Bi- and multilingualism as a metaphor for research

2008 ◽  
Vol 11 (2) ◽  
pp. 197-201 ◽  
Author(s):  
ANETA PAVLENKO
Keyword(s):  
Empirical Data ◽  
Stroop Effect ◽  
Third Space ◽  
Human Condition ◽  
The Third ◽  
Parallel Lines ◽  
Rich Material ◽  
Crosslinguistic Influence ◽  
First Time ◽  
Academic Debate

I would like to begin by thanking the editors of the journal, and in particular Carmen Silva-Corvalán, for inviting such a wonderful group of commentators, united in their commitment to spirited yet courteous academic debate and diverse in their academic allegiances, theories, and methodologies. I also thank the commentators for the kindness and generosity of their comments, which offered rich material for reflection. Reading the comments for the first time, I became concerned that a coherent response that addresses the Emotion Stroop Effect in the same breath as the textual explorations of the “third space” may be all but impossible. I thought about the resemblance between the academic enterprise and the phenomenon of bi- and multilingualism, with academic paradigms establishing their own regimes of truth and creating languages that are often mutually incomprehensible. For some, true answers can only come from quantifiable empirical data, others look for veracity in texts and personal testimonies. Some take for granted that “monolingual controls” are a necessary component of solid research on bilingualism, while others doubt the meaningfulness of such a comparison, reminding us that languages are artificial constructions (Makoni and Pennycook, 2007) and questioning the very existence of crosslinguistic influence (Hall, Cheng and Carlson, 2006). And so we proceed with our parallel lines of research inspired by similar questions about the human condition and yet carried out in ways so distinct as to be incompatible.

scholarly journals Activating and Actualizing the Third Space in Syrian Diasporic Realities: An Autoethnographic Interpretation

2021 ◽  
Vol 16 (2) ◽  
Author(s):  
Ghada Alatrash
Keyword(s):  
Lived Experience ◽  
Research Methodology ◽  
Personal Experience ◽  
Third Space ◽  
Human Condition ◽  
Research Participants ◽  
The Third ◽  
Syrian Refugee ◽  
Refugee Families

This essay, part of a larger study, speaks to the Syrian Diaspora’s lived reality in Canada, a complex topic that delves into issues of dislocation, displacement, loss, exile, identity, resilience and a desire for belonging (Alatrash, 2019; 2020). The study seeks to better understand these issues and the lived experience and human condition of the Syrian Diaspora in Canada. I engage autoethnography as a research methodology and as a method as I think and write from my own personal experience as a Syrian immigrant so that I could better understand the Syrian refugee’s lived experience (Alatrash, 2019). My research participants were three Syrian refugee families in Calgary, in addition to myself as an autoethnographer. As I autoethnographically analyzed, presented, and interpreted the stories of the three families, I identified a number of themes (Alatrash, 2019; 2020); this essay addresses one of these themes: On creating new possibilities: Activating and actualizing the Third Space (Alatrash, 2019).  

Essays in Analytic Theology

2020 ◽  
Author(s):  
Michael C. Rea
Keyword(s):  
Human Condition ◽  
Divine Attributes ◽  
German Translation ◽  
The Third ◽  
Doctrine Of The Trinity ◽  
The Trinity ◽  
The Human Condition

This book is the first of two volumes collecting together the most substantial work in analytic theology that I have done between 2003 and 2018. The essays in this volume focus on the nature of God, whereas the essays in the companion volume focus on humanity and the human condition. The essays in the first part of this volume deal with issues in the philosophy of theology having to do with discourse about God and the authority of scripture; the essays in the second part focus on divine attributes; and the essays in the third part discuss the doctrine of the trinity and related issues. The book includes one new essay, another essay that was previously published only in German translation, and new postscripts to two of the essays.

Duoethnography: A Polytheoretical Approach to (Re)Storing, (Re)Storying the Meanings That One Gives

2020 ◽  
pp. 396-423
Author(s):  
John Joseph Norris ◽  
Richard D. Sawyer
Keyword(s):  
Social Justice ◽  
Critical Theory ◽  
Third Space ◽  
The Third ◽  
The Core ◽  
Wide Range ◽  
Core Elements ◽  
Feminist Inquiry

This chapter summarizes the advancement of duoethnography throughout its fifteen-year history, employing examples from a variety of topics in education and social justice to provide a wide range of approaches that one may take when conducting a duoethnography. A checklist articulates what its cofounders consider the core elements of duoethnographies, additional features that may or may not be employed and how some studies purporting to be duoethnographies may not be so. The chapter indicates connections between duoethnography and a number of methodological concepts including the third space, the problematics of representation, feminist inquiry, and critical theory using published examples by several duoethnographers.

