Understanding sensitive cultural through daily conversation in urban society in Makassar

This paper aims to describe how sensitive cultural may be a pattern of words and actions that should be played according to social status. This sensitive culture is ideal for each ethnic group supporting the culture. If each does not play it according to its status, it can cause misunderstanding and even conflict. Therefore, the relationship between ethnicity, immigrants, and ethnic minorities needs to be sensitive to indigenous nationalities and dominant cultural understanding. The methodology used in obtaining the data uses a qualitative approach to data collection techniques: observation and interviews. The location of the research is Makassar City, South Sulawesi, Indonesia. The results show that the city of Makassar, which is still dominated by a single ethnic group of the Bugis-Makassar to be ideal in inter-ethnic relations, uses interaction patterns of the pattern of the dominant ethnic culture or ethnic original. Thus, it should be understood by all ethnic groups who live in the city, whether its status as indigenous or tribal settlers, so that the inter-ethnic relations be harmonious. Makassar, a multi-ethnic city, is still dominated by ethnic Bugis-Makassar. At the same time, the original ethnic and cultural patterns become ideal interaction patterns in the city. As for ethnic immigrants, for example, ethnic Toraja, Mandar, Java, Ambon, Papua New Guinea, NTT, NTB, Batak, Padang, Chinese, Arabic, Padoe, and others, must understand its status as an immigrant minority, must be adaptive and be accepted in its interaction with the ethnic dominant. Therefore, as ethnic immigrants in the exchange must follow the pattern of interaction patterns in one's ideals by the dominant ethnic group, whether it be words or actions, said eg Iye, iyo, ba, iya, tabe, kita, kau, daeng, katte. Besides that, there are also rude words, namely tai laso or tai baro, nassundala’, and suntili’. It is undoubtedly susceptible when there are ethnic immigrants who do not language and act as the dominant culture because it can be considered not adaptive or do not respect an indigenous culture as a manifestation of the ideal of the dominant ethnic groups.

Evaluation of Transport and Location Policies to Realize the Carbon-Free Urban Society

The Japanese Government has declared that it will become carbon-free by 2050. Urban planning to realize a carbon-free society is proposed in the context of urban transport policy, which are policies to agglomerate urban facilities and link among them by public transport. However, transport and location policies to regulate land use are afraid to generate an economic loss. It is important to evaluate not only the effects of reducing GHG emissions but also economic influence. In this paper, we built the Computable General Equilibrium and Urban Economic (CGEUE) model, which modeled the transport and location behavior of each economic agent for a detailed area explicitly. We evaluated some transport and location policies such as (1) conversion from fossil fuel vehicles to electric vehicles, (2) improvement of public transport, (3) environmental tax and (4) making city compact by using the CGEUE model. As a result, it can be concluded that the combination policy of improving the public transport policy and environmental tax is the most effective under the conditions of these simulation results.

Engraving and Religious Imagery in the Modern Age: Between Verisimilitude and the Suggestion of Non-Existent Realities. Analysis of Some Cases Elaborated in Spain

The didactic importance of the religious image can be appreciated in the use of engraving and its power to disseminate, especially in the urban society of the Modern Age, in connection with the printed book. Such images will use their evocative power to suggest, based on observable realities, a reality that never existed, but which is convenient to create: The image will be able to construct this reality and convince observers of its undoubted existence. Some examples elaborated in Spain will be analyzed, as well as their inventors or the engravers who followed the instructions of the previous ones.

The End of the Right to the City: A Radical-Cooperative View

Is the Right to the City (RTTC) still a useful framework for a transformative urban politics? Given recent scholarly criticism of its real-world applications and appropriations, in this paper, we argue that the transformative promise in the RTTC lies beyond its role as a framework for oppositional struggle, and in its normative ends. Building upon Henri Lefebvre's original writing on the subject, we develop a “radical-cooperative” conception of the RTTC. Such a view, which is grounded in the lived experiences of the current city, envisions an urban society in which inhabitants can pursue their material and social needs through self-governed cooperation across social difference. Growing and diversifying spaces and sectors of urban life that are decoupled from global capitalism are, we argue, necessary to create space for this inclusionary politics. While grassroots action is essential to this process, so is multi-scalar support from the state.

