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2021 ◽  
Vol 15 ◽  
pp. 357-373
Author(s):  
Ewa Szczepkowska

The article is devoted to songs which are rarely the subject of literature studies owing to the multi-code nature of their message and the fact that they are part of popular culture. Tourist songs are on the margin of scholars’ interest, because of their limited artistic value. They are commonly regarded as pieces about the beauty of nature, charms of hiking, sense of community and friendship. The simplicity of the text is matched by the simplicity of the melodic line, which facilitates memorisation and singing together. Polish tourist songs have attracted interest primarily of activists from the Polish Tourism and Sightseeing Society, scholars studying tourism or authors and performers of such songs. The origins of the songs should be placed in the context of song transformations and emergence of organisational forms of tourism at the turn of the twentieth century, beginning of the scouting movement in Poland as well as the development of tourism in the communist Poland period. The lineage of tourist songs brings together several song genres, popular songs, folk and patriotic songs, scouting and Gypsy songs; pieces from this repertoire accompanied hikers. An important stage in the development of tourist songs came in the late 1960s. This was the period of the first National Tourist Song Festival in Szklarska Poręba. Scholars studying student culture see mountain treks accompanied by songs as a manifestation of alternative student culture emerging as a result of dissatisfaction with forms of political and social life in communist Poland. The most outstanding representative of the movement is Wojciech Bellon, founder of the Wolna Grupa Bukowina band, whose poetic songs present an idea of existence based on a search for authentic values, especially a space of freedom and a sense of community, challenging the falsified reality of communist Poland. Bellon and the performers collaborating with him created in the songs an aesthetic of “the land of gentleness” located in the mountains modelled on the landscape and history of the Bieszczady and Beskid Niski ranges. Despite transformations of tourist songs, analysed together with poetic songs or sung poetry, this “land of gentleness” aesthetic is still present, in a niche form, represented by numerous groups or soloists. Its main features when it comes to the thematic layer include idealisation of mountain landscape, presented as a natural environment for human beings, as a home space, marked by both signs of the tragedy of the Lemkos and sings of transcendence. The mountains make it possible to fulfil dreams of freedom, of an ideal community of wanderers, and provide an authentic experience of the world.


Author(s):  
N.K. Danilova

The ethnic etiquette of the Yakuts demonstrates traditional culture, worldviews, and ritual and mythological practices. The historical and anthropological approach used in this study allowed us to consider motives and strategies of the behavior, customs and rituals in space and time. The study of folklore and ethnographic and linguistic materials made it possible to identify and analyze responses of the behavioral strategies that expand the boundaries of the developed space (travel customs and rituals), eliminate the “otherness” of a guest (an etiquette), and provide for communications between the man and the deities/spirits (a ritual). For the first time, archival and field materials on the guest and travel etiquette are introduced into scientific discourse. The aim of the study is to conduct a historical and cognitive analysis of the travel and guest etiquettes, which begin with overcoming the developed space — the dwelling place. As the result, we have revealed that the travel etiquette is primarily aimed at ensuring that the traveler returns home without encountering any obstacles in his journey. To achieve that, they used words-taboos and made a sacrifice to the spirit of the fire and to the spirit of the road. The analysis of special travel terms has shown that the main guardian of the traveler is his horse, while the behavioral code serves as an assurance of a successful journey. Compliance with pre-travel and travel taboos and rules primarily contributed to a safe return of the traveler. It has been found that the status of the traveler is transformed when he overcomes a “cultural barrier” — the fence, enters the developed space, and becomes a guest. The guest etiquette mainly defines behavior of the hosts, since the arrival of the guest, his welcoming and parting with him strengthened their life values, stability, and prosperity. The guest was considered to be a messenger of an alien world, so that the first series of the ritual actions was aimed at removing the “otherness” of the guest, the second series was aimed at including the guest in the home space, and the third series was aimed at seeing off the guest. Nowadays, respectful welcoming of a guest is also of a great importance, and the metaphor "the Yakut’s hospitality" has still not lost its significance.


Author(s):  
Kashyapi Ghosh ◽  
◽  
V. Vamshi Krishna Reddy ◽  

The kitchen is a ubiquitous space in the Indian domestic life. Yet there hasn’t been a lot of academic discourses around it possibly owing to its mundane nature. In this article, I aim to look into the gendered nature of the space through advertisements. Advertisements are digital documents of everyday life This article deliberates on the notion that the kitchen space in urban India is undergoing a change in representation and participation. This change is reflected in the advertisements, created keeping in mind the perception of its viewers. The gendered segregation of work done in the home space have been deliberated by a number of scholars. This article problematises those viewpoints and challenges DeVault’s notion of “womanly conduct” through the narrative of the advertisements.


