bereavement support group
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Author(s):  
Madelena Arnone ◽  
Lynn Grandmaison Dumond ◽  
Nahal Yazdani ◽  
Rayan El-Baroudi ◽  
Annie Pouliot ◽  
...  

2017 ◽  
Vol 158 (36) ◽  
pp. 1426-1431
Author(s):  
András Zelena

Abstract: By reviewing two bereavement support group cases I wish to demonstrate the important role a doctor, also receptive of his patients’ non-verbal signals, has in the early recognition of complicated grief and halted grief process. Doctors are aware of individual traumas and destinies, and general practitioners are familiar with the details of their patients’ life and home circumstances, could be catalysts for the continuation of the halted grief process. They discover the real cause of trauma behind several psychosomatic symptoms. For professionals working with bereavement support groups and meeting a number of different manifestations of the experience of absence and loss in people facing complicated grief (by its former, stigmatizing term: pathological or distorted grief), synchronizing the work of such heterogeneous groups of people, who have diverse loss history and individual (grief) habitus, is a real professional challenge. In such a work process the activity of doctors and health care workers can be supportive and could facilitate progress. Orv Hetil. 2017; 158(36): 1426–1431.


2015 ◽  
Vol 23 (4) ◽  
pp. 323-342 ◽  
Author(s):  
Breffni McGuinness ◽  
Niamh Finucane ◽  
Amanda Roberts

There is evidence of the value of individual creative arts (art, drama, music, etc.) in helping people to cope with bereavement. However, there is a gap in the research on the effectiveness of the intentional, combined use of creative arts activities in bereavement support group intervention for adults. This article describes an exploratory study which assessed the effectiveness of using creative arts activities in an eight session support group intervention. A waiting list, randomized control trial supplemented by limited qualitative data was used. Evidence was found that the intervention did help participants’ ability to move between loss and restoration coping when they attended at least six of the eight sessions. However, the use of creative arts activities appears to be more suitable for some people than for others.


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