4. Cinema as art form

2017 ◽  
pp. 50-73
Author(s):  
Geoffrey Nowell-Smith
Keyword(s):  
World War I ◽  
World War ◽  
Film Genre ◽  
The Road ◽  
Art Form ◽  
Different Types ◽  
On The Road ◽  
Narrative Techniques

In the years before World War I there were few people who thought that cinema was or might become an art form. From about 1910, however, signs emerged that cinema was on the road to acquiring some sort of legitimacy. These signs initially pointed in different directions, but eventually a cluster of forms developed, which were to become the cinema as we know it today. ‘Cinema as art form’ considers how cinema has developed through the evolution of editing and narrative techniques and sound synchronization, and then discusses different types of film genre, the neo-realism movement, and the diverse varieties of modern cinema.

Vaudeville

Eubie Blake ◽  
2020 ◽  
pp. 85-110
Author(s):  
Richard Carlin ◽  
Ken Bloom
Keyword(s):  
World War I ◽  
World War ◽  
The Road ◽  
Sound Film ◽  
First Sound ◽  
Dramatic Performance ◽  
On The Road ◽  
No Man's Land

This chapter describes Sissle and Blake’s career performing on white vaudeville. Unlike other black acts of the day, when appearing on stage, they insisted on performing without blackface and in formal clothing. Their act, including Sissle’s dramatic performance of songs like “On Patrol in No Man’s Land,” successfully drew on Sissle’s experiences in World War I. As black performers, however, they faced difficulties on the road and had to deal with the systematic racism of the day. The chapter also discusses the making of their first sound film for Lee De Forest; Eubie’s work making piano rolls; and initial recordings for Pathé. The chapter concludes with the foundations of their partnership with comedians Flournoy Miller and Aubrey Lyles, including their first meeting and their decision to collaborate on a Broadway show.

Beginnings

2020 ◽  
pp. 9-40
Author(s):  
Donna T. Haverty-Stacke
Keyword(s):  
World War I ◽  
Working Class ◽  
Women Religious ◽  
World War ◽  
Professional Career ◽  
The Road ◽  
Local Parish ◽  
On The Road ◽  
The Impact

Chapter 1 explores the various factors that shaped Carlson’s identity as a working-class Catholic young woman who was committed to social justice. These included her natal family and childhood neighborhood, her local parish, her women religious teachers, and the impact of World War I and the 1922 shopmen’s strike. Through her experience of World War I, as a working-class Irish and German girl, she had come to question government authority and the 100 percent Americanism that vigilante groups imposed on the community in St. Paul. As a result of her father’s experiences during the shopmen’s strike, she deepened her understanding of the importance of worker solidarity. And Grace came to appreciate early on the importance of education for the development of her autonomy. It was not only her mother, Mary Holmes, who instilled that lesson but also her women religious instructors in high school. The Josephites reinforced the value Grace placed on higher education as a route to economic independence for women and set her feet on the road to a professional career.

scholarly journals Characterisation of cyclists’ willingness to pay for green initiatives at Africa’s largest cycle tour

2016 ◽  
Vol 19 (3) ◽  
pp. 432-439
Author(s):  
Melville Saayman ◽  
Waldo Krugell ◽  
Andrea Saayman
Keyword(s):  
Willingness To Pay ◽  
Carbon Footprint ◽  
Climate Change Mitigation ◽  
Demographic Variables ◽  
The Road ◽  
Road Cycling ◽  
Different Types ◽  
On The Road ◽  
The Right ◽  
Change Mitigation

The Cape Argus Pick n Pay Cycle Tour is a major event on the road cycling calendar. The majority of cyclists travel significant distances and participation produces a substantial carbon footprint. This paper examines participants’ willingness to pay to offset their carbon footprint. The purpose of this paper is to make a contribution to the literature by linking willingness to pay to attitudes towards or beliefs (green views) about the initiatives in place, to ensure a greener cycle tour. Factor analysis is used to identify different types of cyclists, based on their green views: those with green money, those who prefer green products and the “re-cyclers”. The results of the regression analysis reveal that socio-demographic variables and the right attitude towards the environment are significant predictors of stated willingness to pay for climate change mitigation.

