universal culture
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2021 ◽  
Vol 20 (6) ◽  
pp. 299-305
Author(s):  
Yu. V. Shatin

The article studies the methods of deconstructing the image of the hero in journalistic texts of the 21st century from the metamodernism perspective. Based on the works of the main theorists of metamodernism R. Akker and T. Vermeulen, the author of the article focuses on the reception of post-irony, which due to the oscillation (fluctuation of sense) blurs the line between irony and seriousness. Being a universal culture phenomenon, post-irony as means of deconstruction has penetrated various types of art and has dominated certain sectors of the modern media space. Based on the exam ples of two genres of modern journalism – newspaper obituary and interview – the author identifies the main rhetorical devices of deconstruction, which mainly rely on post-irony. 


Author(s):  
Kristina Mitić

Oral lyric poetry in a dialect can be found neither in the curriculum nor in textbooks. The purpose of this paper is to promote homeland literature as a step toward gaining insight into universal culture and civilization while its main objective is to present the methods and importance of a significant teaching principle in training students coming from a dialectal environment – the homeland principle, which implies getting acquainted with the literature originating from the homeland characterized by homeland motifs and dialect. Concurrently, this paper aims at suggesting the possibilities of applying oral lyric poetry in a dialect while teaching students who come from the environment marked by the concordance between the standard language and native tongue, or by slight deviations between the two, as well as at presenting relevant sources from which to obtain material for such activities. This would allow for a more thorough and complete understanding of our oral lyric poetry and acquiring the value and messages it conveys. The applicability of oral lyric poetry is observed in regular classes of the Serbian language and literature (studying perusal, the history of the Serbian language, acquiring standard language and dialect concepts, studying author literature in a dialect, etc.), in extracurricular classes, as well as in the correlation with other school subjects (history, geography, music).


2021 ◽  
pp. 170-187
Author(s):  
L. A. Kozlova ◽  
◽  
M. M. Shlyakhova ◽  

The object of the article is simile, and the subject matter is its role in the representation of the author’s worldview. The empirical material is represented by a corpus of examples, found in the works of Margaret Atwood, in which simile appears to be one of the main means of the author’s individual style and, consequently, a key to the reconstruction of the author’s world view. The complex analysis of the corpus enables us to illustrate the role of simile in the representation of the author’s conceptual system. The totality of these concepts forms the basis of the author’s worldview, that has a heterogeneous character, combining the universal, culture-specific and individual components which serve as the source sphere of similes.


Humanities ◽  
2020 ◽  
Vol 10 (1) ◽  
pp. 8
Author(s):  
Hasan M. El-Shamy

Explaining the rationale and main objectives for his motif system; Stith Thompson declared that it emulates what “the scientists have done with the worldwide phenomena of biology” (Thompson 1955, I, p. 10). In this respect; the underlying principles for motif identification and indexing are comparable to those devised by anthropologists at Yale for “categorizing” culture materials into 78 macro-units and 629 subdivisions thereof used to establish “The Human Relations Area Files” (HRAF). By comparison, 23 divisions (chapters) make up the spectrum of sociocultural materials covered in Thompson’s Motif-Index system. Thompson’s cardinal themes are divided into 1730 subdivisions permitting more specificity of identification (El-Shamy 1995, I, xiii). Historically; the disciplines of “anthropology” and of “folklore” targeted different categories of the human population; with “folklore” assigned to populations stratified into “social classes” (Dorson 1972, pp. 4–5: For details, see El-Shamy: “Folk Groups” (1997b, pp. 318–322, in: T.A Green, gen. ed. 1997c, p. 321); El-Shamy 1980, p. li; compare El-Shamy (1997a), p. 233 (“African hunter”). The limitations Thompson placed on the goals of his motif system (along with its tale-type companion) were triggered by the fact that “folklore” was; then; primarily interested in literature (prose and verse). The sociocultural milieu surrounding the creation of the literary forms occupied minor roles. Considering that a folktale is a “description of life and/or living” including all five universal culture institutions; the relevance of the contents of folktales are of primary significance for understanding the community in which they were born and maintained (El-Shamy 1995, I, p. xiii). Consequently; for the present writer; a folktale is considered a sixth (universal) culture institution. Also; because Thompson’s Motif-Index sought global coverage; many regions and national entities didn’t receive adequate attention: significant fields of human experience are missing or sketchily presented. This article offers two cases as examples of: (1) How editors of folklore publications ignore novel ideas incompatible with established trends; and (2) Samples of the spectrum of current psychosocial issues addressed in an expanded Thompson’s System (with more than 26,000 new motifs and 630 tale-types added).


