The Remaking and Unmaking of Multi-Ethnic Spaces. Diyarbakir and Southeast Anatolia in the 21st Century

Focusing on 21st century developments in southeast Anatolia, this article examines the circumstances of minority communities within the contexts of the shifting dynamics of Turkey’s national project. Until the early 20th century southeast Anatolia was an ethnic patchwork. The early republican era saw efforts to “Turkify” through the promulgation of a national identity project asserting ethnic unity. From the 1980s, conflict with the PKK gave urgency to the notion that uniformity was paramount for national cohesion. In this milieu, ethnic diversity was suspect. Circumstances changed with the AKP government’s 2002 ascendance and the earlier emergence of Kurdish municipal politicians. This article documents how thereafter the re-imagining of the national project away from an exclusive ethnic categorisation allowed acknowledgement and accommodation of ethnic and religious diversity across southeast Anatolia. The chapter analyses these events in light of a backlash by nationalist politicians, the 2015 re-ignition of the PKK conflict and the subsequent resurgence of nationalist rhetoric in the political arena. It appears a narrow, exclusive national identity is re-asserting itself. The article thus examines the extent to which the experience of south-eastern Anatolia represents the re-imagining of Turkey’s national project and the embrace of a previously denied multi-ethnic socio-political fabric.

Envisioning an Ideal Christian Family in Republican China

Amid debates and discussions on the institution of the family in Republican China, foreign missionaries and Chinese Christians played an active role in promoting an ideal Christian family. This article investigates the three waves of prominent theological thinking that underpinned changing ideals of the Christian family throughout the Republican period: Chinese society’s encounter with the gendered ethics of the Christian community in the early Republican period, discussions of domesticity by Chinese Christians amid the social gospel movements of the 1920s, and discussions of domesticity during the National Christianizing the Home Movement. An exploration of Christian publications on domesticity points to a gendered perspective on women’s domestic roles as well as a male-dominated theological construct that attempted to reconfigure the notion of the Chinese Christian family. The discourse on the ideal Chinese Christian family had both secular and spiritual dimensions, shaped by the dynamic transnational flow of ideas and the development of local theological thinking.

Surviving Troubled Times on the Borders of China: Sheng Shicai as a Successful Warlord in Xinjiang, 1931–34

Ethnicity, religion, and geopolitics affect historians’ interpretations of the history of Xinjiang, a very chaotic frontier region of China that did not come fully under the control of the People’s Republic of China until recent decades. The case of Sheng Shicai, an early Republican Era Chinese military officer, shows how professional training and, most importantly, the ability to capitalize on emerging opportunities contributed to his military success in Xinjiang from 1931 to 1934. This paper analyzes the Republic of China’s government documents, Sheng and his acquaintances’ memoirs, newspaper articles, and other sources to examine how Sheng applied his military training and employed regional and foreign military forces to win battles in northern Xinjiang. Professional military training helped officers to utilize their resources efficiently and take advantage of their geopolitical situations. Amid numerous talented Chinese military officers, Sheng rose in rank and successfully secured Xinjiang as a part of the Republic of China even when Xinjiang’s geopolitics seemed extremely challenging. This study highlights the value of Sheng’s military prowess, something that the literature has not previously appreciated.

