Familial Undercurrents

Not long after her father died, Afsaneh Najmabadi discovered that her father had a secret second family and that she had a sister she never knew about. In Familial Undercurrents, Najmabadi uncovers her family’s complex experiences of polygamous marriage to tell a larger story of the transformations of notions of love, marriage, and family life in mid-twentieth-century Iran. She traces how the idea of “marrying for love” and the desire for companionate, monogamous marriage acquired dominance in Tehran’s emerging urban middle class. Considering the role played in that process by late nineteenth- and early twentieth-century romance novels, reformist newspapers, plays, and other literature, Najmabadi outlines the rituals and objects---such as wedding outfits, letter writing, and family portraits---that came to characterize the ideal companionate marriage. She reveals how in the course of one generation men’s polygamy had evolved from an acceptable open practice to a taboo best kept secret. At the same time, she chronicles the urban transformations of Tehran and how its architecture and neighborhood social networks both influenced and became emblematic of the myriad forms of modern Iranian family life.

Whose Past and Whose Future: Free Love and Love Marriage among “Kafirs” of the Hindukush in an Early Nineteenth-Century Persian Ethnography

This paper deals with some practices and conceptions relating to love and marriage in a now-extinct pre-Islamic culture of the Hindukush, as described in an extremely precious, yet very little-known, Persian ethnographical source (ca. 1840). Written by a munshī from Peshawar under instructions from the French general Claude-Auguste Court, who was then in the service of Maharaja Ranjit Singh, this is probably the single most important pre-Robertson source about the “Kafir” cultures of Nuristan. While a complete translation and thorough study of the unpublished document, by Stefano Pellò and Alberto Cacopardo, is now forthcoming, in these brief notes we show how free love and love marriage, often perceived as “modern” concepts in many parts of Asia, were envisioned by Tak and Shamlar, two elders from pre-Islamic Kamdesh.

Choosing love, marriage and the traditional role

Stereotypes of white women have historically limited their identities to that of wife and mother. Though restrictive, this type of femininity has been mobilised to create hierarchies of womanhood that legitimate this form and subordinate others. However, social change since the feminist second wave has seen the renegotiation of women’s position, and contemporary antiracist and LGBTQIA+ discourse has seen further departure from traditional ideals of femininity. Mass media is a dominant site where controlling images of women are negotiated and in which dominant, or hegemonic, forms emerge. This article applies Feminist Critical Discourse Analysis to examine popular British gossip magazine Heat’s romance and sex narratives for discourse which (re)produces, negotiates or challenges hegemonic femininity. Through the appropriation of feminist language, Heat propagates an updated hegemonic femininity which preserves the racio-patriarchal discourse of gender difference whilst pacifying feminist audiences. Estereótipos de mulheres brancas historicamente limitam suas identidades aos papéis de esposas e mães. Embora redutoras, essas categorias têm sido mobilizadas com o objetivo de criar hierarquias de feminilidade que as legitimam enquanto subordinam outras formas do feminino. Contudo, desde a segunda onda do feminismo, mudanças sociais relativas à renegociação do lugar da mulher assim como discursos antirracistas e pró-LGBTQIA+ têm possibilitado um distanciamento dos ideais tradicionais de feminilidade. A mídia de massa veicula imagens de mulheres que acabam se tornando dominantes e hegemônicas. Este artigo aplica a Análise Feminista Crítica do Discurso a narrativas de romance e sexo veiculadas na popular revista inglesa Heat e investiga discursos que (re)produzem, negociam ou desafiam a feminilidade hegemônica. Através da apropriação do discurso feminista, a revista Heat propaga uma versão atualizada de feminilidade hegemônica que preserva discursos patriarcais racializados da diferença de gênero ao mesmo tempo em que tenta apaziguar o público feminista.

Feeling of love in Batticaloa folk songs

Literatures have been studied orally before taking written form. History makes it clear that such songs were written during the Sanskrit period. These oral literatures shed light on the life and history of a country and its flaws and serve as a mirror that reveals the cultures, customs, and ancient thoughts of the people. Although the study of folk songs on the world stage has been in vogue for a long time, it came into practice in Tamil Nadu in the 19th century and then came into the study. However, it has not been advanced as a separate discipline in the University of Sri Lanka to date. Instead, the study of folk songs is being carried out in collaboration with the Tamil Department.In the case of Batticaloa Tamil Nadu, the close connection between India and Sri Lanka due to migration, migration and migration from ancient times can be seen from the identification of Tamils as the first and last king of Sri Lanka.Therefore, it is possible to realize that folk songs are widespread among the people of Batticaloa as there was not only Tamil Nadu connection but also Indian national connection. The songs are arranged in the form of Ritual, Rain and Famine, Lullaby, Game, love, Marriage, Family, Community, Relationship and Career, Obpari, Swing, Satire, Mother Songs.These songs explore love songs, present the feeling of love found in them, show how they fit in with the general characteristics found in the literature of Sangala Agathi and reveal aspects of the Batticaloa socio-cultural hierarchy. The gist of the song is not to give a direct meaning, but to explain its essence. They are classified as motherly songs, Fatherly songs, Leader songs, Leader songs, Friend songs, and General songs.

Rescate editorial. Nunca es tarde cuando la dicha es buena (1858) de Tomás Gutiérrez

This editorial rescue presents and contextualizes, within Nineteenth-Century Argentine literature, the sentimental brief novel or “novelita”, entitled Nunca es tarde cuando la dicha es buena, originally published in Las Violetas. Ensayos Literarios in 1858, by the unknown author Tomás Gutiérrez. This novel, mentioned by Hebe Molina and Myron Lichtblau in their studies of Argentine literary history of the 19th century, has remained unknown since the last decades of the 19th century, until now, when it is rescued from a single copy found in the Argentine Academy of Letters. Its re-edition is framed within a study of the sentimental literature of the 1850s and 1880s and contributes to the understanding of this literature, apparently only passatist and innocent, as a key discourse in the construction of subjectivities, roles of gender, sexual behaviors and forms of intimacy in the decades after Rosismo and before the consolidation of the Nation State in 1880. The moral character, the intertextuality with Christian resonance and its condition, at the same time, of first literary commodity (Velázquez, 2017) converge in the formation of this hybridized cultural device full of rich social implications. Also, the question of love marriage vs. forced marriage appears, both here and in other sentimental novels of the time, shows some of the topics that, around the sentimental sociability of the time, had created generational, racial and social class controversies.

Between Love and Misogamy: Changing Perceptions of Marriage among German Jews, 1750–1800

Marriage is a central and binding institution of Jewish life. However, as a historical construct, it was never a static, immutable structure. This article focuses on the changing attitudes towards marriage among German Jews in the second half of the eighteenth century. It discusses how rational considerations external to the couple’s personal needs and desires started losing ground, while its function as a framework for emotional and erotic satisfaction intensified. As marriage was increasingly perceived in terms of self-fulfilment, many pursued happiness through matrimony, embracing the new idea of the love marriage. Although this idea developed from contemporary trends in non-Jewish society, maskilic authors used Jewish sources to maintain this position, trying to present it as consistent with tradition rather than as a break from it. The emergence of a romantic discourse was not the only transformation in the perception of marriage. The individualism that impelled the notion of a love marriage led to another type of discourse among Jewish women and men: the discourse against marriage. Using the perspectives of continuity and change, the article seeks to discern the role that Judaism and Jewish sources played in discourses about misogamy and the modernization of the traditional institution of marriage.