Rehumanization of “Them”: Evolution of Representations of the “Enemy Number One” in American Cold War Cinema

Исследуется, как в кинематографе США на протяжении 1940–1960-х гг. менялись способы изображения СССР: от дегуманизации образа врага до деконструкции этого образа. Исследовании опирается на концепцию Н. Хэслема, согласно которой дегуманизация аутгруппы осуществляется в двух формах: анималистской (при помощи сравнения с животными) и механицистской (за счет уподобления машинам). Показано, что в 1940–1950-х гг. голливудские фильмы широко использовали обе формы де-гуманизации при создании образа «врага номер один». Регуманизация СССР происходит в фильме «Русские идут! Русские идут!» (1966), который выступил как своеобразный кинематографический манифест Realpolitik и философии разрядки. The article dwells upon evolution of the ways in which the U.S. Cold War films represented the USSR: from dehumanization of the image of enemy in 1940-1950s to deconstruction of this image in 1960s. The author applies Nick Haslam’s dual model of dehumanization, aс-cording to which dehumanization is visible in two forms: animalistic by associating members of out-group with animals and mechanistic by associating them with machine. The Hollywood movies of 1940-1950s actively employed both forms in creating the image of the “enemy number one”. The release of Norman Jewison’s film “The Russians are coming! The Russians are coming!” in 1966 marked the beginning of rehumanization of the USSR. The author points out that the film served as a sort of cinematic manifest of Realpolitik and philosophy of détente.

Gertrude and Ludwig's Italian Adventure

A survey of the ingredients and paratextual elements that converged in Charles Bernstein's “Gertrude and Ludwig's Bogus Adventure,” occasioned by the translation of the poem into Italian. Historical hints and literary echoes are shown to be not merely juxtaposed but intertwined with trivia drawn from B Hollywood movies and accounting for the title itself of the poem. As the making of meaning, especially in the second part of the text, is driven by phonetic equivalences rather than by referential affinities, readers are alerted that ontophony has been chosen as a modus operandi over any attempt at contentual re-creation. The alliterative deployment of the letter p, for instance, has been retained, though this has caused the scene of the poem to transfer from a baseball park to a painter's studio. A suggestion is also put forward that in Bernstein's poetry, the step-by-step logic of Wittgenstein's Tractatus can be made to dialogue with Gertrude Stein's obsessive brushstroke writing.

Celebrity Couples as Business Families: A Social Network Perspective

We depict Hollywood celebrity couples as business families who participate in the project-based movie production industry, which is a temporary and disaggregated form of organization where skilled individuals are linked to one another through contractual and social relationships. Appearing in Hollywood movies generates celebrity capital, which can be converted into economic capital through involvement in endorsements and other rent-generating activities. Finding projects is facilitated by membership in high-quality social networks, and we consider celebrity marriage as a means of merging two individuals’ social networks, which can be mutually beneficial for both parties. We develop and test three hypotheses about the quality of social networks prior to and after marriage and analyze their impact upon celebrities’ postmarriage career performance. We contribute to the family business literature by exploring hybridized and adaptive forms of business family in contemporary project industries, which has the potential to enlarge family business scholars’ research horizons.

Virtual Immortality - God, Evolution, and the Singularity in Post- and Transhumanism

In recent years, ideas of post- and transhumanism have been popularized by novels, TV series, and Hollywood movies. According to this radical perspective, humankind and all biological life have become obsolete. Traditional forms of life are inefficient at processing information information and inept at crossing the high frontier: outer space. While humankind can expect to be replaced by their own artificial progeny, post-humanists assume that they will become an immortal part of a transcendent superintelligence. Krüger's award-winning study examines the historical and philosophical context of these futuristic promises by Ray Kurzweil, Nick Bostrom, Frank Tipler, and other posthumanist thinkers.

A perception of medical students about role of cinema on mental health

Background: Among few of the recreational activities of students are sports and watching cinema. Movies are found to be powerful instruments in influencing the attitudinal changes, emotional impact, education, life styles, health and other behaviours. Objectives 1. Choice of cinema among medical students 2. Perceived effects of watching cinema on study participants. Methods- This was a cross sectional study carried out among undergraduate medical students. Sample size: 153. Result: Age of the participants ranged from 18-29 years averaging 21.43 years. Bollywood movies were the most commonly watched by 113 (73.9%) followed by Hollywood movies watched by 104 (68%) study participants.77 (50.3%) participants believed that movies showing sexual violence against females badly affect the psyche of females.

Education, Political Party, and Football Viewership Predict Americans' Attention to News About Concussions in Sports

News outlets, sports coverage, and even Hollywood movies have highlighted the growing body of research documenting the long-term negative consequences of traumatic injury in athletics, particularly, (sports-related) concussions. Despite so much media coverage, little is known about how much attention members of the American public pay to sports concussion news. Disparities in attention to concussion news among sociodemographic groups may contribute to further inequalities in rates of concussions that stem from participation in collision sports. In this study, using a 2017 nationally representative survey of US residents (n = 964), we examine the social, political, and demographic correlates of individuals' attention to news about concussions in sports. Regression results indicate that older, more educated, Democratic-leaning respondents reported that they pay more attention to news about concussions. Additionally, respondents with a greater past competitive athletic participation and those who regularly watch baseball and football reported higher levels of attention to concussion news. These findings are consistent with previous research showing higher levels of news consumption and trust in science among the highly educated and Democrats. The increased levels among football viewers may be in response to the inclusion of concussion news in game coverage.

Representations of female obesity in contemporary cinema

This essay will look at a particular aspect of the ongoing identity politics surrounding the representation of women and how fat females are commonly represented in Hollywood film in the late twentieth century. Although films are constructions that aim to reflect or depict reality, they often provide flattened characterizations of fat people, particularly fat women. Because no artistic production can escape the culture within which it is made, Hollywood movies, as well as independently funded and distributed "art house" films, often embed popular stereotypes or misconceptions in the characterization of marginalized people, including the obese. There are many ways to "represent" fatness in film: through the script, cinematography, plot, and the whether it uses a real fat body or a rubber suit. This paper will investigate how one might negotiate representations of obesity in a society that perceives fat as a social evil and fat individuals as "agents of abhorrence and disgust" (LeBesco, 2004, p. 1). -- Page 7.

Representations of female obesity in contemporary cinema

This essay will look at a particular aspect of the ongoing identity politics surrounding the representation of women and how fat females are commonly represented in Hollywood film in the late twentieth century. Although films are constructions that aim to reflect or depict reality, they often provide flattened characterizations of fat people, particularly fat women. Because no artistic production can escape the culture within which it is made, Hollywood movies, as well as independently funded and distributed "art house" films, often embed popular stereotypes or misconceptions in the characterization of marginalized people, including the obese. There are many ways to "represent" fatness in film: through the script, cinematography, plot, and the whether it uses a real fat body or a rubber suit. This paper will investigate how one might negotiate representations of obesity in a society that perceives fat as a social evil and fat individuals as "agents of abhorrence and disgust" (LeBesco, 2004, p. 1). -- Page 7.