2021 ◽  
Vol 11 (10) ◽  
pp. 1318-1322
Author(s):  
Yi Hu

Focusing on female characters of Foster family, Marilynne Robinson’s debut novel Housekeeping presents a tension between stability and mobility within the home-space, and in terms of a fixed, bounded gender identity ascribed by domesticity and social convention with a fluid, non-essential one. Drawing on critical theories of Judith Butler, Henri Lefebvre, Michel Foucault, Tim Cresswell, etc., this paper attempts to analyze how the protagonist Sylvie successfully subverts normative politics of gender by redefining the spatial order of home-space and conducting spatial practices.


Author(s):  
Anjali Marwah

The interior of the room is influenced by user perceptions of psychological security, closeness, self-disclosure, the ability to form therapeutic connections, and the feeling of the Persons in the environment. Poor treatment spatial design may increase emotions of otherness, hinder agency development, restrict communication, and result in poor service user outcomes and experiences. In this paper, we have discussed the influence of interior design of clinic or home space on therapeutic process. Architectural elements are the generally permanent components of an environment in which a clinic or the house is located such as the physical design, design, size and form of the furniture, closets or other equipment, and the materials used in its construction. Low lighting may have a pleasant and calming impact on an individual’s perceived attraction and customer self-disclosure. The findings show that the interior design of the counselling room may have an impact on communication and other human interactions. The environment of the room may also influence communication. Sommer (1969) found that the discussion of female geriatric participants rose in a pleasant or socio-fugal setting, including flowers, magazines, vase and others. From a practical point of view, knowing environmental variables in advice like lighting effects enables advisors more effectively to undertake therapy. We see counselling contexts as overlapping areas, as do other scholars. The connection between environmental and clinical psychology should be made clear to counsellors, clinicians, psychiatrists and their organisations. They are more conscious of environmental effects throughout their treatment sessions.


2021 ◽  
Vol 6 (18) ◽  
Author(s):  
Lin Bai ◽  
Miao Cao

This article analyzes the spatial layout in Japanese nursing homes, and to clarify the core space and spatial characteristics of the common facility. By using the Space Syntax DepthMapX tool, we analyzed 62 nursing homes from Japanese architecture publications. Then, we use the spatial integration metric to identify the core space and transition of the common core facilities. The result shows the core space changed from the corridor in the 1980s to the hall nowadays; the community space and physical training room have also become the common core facility in Japanese nursing homes. Keywords: Common Space, Core Space, Nursing Home, Space Syntax, Depth Map. eISSN 2514-751X © 2021. The Authors. Published for AMER ABRA by E-International Publishing House, Ltd., UK. This is an open-access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer-review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians/Africans/Arabians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ajebs.v6i18.379


2021 ◽  
pp. 205015792110338
Author(s):  
Hananel Rosenberg ◽  
Kalia Vogelman-Natan

Technological resistance practices hold significant insights regarding the media’s role as much as its adoption and usage practices. However, studies examining media non-use have generally overlooked mobile phone resisters—individuals voluntarily deciding not to own mobile phones. Based on 25 in-depth interviews with mobile phone refusers, this study presents two refuser types differing in refusal dynamics. The first are ideologists, whose rejection stems from a formulated, critical worldview towards the mobile phone, in particular, and communication technologies, in general. The second are realizers, whose “post-factum resistance” resulted from a forced but positive experience of a temporary break in use (e.g., when their device was broken or stolen), motivating them to disconnect in an attempt to preserve the new, liberated space they experienced. Additional findings reveal the non-ownership practices adopted by the mobile phone refusers; the novel psychological and sociological motives underlying mobile phone refusal concerning the home space and digital well-being; refuser resistance discourse, which focuses solely on the medium’s nature and not its content; and how refusers negotiate the social status and stigma that accompanies their mobile phone refusal. Our study illustrates how mobile phone refusal stands apart from other media resistance, providing a deeper perspective on the price of connectivity, and thus underscoring the importance of studying these refusers. The uniqueness of mobile phone refusal is further expressed in its complexity, extremity, perceived authenticity, and visibility.


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