Constructing Rome: the Politics of Public Building in Republican Rome

<p>This thesis explores Rome’s built environment from its early republican foundation to the period of the late republic and demonstrates that monumental construction remained an embedded and integral element of Roman society throughout this period. Public buildings and civic space played a significant role in shaping the cultural and political identity of early republican Rome. As an outward manifestation of the unification and urbanization of the city-state, these monumental structures represented and advertised the civic superiority of the great city over the wider Mediterranean. For the city’s elite, this monumental domain provided the ideal venue to display their own civic superiority, advertising the dignitas, gloria, and honos of individual men through the medium of Rome’s built environment. The embedded nature of Roman religion and politics further augmented the importance of many of these public buildings. In particular, temple structures provided magistrates with the platform from which to express highly personal - yet legitimate - glorifying and propagandist messages through the use of inscriptions, architectural innovation, and divine representation. Increasing political competition in the late republic saw the significance of public construction, both temporary and permanent, increase dramatically as magistrates strove to outshine their peers through the provision of public works. By the close of the republic, the city’s built environment came to represent the individual power and superiority of a wealthy and select few, signalling a new direction for Rome the city-state. A closer look at the various building projects of individual men confirms the significance of monumentalization for Roman republican society. Caesar’s forum Iulium, for example, clearly illustrates the immense potential such spaces held for the self-aggrandizement and personal glorification of these elite individuals. Situated at the intersection between republican and imperial Rome, the Caesarian phase of the forum Iulium provides a valuable insight into this important period of Roman politics and cultural development. This thesis will also demonstrate that smaller individual building projects, such as temporary theatres and temple refurbishments, served to provide significant political utility for the less powerful, yet elite, men of Rome.</p>

Constructing Rome: the Politics of Public Building in Republican Rome

<p>This thesis explores Rome’s built environment from its early republican foundation to the period of the late republic and demonstrates that monumental construction remained an embedded and integral element of Roman society throughout this period. Public buildings and civic space played a significant role in shaping the cultural and political identity of early republican Rome. As an outward manifestation of the unification and urbanization of the city-state, these monumental structures represented and advertised the civic superiority of the great city over the wider Mediterranean. For the city’s elite, this monumental domain provided the ideal venue to display their own civic superiority, advertising the dignitas, gloria, and honos of individual men through the medium of Rome’s built environment. The embedded nature of Roman religion and politics further augmented the importance of many of these public buildings. In particular, temple structures provided magistrates with the platform from which to express highly personal - yet legitimate - glorifying and propagandist messages through the use of inscriptions, architectural innovation, and divine representation. Increasing political competition in the late republic saw the significance of public construction, both temporary and permanent, increase dramatically as magistrates strove to outshine their peers through the provision of public works. By the close of the republic, the city’s built environment came to represent the individual power and superiority of a wealthy and select few, signalling a new direction for Rome the city-state. A closer look at the various building projects of individual men confirms the significance of monumentalization for Roman republican society. Caesar’s forum Iulium, for example, clearly illustrates the immense potential such spaces held for the self-aggrandizement and personal glorification of these elite individuals. Situated at the intersection between republican and imperial Rome, the Caesarian phase of the forum Iulium provides a valuable insight into this important period of Roman politics and cultural development. This thesis will also demonstrate that smaller individual building projects, such as temporary theatres and temple refurbishments, served to provide significant political utility for the less powerful, yet elite, men of Rome.</p>

Creative geographies of Islam: the case of Islamic and traditional visual arts scene in Istanbul

While research on geographies of creativity have proliferated in the last few years, there has been scant attention to religious cultural and artistic practices, particularly in the context of the Middle East. This research seeks to address such gap with a focus on the Islamic and traditional visual arts scene which has flourished in Istanbul in the past decade and a half along with the rise of political Islam in Turkey. Rendered obsolete through the Western-oriented and secular cultural politics since the early republican era, art forms such as Arabic calligraphy ( hat), miniature ( minyatür), and illumination ( tezhip) have now found currency as ‘authentically Turkish and Islamic’ in an art scene that emerged alongside Islamist politics. This paper examines the trajectory of Islamic and traditional visual arts through the lens of cultural and creative industries starting from the cultural politics of Islamic urban governance through the 1990s and 2000s, and to the emergence of an Islamist-nationalist authoritarianism in the past decade. In doing so, it aims to situate Islamic and traditional visual arts on the map in studies on geographies of creativity, particularly in the Middle Eastern and Islamic context, where limited attention has been paid to cultural and artistic practices. With ethnographic reflections from the field, it highlights the internal dynamics of an art scene and the potential it bears in unsettling the core concepts of Turkish Islamic nationalism from within.