literary renaissance
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Religions ◽  
2021 ◽  
Vol 13 (1) ◽  
pp. 31
Author(s):  
Richard H. Roberts

The poet Hugh MacDiarmid (1892–1978) was the major driving force behind the twentieth-century Scottish literary renaissance and was also a passionate Scottish nationalist. His poem ‘On a Raised Beach’ (1934) has been understood in theological and philosophical terms as a metaphysical exploration, albeit one grounded in an immediate experience of nature that took place on Shetland. In this paper, MacDiarmid’s epic is placed in the context of the present environmental crisis and the ongoing consequences of the COVID-19 pandemic. ‘On a Raised Beach’ can now be re-located within the hermeneutical tradition of ‘Geopoetics’, a Scottish genre that is articulated and asserted by the poet Kenneth White (1938–). Whilst, however, White draws upon the highly contested and polyvalent concept of ‘shamanism’ in elaborating his standpoint, we shall argue that it is also appropriate to look for affinities between this dynamic poem and the ethos and mysticism of ‘deep ecology’, a perspective that invokes the equally contested mythology of ‘Gaia’.


2021 ◽  
Vol 12 (2) ◽  
pp. 155-173
Author(s):  
Adam Gilbert

Eric Linklater's 1934 novel Magnus Merriman is recognised as a comic triumph for its satirical treatment of the Scottish Renaissance and the associated contemporary Scottish nationalist movement. This article argues that Magnus Merriman has deceptive depth because Linklater offers frequently profound insights into a compelling point in Scottish cultural and political history. The misadventures of the eponymous Magnus have strong parallels with Linklater's own belated entry into the Scottish Literary Renaissance and his disastrous attempt at standing for parliament as a Scottish nationalist candidate. The novel showcases Linklater's idiosyncratic political doctrine of ‘small nationalism’, and his unflattering portrayal of the National Party of Scotland is coloured by his disillusionment with it. The doomed poem written by Magnus, ‘ The Returning Sun’, symbolises the Scottish Renaissance, reflecting its shortcomings and the difficulty of forming a unified Scottish cultural identity. The character of Magnus himself embodies the lack of a single, coherent Scottish identity as a Scottish Renaissance anti-hero. Magnus's political and literary disappointments mean Linklater gives a pessimistic assessment of the relative failure of the Scottish Renaissance and the nationalist movement of the period. Linklater's irreverent examination of Scottish nationalism retains contemporary relevance. Magnus Merriman is more than just a hilarious comedy and represents a significant contribution to Scottish literature.


Author(s):  
Nicholas Canny

The book describes how various authors addressed the history of early modern Ireland over four centuries, and explains why they could not settle on an agreed narrative. It shows how conflicting interpretations broke frequently along denominational lines, but that authors were also influenced by ethnic, cultural, and political considerations, and by whether they were resident in Ireland or living in exile. The book details how each set of authors extolled the merits of their progenitors, offered hope and guidance to the particular audience they addressed, and disputed opposing narratives. The author shows how competing scholars, whether contributing to vernacular histories or empirical studies, became transfixed by the traumatic events of the sixteenth and seventeenth centuries as they sought to explain either how stability had finally been achieved, or how the descendants of those who had been wronged might secure redress. Humanist, Apocalyptic and Enlightenment authors are treated separately. Greatest attention is given to the nineteenth century when some Protestant authors adopted a nationalist perspective inspired by European liberal ideology. It is explained how this was spurned by Catholic Church leaders no less than by conservative Protestants, and how each set their minds to composing an alternative grand narrative. The publications of Lecky and Froude are given special consideration before attention shifts to authors who, in the late nineteenth century, permitted happenings from the early modern past to flow into the present to produce an outpouring of historical publications that has not been fully appreciated by scholars of Ireland’s literary renaissance.


The New Negro ◽  
2021 ◽  
pp. 233-237
Author(s):  
BENJAMIN BRAWLEY
Keyword(s):  

TEME ◽  
2021 ◽  
pp. 1549
Author(s):  
Милена Каличанин

The paper deals with the Scottish literary revival that occurred in the 1920s and 1930s. The leading theoretical and artistic figure of this movement was Hugh MacDiarmid, a Scottish poet whose main preoccupation was the role of Scots and Gaelic in shaping modern Scottish identity. Also called the Lallans revival – the term Lallans (Lowlands) having been used by Robert Burns to refer solely to the notion of language, the movement’s main postulates included the strengthened cultural liaisons between Scots and Gaelic (and not Scots and English as was the case until then). In the preface to his influential anthology of Scottish poetry, The Golden Treasury of Scottish Verse (1941), MacDiarmid bluntly stated that the prime aim of Scottish Literary Renaissance was to recharge Scots as a stage in the breakaway from English so that Scottish Gaelic heritage could properly be recaptured and developed. Relying primarily on MacDiarmid’s theoretical insights, it is our purpose to track, explore and describe the Scottish Literary Renaissance’s contemporary echoes. The paper thus focuses on the comparative analysis of Hugh MacDiarmid’s poetry, on the one hand, and the poetry of its contemporary Scottish creative disciples (Tom Leonard, Edwin Morgan and James Robertson). By comparing and contrasting the selected poems of the aforementioned poets, the main goal of the paper is to emphasize the validity, relevance and actuality of MacDiarmid’s movement for the present moment in Scotland.


Author(s):  
Mariela Aguilar ◽  

During the Chicana Literary Renaissance of the 1980s, Chicana writers–influenced by the Third World Feminist Movement–revealed new forms of representation of the Chicana experience. While concentrating on the subversive reading of the subject-object duality in Ana Castillo’s novel, The Mixquiahuala Letters (1985), Gloria E. Anzaldúa’s theory of the mestiza consciousness is also reviewed. Castillo represents the mestiza consciousness through her protagonist in a process of self-discovery through the reflection of autohistoria-teoría within the forty letters. The dichotomies of patriarchal ideologies that divide her from the Other are examined through the Coatlicue State, as inflected by such writers such as Julio Cortázar, Anaïs Nin and Miguel de Cervantes. Castillo creates a postmodern hopscotch style novel in which the reader is fundamental to the subversive interpretation of the three reading options (the conformist, the cynical, and the quixotic).


Text Matters ◽  
2019 ◽  
pp. 167-184
Author(s):  
Mark Metzler Sawin

Though largely unknown today, “Ned Buntline” (Edward Zane Carroll Judson) was one of the most influential authors of 19th-century America. He published over 170 novels, edited multiple popular and political publications, and helped pioneer the seafaring adventure, city mystery and Western genres. It was his pirate tales that Tom Sawyer constantly reenacted, his “Bowery B’hoys” that came to define the distinctive slang and swagger of urban American characters, and his novels and plays that turned an unknown scout into Buffalo Bill, King of the Border Men. But before “Ned Buntline” became a mainstay of the popular press, he had been on his way to becoming one of the nation’s highbrow literary elites. He was praised by the leading critics, edited an important literary journal, and his stories appeared in the era’s most prestigious publications. This study examines how and why “Ned Buntline” moved from prestigious to popular authorship and argues that the transformation was precipitated by one very specific event: in 1846, Edward Z. C. Judson was lynched. A close examination of Judson’s life, writing, and the coverage of him in the newspapers of the day (including the remarkable story of how he survived a lynching) demonstrates that the same issues that led to his lynching also led to his rebirth as a new kind of American author.


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