scholarly journals The Cultural Communication Significance ofthe Mulan Films Made by Disney

2020 ◽  
Vol 9 (3) ◽  
pp. 68
Author(s):  
Chang Liu

In September 2020, the live-action film “Mulan” shot by Disney in the United States was released in mainland China. This is the fourth time that Disney has put Mulan, a traditional Chinese character, on the screen. The first time was the animated version in 1998. After the success, the “Mulan II” was released in 2004, the third time was the 2012 animation version for children. This time, Disney put this historical story that is well-known in China on the screen in the form of a live-action version. The Chinese elements presented in these four versions are undoubtedly obvious. Although many people in China think that the Mulan created by Disney is not the Mulan in their minds, and the interpretation of traditional Chinese culture in the play is not necessarily accurate. However, by observing Chinese traditional culture from Westerners’ vision and interpreting Chinese traditional culture with Westerners’ concepts, Disney’s efforts objectively played a role in spreading Chinese traditional culture on a larger scale. It shows the traditional Chinese values of “loyalty, righteousness, courage and filial piety” and the two unique Chinese cultural symbols of dragon and phoenix to audiences all over the world, at the same time, the concept of caring for women and publicity of individuality is integrated into it, which makes this traditional character have a strong contemporary character and is more easily accepted by modern audiences. Its significance in cultural communication is worthy of recognition.

2020 ◽  
Vol 4 (10) ◽  
Author(s):  
Ran Ji

Against today’s backdrop of "filial piety" in society, the “filial piety” in the Analects of Confucius triggered heated debates. Since ancient times, “filial piety”, which is of great importance to traditional Chinese culture, has been an important part of Confucianism. “Ingratitude” will inevitably be condemned by society. But nowadays, “irrational filial piety” will turn into “foolish filial piety”. Therefore, what people should do is to carry out "rational filial piety" and carry forward Chinese traditional culture critically so as to make contribution to building a harmonious socialist society.


2021 ◽  
Vol 8 (10) ◽  
pp. 177-182
Author(s):  
Jingkang Yu ◽  

China’s excellent traditional culture has its own intrinsic value, in the process of Marxism in China, the Chinese communists will Marxist theory and this value combined, not only makes the value of China’s excellent traditional culture to the extreme, but also to their own development added new elements and vitality; Marxism was introduced into China and became Sinicized Marxism. From the perspective of culture, it mainly benefited from the cultural soil and cultural context provided by the excellent traditional Chinese culture, which enabled the Chinese people to understand and disseminate the content of Marxist theory through various forms and channels. The excellent Chinese traditional culture has made its own contribution to the development of Sinicization of Marxism, which also provides a good opportunity for inheriting and developing the excellent Chinese traditional culture.


2020 ◽  
Vol 3 (3) ◽  
Author(s):  
Zhou Liming

As a great nation, Chinese Ethnic Peoples has survived hardships time and still bedevil. Whether in dangerous or difficult situation, the classical Chinese culture with the full of the wisdom and ability has to deal with risks aggressively. Traditional Chinese Medicine (TCM) is from Chinese culture, has proactive responded the various epidemics. In the face of this new coronavirus, the classic Chinese culture theory and classic discourse have shown endless vitality, guiding the people of the whole country to overcome the difficulties, and have made a significant contribution to subside the epidemic around the world.


2020 ◽  
Vol 12 (1) ◽  
pp. 131-160
Author(s):  
Fanjia Meng ◽  
Ming Wang

Abstract Within China’s outstanding traditional culture lies a wealth of thought on social governance. In an effort to organize these ideas in systematic fashion, this text contains the dialogue that took place in the autumn of 2019 during a course for public administration graduate students entitled “Innovation in Social Governance.” The dialogue was between Professor Wang Ming of Tsinghua University and sinologist Meng Fanjia, who is a 74th-generation descendant of the great philosopher Mencius and an advocate of contemporary shi culture (a shi is one who aspires to become a person of noble character as defined by traditional Chinese culture). The dialogue, full of novel concepts, summarizes the definition of the word “traditional”. Their discussion was both broadly inclusive and profoundly insightful in the aspects of rite, being a man of noble character, virtue, being a scholar, goodness, filial piety, law, kinship, and morality.