Author(s):  
K. Mitchell Snow

To help him shape the dance component of the new Instituto Nacional de Bellas Artes (INBA), Carlos Chávez invited the leading exponents of Mexico’s opposing camps of modern dancers to assist him, along with an array of painters, composers, and writers. As part of INBA’s charge to create a universal culture attractive to international audiences, and at a time the U.S. was promoting modern dance as part of its WWII propaganda efforts in the Americas, Chávez’s team created a modern-dance focused Academy of Mexican Dance. Chávez would soon appoint polymath artist Miguel Covarrubias to lead INBA’s dance department, ushering in a “golden age” for Mexican modern dance. INBA underwrote lavish productions by internationally recognized choreographer José Limón, it also extended similar support to its novice choreographers who mounted productions with scores by its leading composers and scenic designs by its most famous artists.


2020 ◽  
Vol 72 (2) ◽  
pp. 386-391
Author(s):  
A. Ongarbaeva ◽  
◽  
G. Karimova ◽  

The article discusses the synergistic approach of the spiritual heritage based on the works of the great poet AbayKunanbayev. The young generation should know its origins, what principles our people adhered to in the upbringing of the younger generation. Even now in modern times we find philosophical meaning in the works and sayings of Abay The author focuses on the fact that Abay's work has enriched the history of the people and, at the same time, the universal culture with new values. These values were kept by the people because they embodied the highest achievements of the people's spiritual wealth, which contributed to the flourishing of its advanced culture. Abay's works have been translated into many languages, and his work is widely acclaimed by foreign writers, poets and literary critics. In modern Kazakhstan, in the context of the globalization of the world, the call of the great Abai to learn from all peoples is relevant, while preserving its own face, national and human dignity, multiplying the number of friends, strengthening friendship with the whole world.


2020 ◽  
pp. 229-250
Author(s):  
Piotr Mazurkiewicz

The text analyzes the differences between cultural diversity (a state meaning coexistence in one area of different cultures) and multiculturalism (ideology). The latter often tries to impose various forms of mixing cultures from above, proclaiming the positive fruits of such activities. For this reason, it omits the nature of man (objective, universal and common to all people), often turns against the national identity in which he sees an obstacle to the emergence of one global universal culture imposed from above. The creators of this ideology have their own system of values, which they often try to implement without the natural law.


BMJ Open ◽  
2020 ◽  
Vol 10 (2) ◽  
pp. e032487
Author(s):  
Amer Alshengeti ◽  
Amjad Alharbi ◽  
Shahad Alraddadi ◽  
Abdulsalam Alawfi ◽  
Bushra Aljohani

AimsGroup B streptococcus (GBS) is one of the most frequent bacterial pathogens causing invasive infections in neonates. It can be transmitted from colonised mother to neonates around delivery. Screening strategies for GBS during pregnancy include either universal culture-based or risk-based screening. The present study aimed to assess the knowledge, attitude and current practices of pregnant women towards GBS screening in Al-Madinah City, Saudi Arabia.MethodsA hospital-based cross-sectional study was conducted at Madinah Maternity and Children Hospital, Al-Madinah, Saudi Arabia, from May to July 2018. Participants were recruited from postnatal wards. Participants were interviewed using a previously published validated survey that was divided into the following domains: demographic data, knowledge, experience and attitude towards different GBS screening strategies.ResultsA total of 377 out of 450 women (response rate 83.7%) were enrolled. The results showed that the overall mean knowledge score of the pregnant women towards GBS screening was 59.8%. Majority of the women (66.8%) were not aware of the GBS bacterium, while 86.5% of them had never been informed of GBS risk assessment during their pregnancies. The mean knowledge score among women who were aware of GBS (62.8%) was significantly higher than that among women who were not (58.4%) (p=0.015). However, majority of the pregnant women (61.8%) showed preference for universal culture-based GBS screening strategy over risk-based strategy.ConclusionThe study results have concluded that the level of awareness and knowledge about GBS among pregnant women were relatively poor; however, majority of the pregnant women prefer universal culture-based screening.


2020 ◽  
Author(s):  
P. Batchaeva

This article analyzes the scientific and methodological literature on the problem of formation of mathematical culture. The study of all the components that make up the concept of mathematical culture. Conclusions are made: mathematical culture, being a part of universal culture, in turn consists of algorithmic, graphic, logical, computational and speech culture.


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