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2021 ◽  
Vol 20 (56) ◽  
pp. 7-8
Author(s):  
Jarosław Charchuła

The Jubilee Ignatian Year began on 20 May 2021 and it will last until 31 July 2022. In the jubilee year of the Society of Jesus (Jesuits) celebrates the 500th anniversary of the conversion of St. Ignatius Loyola and the 400th anniversary of his canonization. The starting date of the jubilee is related to the anniversary of the event that took place in Pamplona on 20 May 1521, when a cannonball injured Ignatius during a battle. It altered the course of his life, marking the beginning of his conversion, and leading to the founding of the Society of Jesus. The date of the end of the jubilee coincides with the liturgical commemoration of St. Ignatius of Loyola, that commemorates the day of his death. The conversion of Ignatius was associated primarily with a change in his lifestyle. Once a vain nobleman focused on world success, he has turned into an ascetic and inner-motivated man. Under the influence of these experiences, Ignatius and his Companions founded an order and initiated the creation of a “new” spirituality.


2021 ◽  
pp. 1-26
Author(s):  
Silvia Rivadossi

Abstract This article contributes to the discussion on reactions and responses to the coronavirus pandemic in Japan, with specific reference to the field of “new spirituality” and, within this broad category, of shamanic spirituality. The case of the dance therapist, or “dance movement shaman,” Ms. Hiroda demonstrates how she managed to keep in contact with her practitioners and to design new ways to help them cope with the situation. The solution she offers, in line with the characteristics of shamanic spirituality, is to help each individual to acknowledge the importance of interconnectedness. In particular, Ms. Hiroda emphasizes body, community, and nature: to become aware of one’s own body again and of the necessity of connection with others and nature, especially in times of interpersonal distancing and crisis. Her response to the first wave of COVID-19 is thus to offer a strategy to live peacefully with—and despite—the virus.


2021 ◽  
Vol 13 (3-4) ◽  
pp. 351-379
Author(s):  
Elisa Mikkola

Abstract This article discusses how women in Finland, the happiest country in the world in 2019, use new spiritual services and angels to cope with everyday life. Should not the high living standard and level of happiness decrease spirituality, as Norris and Inglehart suggest? The research material was collected using questionnaires in talks given by Irish mystic Lorna Byrne in Helsinki in 2011 and 2015. For the women studied, angels offer support and bring enchantment to their lives in a way institutionalized religion does not. While the high level of existential security decreases their religiousness, it opens these women up to other alternatives for new spirituality.


Author(s):  
Kathryn Dickason

This chapter considers the role of dance in the cult of the saints, tracing the evolution of dance vis-à-vis sanctity and cultic worship. For some saints, dancing became part of their iconic image. Within the context of saintly devotion, dance helped to induce conversion, animate miracles, and promote social cohesion. Insights from performance theory help conceptualize the connection between death and dancing bodies. The first section explores the cult, relics, and reliquary of Sainte Foy, who imbued sacred dance with a significance that was at once regional and international, religious and political. The second section examines the hagiographies of St. Francis of Assisi. Francis—as a prancing preacher, jongleur saint, and living phantom—authorized a new spirituality that diverged from mainstream monasticism, yet bore the mark of apostolic, authentic piety.


2020 ◽  
pp. 165-188
Author(s):  
Денис Александрович Гуляев

Данная статья посвящена современным медитативным практикам, которые применяются западными христианами: как католиками, так и протестантами. Целью исследования является попытка определить, являются ли они нововведениями или это возврат к древней христианской практике. Выполненные в работе анализ различных практики их классификация демонстрируют их существенное разнообразие. Для понимания, являются ли они новыми или это возврат к древней традиции, используется сравнение с практикой Иисусовой молитвы. При ответе на данный вопрос помогает проведённая классификация, которая позволяет отнести каждый вид практик к определённому религиозному опыту. В конце определяются темы дальнейшего более глубокого исследования. This article is devoted to modern meditative practices used by Western Christians, both Catholics and Protestants. The purpose of the study is to try to determine if these practices are innovations or a return to ancient Christian traditions. Analysis and classification of various practices demonstrate their substantial diversity. To understand whether they are new or a return to an ancient tradition, a comparison with the practice of Jesus prayer is performed. To help answering this question, a classification was developed allowing to refer each type of practice to a specific religious experience. In the conclusion the author determines directions for further research.


2020 ◽  
Vol 89 (3) ◽  
pp. 509-530
Author(s):  
Luo Wang

AbstractThis article explores the conspicuous role of singing in the hagiographical construction of saintly women in the thirteenth-century Diocese of Liège. The constellation of Lives about Liégeois women occupies a prominent place in the “origin story” of the new spirituality in the later Middle Ages. However, one aspect of these women's perceived religiosity—their musical and vocal talent—though omnipresent in the sources, has received only sparse attention from scholarship. This article focuses on two of the most important Lives in this group, those of Mary of Oignies and Christina of Sint-Truiden, and demonstrates that hagiographers, mobilizing liturgical vocabulary and ritual ideas identifiable to a local audience, consistently represented women's singing as magnificent ritual performance. By doing so, the hagiographers highlighted these women's privileged access to the divine and distinct potency as intercessors for the living and the dead. This article also intends to show the highly sophisticated ways in which Latin liturgy and its vernacular appropriation, popular ideas and scholastic theories about music were negotiated, developed, and together contributed to a distinctive religious rhetoric in the articulation of female sanctity in thirteenth-century Europe.


Author(s):  
Galina Nikolaevna Dombrauskene ◽  
Dmitrii Nikolaevich Bolotin

The authors attempt to reveal the internal interconnection of a traditional mythologem of space with the ideas of a modern astronomical reality in the music by E. Artemiev written for A. Tarkovsky’s movie “Solaris”. The mythologem of space gained its features back within the ancient worldview and formed a sort of a semiotic complex which can be considered as a combination of various symbols connected with basic natural forces, basic forms and numbers. This mythologem was embodied in various art forms, including the music of various historical epochs. Surprisingly, in contemporary culture, which has much wider knowledge of physical (astronomical) space, the ancient ideas of microcosm and macrocosm are still functioning, along with the medieval religious ideas of eternity, metaphysical searches for new spirituality, the divine-humanity of cosmism adherents, etc. Based on M.M. Bakhtin’s concept of chronotope, the authors develop the model of chronotope analysis represented in the form of a table (G. N. Dombruaskene) which allows considering the movie within a vector space, in which the main vectors - the two basic directions - are the chronometry and the chronotope. The table format demonstrates the semantic moments related to space which emerge at the crossing of the three key parameters of the movie: verbal, visual and musical. The full chronotropic, semiotic and computer-based analysis with the sonograms of music examples (D.N. Bolotin) helps to reveal in each space-related fragment of the movie the music and artistic means of expression of its philosophical and astronomical characteristics.


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