Internet False News Information Feature Extraction and Screening Based on 5G Internet of Things Combined with Passive RFID

In this paper, the authenticity of news information on the 5G Internet of Things (IoT) is studied, and a network false news information screening platform is designed and optimized by IoT combined with passive RFID. The electronic license chain based on data sovereignty is established, in which, combined with the identity identification and strong correlation ability based on the electronic license chain, a cross-industry, cross-business, and cross-field behavior record base database is formed; then, a digital library is constructed based on this base library; finally, through data sharing and management, a false news information feature extraction and screening platform is formed for the orderly management and reasonable dispatch of government resources and reducing various risks. The main functional modules implemented by the platform are the acquisition of news data and comment data, the retrieval and analysis of news data, the false detection of online news, and the visualization of false news data. However, there is still much public who are not aware or do not understand that news truth is this dynamic form. Therefore, this paper aims to inform the public that news truth in news context is a dynamic process by 5G Internet of Things combined with passive RFID. The public understands the circumstances where news truth may be dynamic truth to avoid being misled by false news.

DANCE AS A MARKER OF NATURAL CYCLES CHANGE IN TERRY PRATCHETT’S FANTASY NOVELS

Against the background of a widespread tendency to diminish the sacred meaning of ritual actions, Terry Pratchett’s strive to shed light on the archetypal principles of mythological consciousness in contemporary folklore makes it possible to restorethe connection of the old rites, which have lost their original sense, with the worldview bases of modern society and to reacralize the profane. The Elements of mythological consciousness, manifested in ritual actions inherent in the modern functioning of English folklore, play a meaningful and compositional role in Terry Pratchett’s novels «The Reaper» (1991), «Lords and Ladies» (1992) and «Wintersmith» (2006). In Pratchett’s novels, Morris dance, which traditionally heralds the summer beginning, is balanced by a dance that marks the beginning of winter, indicating the natural cycles change. This manifests the functions of a sacred act: a dialogue between the world and a human, extracting the last from the flow of everyday life, and finalizing the routine work of a farmer. The study suggests the analysis of artistic means describing the Morris dance ritual as a marker of natural cycle changes and as evidence of a human establishing contact with natural forces, enshrined in the narrative and embodied in the dynamic form of dance. A common harvest festival turns into a Dance of the Death and a Maiden, which moves the process of harvesting and preserving the harvest into the realm of the sacred. The motive of the Death and a Maiden dance is being developed in the same compositional plane with the Morris dance motive, as an element of the narrative about the natural balance of life and death,fertility and harvest, about the cycle of the universe based on the love drive. The article examines the compositional elements of choreographic ekphrasis, highlights the significant elements of such a description, indicates the markers of the sacred and the profane, intrinsic to ritual dance in Pratchett’s novels. The conducted research allows to determine the role of dance in Pratchett’s literature work as a marker of the transition from one state to another, as well as season cycle changes.

Tensional processes and perception of form in three selected compositions by Kaija Saariaho

<p>The primary feature that gives ‘spectral music’ its stylistic uniqueness within the field of art music is the blurring of the traditionally distinct roles of harmony and timbre, through the use of chords derived from the naturally occurring overtones of instrumental timbre (often referred to as timbre chords). Development of these chords typically occurs very gradually, meaning it is often difficult to perceive the overall form of a spectral work based on the progression through its constituent timbre chords. This approach contrasts with the traditional reliance in both art music and other Western music styles on perceivable pitch-based development as a primary means of providing musical tension and form. Composers of spectral music must rely on the manipulation and development of other musical parameters to provide sufficient interest through ‘foreground ornamentation’ while its underlying harmonic/timbral macrostructure unfolds beneath. This analysis shows how key musical parameters are manipulated over time to provide tension and resolution (or, in Wallace Berry’s terminology, ‘progressive and recessive processes’ ¹ ), giving spectral works a perceivable, dynamic form. Parameters examined include rate of harmonic change, dynamics, spectral/registral spread, rhythmic activity, sound/noise, spectral density and harmonicity/inharmonicity (the latter two providing a spectral analogue to conventional notions of dissonance). Particular focus is placed on the rate of harmonic change in the selected works and changes in the harmonicity/inharmonicity (through spectral distortion) of harmonic material that give spectral music its distinctive harmonic character. The way in which these ‘parameter curves’ intersect with one another is also examined. For this study, three works by Finnish composer Kaija Saariaho are analysed. The works cover a range of forces and display varying degrees of overtly ‘spectral’ influence: Nymphéa (1987) for string quartet and electronics, Du Cristal (1990) for orchestra, and Cendres (1998) for piano, cello and flute. Analysis of the background levels of parametric change reveal how Saariaho manages to maintain microstructural interest in her spectral works while adhering to an underlying macrostructural plan. Findings from this analysis will also be discussed in relation to how they have influenced my own creative output for my MMA portfolio.</p>

Tensional processes and perception of form in three selected compositions by Kaija Saariaho