Towards Meritocratic Apartheid? Points Systems and Migrant Access to China's Urban Public Schools

This paper analyses rural migrant children's access to public schools in urban China, focusing on the implications of the recent introduction of points systems for apportioning school places. This approach, first piloted by Zhongshan city in Guangdong province from 2009, has steadily been extended nationwide. Here, we analyse the reasons for its spread and for divergence in its implementation in various urban districts. Notwithstanding rhetorical claims that points systems promote “fairness” or “equality” in the treatment of migrants, our analysis suggests that they maintain or even exacerbate the stratification of urban society, lending new legitimation to the hierarchical differentiation of entitlements. This is consistent with the aim of the 2014 “New national urbanization plan” to divert urban growth from megacities towards smaller cities. However, we argue that the use of points systems should also be seen in the context of an evolving bureaucratic-ideological project aimed at more rigorously monitoring and assessing China's entire population, invoking the logic of meritocracy for the purpose of control.

Extreme Audio Culture in the New Digital Underground

<p>This thesis examines the use of technology – particularly obsolete technologies and residual¹ media – within underground and experimental music, using extreme audio culture (the genres of noise music and power electronics) and its relationship with the new digital underground of music and art as a primary focus. It seeks to illuminate issues surrounding not only the survival of underground music culture into the internet age (zines², mail order and independent production and distribution networks) but also broader, philosophical and sociological notions concerning humanity’s relationship with technology within contemporary urban society, as well as examining how these notions have influenced alternative and extreme music cultures. This includes how these issues are addressed within underground and avant-garde scenes; specifically, the manner in which extreme audio culture (beginning with industrial music) voices critique upon the digital age and post-industrial environments by illustrating the negative and grotesque aspects of contemporary urban society through the employment of transgressive themes and subject matter, coupled with the use of materials, practices and ideas coded as residual or as ‘noise’ (reappropriating what dominant culture perceives as unwanted, unfashionable, ‘wrong’ or taboo). By addressing these issues, we may work further towards understanding the progression of musical thought and the influence of sound upon the human psyche, as well as the ways in which music aids the continual transformation of culture within the digital/post-industrial age. This research was undertaken from February 2012 until July 2013 with the primary methodological approach consisting of discourse analysis coupled with anthropological observations and historical contextualisation as we trace extreme audio culture back to its genesis within industrial music and the avant-garde. Drawing from the theories of Jacques Attali, Donna Haraway and Pierre Bourdieu, it will be argued that such music is prophetic of the way in which a society may develop over time, particularly in regards to our perceptions and attitudes towards technological advancement and urbanisation, not to mention our increasingly symbiotic relationship with machines as a prescriptive element of everyday urban existence. With these factors in mind, phenomena such as extreme audio culture and the new digital underground offer rich and striking considerations for the examination of digital age, post-industrial society from the perceptions of marginal creative scenes, extreme music, the avant-garde and contemporary underground music cultures. ¹ As discussed by Michelle Henning, Will Straw, et al., residual media are those media technologies and techniques which are no longer useful, fashionable or profitable within dominant culture and are thus seen as obsolete or ‘noise’ (residue). These technologies, laid to rest upon the ‘scrapheap of dominant culture’ (as we shall discuss in Chapter One) may be acquired, utilised and reappropriated by dominated, marginal – i.e. alternative and underground – cultures and, as examined here within the context of underground music culture, be given a new use-value within creative communities or fetishised by collectors. See Acland, Charles A., ed. Residual Media. Minneapolis: University of Minnesota Press. 2007. Print. ² A.k.a. Fanzines: Independently produced, often hand-made, magazines.</p>