Early Permian fossil vertebrate footprints and their stratigraphic setting in megacyclic sequence II red beds, Prim Point, Prince Edward Island

1989 ◽  
Vol 26 (3) ◽  
pp. 591-605 ◽  
Author(s):  
David J. Mossman ◽  
Craig H. Place
Keyword(s):  
Central Europe ◽  
Prince Edward Island ◽  
River Sediments ◽  
Early Permian ◽  
Red Beds ◽  
Sparse Vegetation ◽  
The Third ◽  
Fossil Vertebrate ◽  
Crevasse Splay ◽  
First Time

Vertebrate trace fossils are reported for the first time from red beds near the top of megacyclic sequence II at Prim Point in southwestern Prince Edward Island. They occur as casts of tetrapod trackways. The ichnocoenose also includes a rich invertebrate ichnofauna. The trackmakers thrived in an area of sparse vegetation and occupied out-of-channel river sediments, most likely crevasse-splay deposits.Amphisauropus latus, represented by three trackways, has been previously reported from Germany, Poland, and Czechoslovakia. It is here interpreted as the track of a cotylosaur. It occurs together with the track of Gilmoreichnus kablikae, which is either a captorhinomorph or possibly a juvenile pelycosaur. These facilitate the assignment of a late Early Permian (late Autunian) age to the strata. The third set of footprints, those of a small herbivorous pelycosaur, compare most closely with Ichniotherium willsi, known hitherto from the Keele beds (latest Stephanian) of the English Midlands.This ichnocoenose occurs in a plate-tectonically rafted segment of crust stratigraphically equivalent to the same association of ichnofauna in the English Midlands and central Europe. The community occupied piedmont-valley-flat red beds within the molasse facies of Variscan uplands.

Production and Technical Characteristics of a New Class of Amorphous Metals

1995 ◽  
Vol 400 ◽  
Author(s):  
R.T. Malkhassian
Keyword(s):  
Amorphous Phase ◽  
Quantum Chemical ◽  
New Technology ◽  
Chemical Technology ◽  
Quantum Level ◽  
Vibrationally Excited ◽  
New Class ◽  
The Third ◽  
Hydrogen Molecules ◽  
First Time

AbstractA new technology for obtainment of amorphous single-component metals is presented.For the first time the reduction of molybdenum oxide with formation of its amorphous phase is realized in conditions of a given quantum-chemical technology by means of vibrationally excited to the third quantum level hydrogen molecules with 1.5 ± 0.2 eV energy. The evidences of formation of this nonequilibrium amorphous phase are presented along with certain physicochemical properties of the obtained amorphous molybdenum.A model is proposed for the origin of amorphous phase under the influence of nonequilibrium quantum-chemical technology.

Early (Avant-garde) Symphonies by Valentin Silvestrov As a Sound Universe

2021 ◽  
Vol 66 (1) ◽  
pp. 329-343
Author(s):  
Liudmyla Shapovalova ◽  
Іryna Romaniuk ◽  
Marianna Chernyavska ◽  
Svitlana Shchelkanova
Keyword(s):  
20Th Century ◽  
Human Being ◽  
Accurate Identification ◽  
Philosophy Of Music ◽  
Philosophical Concept ◽  
Avant Garde ◽  
The Third ◽  
Ninth Symphony ◽  
Human Ontology ◽  
First Time

"In the article under consideration are the ways of symphony genre transformation in the early works of Valentin Silvestrov (Ukraine). For the first time, the First, Second, Third, and Fourth symphonies by the genius composers of the 20th century are analyzed as a certain stylistic system. These compositions are endowed with the features of avant-garde poetics, and as a subject of musicological reflection, they are associated with a rethinking of the semantic paradigm of the genre. V. Silvestrov's early symphonies stand out from the classical practice of European symphonies. Scientific awareness of their phenomenal nature necessitated a methodological choice aimed at the most accurate identification of the philosophical concept of the new sound universum of V. Silvestrov's music. Deep correlation of the image of a human being as a factor of the symphony poetics (the influence of philosophical concepts of human ontology in the 20th century with the transformation of the genre canon) is considered. This refers to the nonmusical dimension of the genre semantics. The study of V. Silvestrov's early symphonies reveal a new philosophy of music through gradual movement – modulation: from the neo-baroque First Symphony and ""cosmic pastorals"" Musica Mundana of the Second Symphony through the history anthropologisation in the Third Symphony ""Eschatology"" to the monodrama Musica Humana in the Fourth Symphony. The dichotomy of Musica Mundana – Musica Humana is not accidental: in V. Silvestrov's creative method, remains relevant, which is confirmed by the dramaturgy of his latest work – the Ninth symphony (2019). Keywords: V. Silvestrov's early symphonies, evolution of style, worldview, Musica Mundana, monodrama. "