scholarly journals A Vehicle Breakdown Service Provider System

2021 ◽  
pp. 567-572
Author(s):  
Sathwik Krishna. L ◽  
Siva Rama Krishna. S ◽  
Abdul Amjad. S ◽  
Mahesh Babu. U ◽  
Lakshmi Surekha. T
Keyword(s):  
Service Provider ◽  
Life Time ◽  
The Road ◽  
Different Types ◽  
On The Road

Travelling day to day became integrated part of everyone. To travel we use different types of vehicles. A machine is not for a life time and with day to day usage and time-tested in various conditions, it is meant to witness some kind of breakdowns. Many breakdowns can be resolved on the spot by self-repairing. A lot of people are facing difficulties getting help when their Vehicle breaks down on the road. These problems are the motivations for the development of this project to help those who are in need when their Vehicle breaks down along the roads. The objective is to develop an django application that will help the user to avail help by using the application and get access to the nearby mechanic and thereby contact them.

The New Conservatives

2017 ◽  
pp. 106-139
Author(s):  
Peter Kolozi
Keyword(s):  
World War Ii ◽  
Cold War ◽  
The State ◽  
Economic Systems ◽  
World War ◽  
Post World War Ii ◽  
The Road ◽  
On The Road ◽  
The Right

Post World War II conservative thinking witnessed a marked shift in criticism away from capitalism itself and to the state. Cold War conservatives’ anti-communism led many on the right to perceive economic systems in stark terms as either purely capitalistic or on the road to communism.

Mountain Interval

2018 ◽  
pp. 45-66
Author(s):  
Virginia F. Smith
Keyword(s):  
World War I ◽  
Alternative Interpretation ◽  
Natural Setting ◽  
World War ◽  
The Road

In early 1915, the Frost family made a hurried departure from England as the war in Europe escalated. Although they successfully escaped the ravages of World War I, at the time the most mechanized conflict in history, the Frosts returned to a country undergoing its own rapid and irreversible changes at the hands of technology. In the collection Mountain Interval, published in 1916, Frost depicts the violence of technology toward humans in poems such as “Out, Out –“ and “The Vanishing Red,” but most of the violence is reserved for plants and animals, both domestic and wild. He also addresses the role of technology in society, especially the telephone, and starts to move from observational to theoretical descriptions of astronomical objects. This chapter begins with an alternative interpretation of the natural setting in one of Frost’s most popular poems, “The Road Not Taken.”

Nijinsky, Vaslav (1889–1950)

2018 ◽  
Author(s):  
Hanna Järvinen
Keyword(s):  
World War I ◽  
Great Influence ◽  
Contemporary Dance ◽  
World War ◽  
Ballets Russes ◽  
Art Form ◽  
Rite Of Spring ◽  
Vaslav Nijinsky ◽  
New Research ◽  
Le Sacre Du Printemps

Vaslav Nijinsky was a Russian dancer and choreographer of Polish descent. He achieved international renown as the star of Serge Diaghilev’s Ballets Russes Company between 1909 and 1916. A dancing prodigy, Nijinsky was lauded as the best male dancer of his generation. From 1912 onwards, his choreographic modernism inaugurated the use of simpler movement language that de-emphasized virtuosity with L’Après-midi d’un Faune (Afternoon of a Faun, 1912), Jeux (1913), Le Sacre du Printemps (The Rite of Spring, 1913) and the little-known Till Eulenspiegel (1916), created during the company’s second North American tour. Nijinsky refocused attention on the choreographer as the author of dance, which had great influence on how dance as an art form was understood and discussed after World War I. Because Nijinsky was institutionalized for mental illness in 1919, none of his choreographies survived intact and were, for decades, considered artistically irrelevant. This attitude began to change in the late 1980s, when new research and reconstructions of Nijinsky’s choreographies helped scholars and audiences to rethink his place in dance history, and his works are now considered to be important examples of modernism as well as precursors to both contemporary ballet and contemporary dance, more generally.

Sign in / Sign up

Export Citation Format

Share Document