<p>The primary feature that gives ‘spectral music’ its stylistic uniqueness within the field of art music is the blurring of the traditionally distinct roles of harmony and timbre, through the use of chords derived from the naturally occurring overtones of instrumental timbre (often referred to as timbre chords). Development of these chords typically occurs very gradually, meaning it is often difficult to perceive the overall form of a spectral work based on the progression through its constituent timbre chords. This approach contrasts with the traditional reliance in both art music and other Western music styles on perceivable pitch-based development as a primary means of providing musical tension and form. Composers of spectral music must rely on the manipulation and development of other musical parameters to provide sufficient interest through ‘foreground ornamentation’ while its underlying harmonic/timbral macrostructure unfolds beneath. This analysis shows how key musical parameters are manipulated over time to provide tension and resolution (or, in Wallace Berry’s terminology, ‘progressive and recessive processes’ ¹ ), giving spectral works a perceivable, dynamic form. Parameters examined include rate of harmonic change, dynamics, spectral/registral spread, rhythmic activity, sound/noise, spectral density and harmonicity/inharmonicity (the latter two providing a spectral analogue to conventional notions of dissonance). Particular focus is placed on the rate of harmonic change in the selected works and changes in the harmonicity/inharmonicity (through spectral distortion) of harmonic material that give spectral music its distinctive harmonic character. The way in which these ‘parameter curves’ intersect with one another is also examined. For this study, three works by Finnish composer Kaija Saariaho are analysed. The works cover a range of forces and display varying degrees of overtly ‘spectral’ influence: Nymphéa (1987) for string quartet and electronics, Du Cristal (1990) for orchestra, and Cendres (1998) for piano, cello and flute. Analysis of the background levels of parametric change reveal how Saariaho manages to maintain microstructural interest in her spectral works while adhering to an underlying macrostructural plan. Findings from this analysis will also be discussed in relation to how they have influenced my own creative output for my MMA portfolio.</p>

SPEAKING STUDENTS’ WORKSHEET BASED ON E-BOOK

ABSTRACT Digital books or e-books (electronic books) are one of the technologies that utilize computers that are used to display information in the form of text, images, audio, video, and other multimedia in a concise and dynamic form that can be read by computers or other electronic devices. This type of research is Research and Development (R&D) with a 4D model (Define, Design, Develop, and Disseminate). Define phase to define problems in learning. Design phase to produce initial products and research instruments. The develop phase to obtain product and instrument eligibility. Disseminate stage for the distribution of teaching materials based on e-books. Research instruments include: validation sheets, and response questionnaires. The results showed that e-book based teaching materials were appropriate to be used to increase the interest of students in MA Ma'arif Roudlotu Tholibin in terms of expert assessments with good categories and from the responses of students and teachers in very good categories. From the assessment of language, materials and media that is 69%, 64% and 72% with good evaluation criteria. Whereas for students of MA Ma'arif Roudlotu Tholibin that is 87% with criteria very good and the teacher is 87% with very good criteria.

Investigation of L2/Ln Pragmatic Competence: Its Core and Route Map

How to use language properly and acquire the capacity for language use has become the focus of linguists and philosophers for centuries. Therefore, pragmatic competence underlying language use arouses enormous interests of language acquisition practitioners. This study reveals the core properties of various models or theories of pragmatic competence, such as the communicative componential models, the form-function mapping proposal of the functionalist, the tripartite cognitive model, and the current integrated model of pragmatic competence. The common core includes (but not limited to) integration of thought and communication, one uniform pragmatic mechanism, dynamic form-function mapping, and complementarity between grammatical and pragmatic competences. With the findings as a departure, a brief outline for further investigation of pragmatic competence is proposed finally, including pathological and neurobiological examination of pragmatic competence.

Computation of optimal transport with finite volumes

We construct Two-Point Flux Approximation (TPFA) finite volume schemes to solve the quadratic optimal transport problem in its dynamic form, namely the problem originally introduced by Benamou and Brenier. We show numerically that these type of discretizations are prone to form instabilities in their more natural implementation, and we propose a variation based on nested meshes in order to overcome these issues. Despite the lack of strict convexity of the problem, we also derive quantitative estimates on the convergence of the method, at least for the discrete potential and the discrete cost. Finally, we introduce a strategy based on the barrier method to solve the discrete optimization problem.

The Grammatical Form of Content and Functions Words in Chinese Textbook for Indonesian Students

With the rapid of China‘s society development, chinese content and function words had their own development in static and dynamic form in grammatical form. Indonesian students have to know well about the functions and characteristics of Chinese content and function words in order to learn and used Chinese words. This research used qualitative method and the category based on Modern Chinese Dictionary (现代汉语词典Xiandai Hanyu Cidian) to categorize the vocabularies in Contemporary Chinese textbook. The results showed that 46% of content words were nouns, 26% were verbs, and 13% were adjectives. The content words in Contemporary Chinese textbook include six parts of speech in the category of content words were nouns, verbs, adjectives, numerals, measure words and pronouns. The function words in these content words were categorized into four of six parts, there were adverbs, prepositions, conjunctions, auxiliary words. There were no exclamation words, onomatopoetic words in the textbook. 42% of function words were adverbs, 17% conjunction words, 13% were prepositions, and some function words category had unique characteristics, such as the adverb ―把ba and―离li, the auxiliary words (―的de，―得de，―地de).