental division between the visual world and the visual field made it a semiotic theory. Contrariwise, although Arnheim wrote sensitively on pictures, he never seemed to admit that they were signs. This paper reviews both Gibson’s and Arnheim’s theories of picture perception, and explains where Arnheim’s biases caused him to lose the possibility of framing his approach in the most basic semiotic terms. Nevertheless, using the phenomenological semiotics of Sonesson and his theory of the Lifeworld Hierarchy, I demonstrate latent semiotic elements in Arnheim’s theory, due perhaps to Alfred Schutz’s influence. Hoping to argue against the brute theory of denotation, Arnheim instead sought to delay invocation of (conventional) signs as long as possible, and his idea of iconic pictorialization assumes but does not name signification. Nevertheless, I propose that Arnheim has a kind of theory of the Lifeworld Hierarchy inside the picture. Thus, he (wrongly) does not see the picture as overtly signifying but interestingly gives hints about how to treat the objects of the virtual world of the picture based on their relationship to the overall style of the work.

INTERPRETATION OF THE SIGNS IN THE TRADITION OF MA’BACA-BACA AMONG THE MUSLIM SOCIETY OF BUGIS BONE

This research aims to explain the signs contained in the tradition of ma'baca-baca among the Muslim society of Bugis Bone and the meaning of the signs. The research problems consist of: 1) What are the signs found in the tradition of ma'baca-baca among the Muslim society of Bugis Bone; 2) What is the meaning of the signs that exist in the tradition of ma'baca-baca among the Muslim society of Bugis Bone. To analyze these problems, the theory used is the semiotic theory of Charless Sanders Peirce, which proposes a triangle theory of meaning, linking three aspects which are the main elements, namely representamen (sign), object, and interpretant. And assisted by Bronislaw Malinowski's theory of cultural functionalism. While the research method used is a qualitative descriptive method, namely the techniques of observation, interviews, and documentation. This study resulted in the following conclusions; 1) There are 5 verbal signs and there are 18 nonverbal signs in the tradition of ma’baca-baca among Muslim society of Bugis Bone, 2) All signs contained in the tradition of ma'baca-baca have their own meanings that are interpreted and believed by the local society.

Mitologi dalam QS. Al-Kafirun Perspektif Semiotika Roland Barthes

The interpretation of Surah al-Kafirun today is found to be a little disturbing for religious people, both among religions and between religious communities. Especially after the largest Islamic organization in Indonesia, namely Nahdatul 'Ulama which issued bahtsul masail results about non-Muslims who are not infidels. Netizens are busy blaspheming and identifying non-Muslims as not even infidels to the point of stating that the meaning of the letter al-Kafirun today is no longer relevant. To answer this question, the author compiles Roland Barthes' theory of semiotics into this letter of al-Kafirun. The author interprets this letter of al-Kafirun using two levels of semiotics. The first level of semiotics analyzes linguistics or language. Meanwhile, the second level semiotics analyzes the connotative meaning in the text by revealing the mythical characteristics of the verse as stated in Roland Barthes' semiotic theory.

The Makna Denotasi dan Makna Konotasi Dalam Film Animasi “Amirotur Ruum” Karya Hadi Mohammadian: Semiotika Roland Barthes

This article aims to describe the meaning of denotation and connotation in the animated film Amīrat al-Rūm by Hadi Mohammadian using the semiotic theory of Roland Barthes. Barthes explained that in the meaning of the word, there are two parts, denotation, namely the original meaning contained in the dictionary, and connotation, where this meaning involves human emotions and thoughts. This type of research is descriptive qualitative research, and the data source used is the animated film Amīrat al-Rūm by Hadi Mohammadian. The data collection technique uses watching, listening, and translating. Meanwhile, the data analysis is linguistic messages, unencoded iconic messages, and encoded iconic messages. The results of this study indicate that in the animated film Amīrat al-Rūm many dialogues contain denotative and connotative meanings.

Analisis Antologi Puisi Pesan Tua Karya Hendra Djafar Menggunakan Teori Semiotic

This study aims to analyze the poetry anthology "Old Message" by Hendra Djafar using structuralism-semiotic theory. This type of qualitative descriptive research by conducting library research (library research) through relevant reading materials. The analysis was carried out on three poems, “I am a Orderly Poetry,” “Salawatku,” and "Old Message" which are considered to represent the tendencies of Hendra Djafar's poetry in the types of ballads, odes and contemporary. The analysis of the three poems is then analyzed using the theory analysis are: 1). The dimensions of the icon are analyzed from the power of saying "I" lyrics as a poet as well as acting as a dominant-looking narrator, 2). The index dimension implies that there is tension between the form and content of the poem, contradictions in the psychological dimension between messages and impressions, as well as between exclamations and criticisms, 3). Although the dimensions of arbitrary symbols are not widely found.

AN ANALYSIS OF FEMINISM IN MERRY RIANA : MIMPI SEJUTA DOLAR MOVIE

In literary works, films cannot be separated from life, one of which discusses the issue of discrimination against women, a phenomenon that continues to be actively debated in society and gave birth to the feminism movement. Feminism can also appear through films, one of which is Merry Riana. Therefore, this paper aims to find out what is meant by feminism and how feminism is reflected in films and associated with liberal feminism. This study uses a qualitative method with sources from the original Merry Riana video. The writer uses data collection techniques from online sources. The data were collected by watching the film and understanding the film's dialogue several times and making observations to strengthen the analysis using the semiotic theory by Charles Sanders Pierce. The results of this study indicate that: (1) 8 data indicate the presence of elements of feminism in Merry Riana's action. (2) Feminism is shown through Signs, Objects and Interpreters. (3) In liberal feminism, it proves that women are not only focused on the private sphere, but can also be in the public sphere. Key words: Literature, Movie, Merry Riana, Feminism