Render unto Caesar Just a Little Bit Longer: The Relationship between Constitutional Reforms and Executive Survival

2021 ◽  
pp. 1-22
Author(s):  
Tofigh Maboudi ◽  
Ghazal P. Nadi ◽  
Todd A. Eisenstadt
Keyword(s):  
Term Limits ◽  
Institutional Constraints ◽  
Third Wave ◽  
Political Leaders ◽  
Constitutional Order ◽  
The Third ◽  
Constitutional Reforms ◽  
The Impact ◽  
First Time ◽  
The Relationship

Abstract Since the third wave of democracy, term limits have become a popular fixture of most constitutions intended to constrain the executive. Yet, recent constitutional reforms around the world show that presidents seeking re-election sometimes overturn the entire constitutional order to extend their power. What is the impact of these constitutional manipulations on the longevity of the executive in office? Using survival analysis of all political leaders and national constitutions from 1875 to 2015, this article demonstrates, for the first time, that when ‘authoritarian-aspiring’ presidents remove constitutional term limits, they increase their stay in office by more than 40%. Our findings contrast with a widely held position in the comparative authoritarian literature suggesting that dictators survive longer under institutional constraints. On the contrary, we argue that by removing constitutional barriers, rulers consolidate more power at the expense of their most ambitious allies and can stay in power longer.

FACES OF V.M. SHUKSHIN: MARTIN IDEN, HAMLET, STEPAN RAZIN

2021 ◽  
pp. 59-65
Author(s):  
Т.А. Богумил
Keyword(s):  
Early Stage ◽  
Socialist Realism ◽  
Crowding Out ◽  
Behavioral Models ◽  
Cluster Approach ◽  
Second Stage ◽  
The Third ◽  
Third Stage ◽  
Early Departure ◽  
First Time

В статье предлагается концепция жизни и творческого роста В.М. Шукшина сквозь призму тезаурусного и кластерного подходов. Объяснительными «персональными моделями» для интерпретации биографического текста писателя являются кластеры Мартина Идена, Гамлета и Степана Разина. Ранее биографы и литературоведы указывали на важность этих персон для Шукшина, но разрозненно. Впервые предпринята попытка свести указанные персональные модели воедино, в целостный сюжет становления писателя в пространстве культуры. На разных этапах эволюции автора доминирует одна из указанных моделей, последовательно сменяя друг друга, но не вытесняя, а «внахлест». Ранний этап творчества, ориентированный на стратегию Мартина Идена, является попыткой «вписаться» в наличный культурный мейнстрим. Выражено это в следовании поэтике соцреализма. Второй этап подспудно начинается с реабилитации отца Шукшина в 1956 года, когда актуализируется «гамлетовский комплекс», проявляющийся в чувстве вины перед отцом, через стратегию утаивания подлинного «я», мотивы чудаковатости. Третий этап связан с личностью реального исторического лица, Степана Разина, и выражается в открытом протесте против власти. Все важные для В.М. Шукшина поведенческие модели объединены мотивом одинокого противостояния враждебному социуму и имеют трагический финал, что обусловило ранний уход писателя и порождение мифов о насильственном характере его смерти. В.М. Шукшин одновременно был фигурой неординарной и типичной, что позволило его биографии стать «персональной моделью» для последующих авторов, выходцев из сельской глубинки. The article proposes the concept of life and creative growth of V.M. Shukshin through the prism of the thesaurus and cluster approach. The explanatory "personal models" for interpreting the biographical text of the writer are clusters of Martin Eden, Hamlet and Stepan Razin. Earlier, biographers and literary critics pointed out the importance of these people for Shukshin, but it was scattered. For the first time, an attempt was made to bring these personal models together into an integral plot of the formation of the writer in the space of culture. At different stages of the writer’s evolution, one of these models dominates, successively replacing each other, but not crowding out, but “overlapping”. The early stage of creativity, focused on Martin Eden’s strategy, is an attempt to “fit in” the current cultural mainstream. This is expressed in following the poetics of socialist realism. The second stage implicitly begins with the rehabilitation of Shukshin’s father in 1956, when the “Hamletian complex” is actualized. It is manifested in a sense of guilt towards his father, the strategy of concealing the true “I”, eccentricities. The third stage is connected with the personality of a real historical person, Stepan Razin, and is expressed in an open protest against the authorities. All important for V.M. Shukshin's behavioral models are united by the motive of a lonely confrontation with a hostile society and have a tragic ending, which led to the early departure of the writer and the generation of myths about the violent nature of his death. V.M. Shukshin was an extraordinary and typical figure at the same time. That allowed his biography to become a “personal model” for subsequent authors who came from the rural outback.

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