Policing the Frontier
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Published By Cornell University Press

9781501747236

2020 ◽  
pp. 139-144
Author(s):  
Mirco Göpfert

This postscript studies the significance of the frontier. The frontier-space is not only the borderland between life governed by public institutions and life outside of the state's grasp; it is also the site where bureaucracy and the world it is charged with managing meet and the tension between the two becomes tangible. This tension then gives birth to a particular condition of doing and being. As such, the frontier is a project that aims to extend its reach beyond its confines. It is right here at the frontier where the prevailing moral standards become palpable, and it is right here that the value of the modern state, of bureaucracy, and of the gendarme's work must be judged. Understood as a space, a condition, and a project with particular stakes, the idea of the frontier can be of heuristic significance for the understanding of bureaucracy, the postcolonial condition, and for the project of anthropology and social theory.


Author(s):  
Mirco Göpfert

This chapter explains that when the gendarmes had established the facts, they produced a new story—the bureaucratic narrative of the case file. These reports tell the “true story” and make the events, including those involved, legible in the truest sense. By looking closely at the writing process, the chapter shows that bureaucratic work has—beyond institutional, material, and social constraints—plenty to do with aesthetics. This acknowledgement helps fill the gap often perceived between official norms and informal practices, between legal and pragmatic reasoning. Aesthetics of form, style, and content are not mere decor on the legal or pragmatic function of documents; bureaucratic aesthetics embrace them all simultaneously. It is thus no contradiction that bureaucratic aesthetics are at once personal and impersonal, predictable and unpredictable, legal documentation and poetry; it connects people, domains, and worlds through translation while making their separation blatantly obvious. It is the aesthetic of the frontier. The chapter also looks at the procès-verbal, a document which states a breach of a law and the measures taken in response by gendarmes.


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