2013 ◽  
Vol 3 (1) ◽  
pp. 1 ◽  
Author(s):  
Xuanhui Liu

The democratic situation in China is deeply influenced by the traditional culture. This article attempt to answer the question why there is no democracy in Chinese traditional culture from historical institutionalism perspective. Path dependence plays the vital role in this process. The starting point is set in Qin Dynasty. After that, the authoritarian regime has been strengthened from four aspects: the bureaucratic system, the Confucian theory, the imperial examination system, and rewards and punishing measures. These measures work from the institutions to people’s inner world. The authoritarian culture became the orthodox value in Chinese traditional culture. The authoritarian regime and traditional culture have been intertwined and strengthened each other. That is a process of path dependence from historical institutionalism perspective. This article shows us a framework of how to observe this process.


2013 ◽  
Vol 790 ◽  
pp. 211-214
Author(s):  
Ya Dong ◽  
Ya Zhou

Chinese traditional culture has a great impact on the construction of the Chinese traditional garden. Chinese classical gardens of Dealing with Water is inextricably linked with the Chinese culture. This article from the point of view of Chinese culture Confucian ,the Taoist viewpoint and Buddhist perspectives on Chinese garden of Dealing with Water elaborately, modern design philosophy has certain referential significance.


2011 ◽  
Vol 21 (2) ◽  
pp. 309-318
Author(s):  
Melissa Lam

Only since the 1960s has the Asian Diaspora been studied as a historical movement greatly impacting the United States — affecting not only socio-historical cultural trends and geographic ethnography, but also culturally redefining major areas of Western history and culture. This paper explores the reverse impact of the Asian America Diaspora on Mainland China or the Chinese Motherland. Mainland Chinese writers Ha Jin and Yiyun Li have left China and today teach in major American universities and reside in America. However, the fiction of both authors explores themes and landscapes that remain immersed in Mainland Chinese culture, traditions and environment. Both authors explore the themes of “cultural collisions” between East and West, choosing to write in their adopted English language instead of their mother Putonghua tongue. Central to this paper is the idea that ethnicity and race are socially and historically constructed as well as contested, reclaimed and redefined


Asian Studies ◽  
2014 ◽  
Vol 2 (1) ◽  
pp. 99-114 ◽  
Author(s):  
Loreta POŠKAITĖ

The relationships between children and parents seem to be one of the most urgent issues in the contemporary world, spanning from the United States and European countries to East Asian societies, as a consequence of the transformation of traditional family ethics, values and institutions brought about by the processes of modernization and globalization. The present paper aims to reveal the ways and problems of the application of xiao 孝 (filial piety) ethics in the contemporary Western and Chinese societies, as reflected in the works by a number of famous Western Protestant missionaries, religious philosophers, sinologists and present-day Lithuanian Sinology students, and counterbalance their views with the insights of contemporary Chinese sociologists. The place of xiao in the contemporary inter-cultural dialogue will be discussed from the point of view of dialogue between religions, theory and practice, Western and Chinese culture, traditional and modern societies and values.  


Author(s):  
Wu Yanqiu ◽  
Nurbanu A. Abuyeva

The article is devoted to the study of the general and different aspects of the presentation of Chinese culture discursive elements in the literature of the Russian diaspora in China. The perception of a large number of “Chinese elements” by the emigration literature determines not only the specificity of this layer of the literary creativity, but also the production of the whole series of traditions that are receptive by their nature. Tradition markers, various signs of the Chinese culture, as well as the problems of the traditional Chinese philosophy and a special process of plot making - these are the aspects that the literature of the Russian diaspora perceives creatively. Traditional Chinese symbols (lotus, fan, etc.) play a special role in the creation of special traditions of the Russian emigration literature, which convey inspiration and depth to the works, and to the literature of the Russian diaspora as a whole, that is an appeal to the world cultural values, that are all-embracing in nature. The purpose of the article is a multifaceted analysis of the discursive elements of Chinese culture in the literature of the Russian diaspora of China from the standpoint of the traditional foundations perception of the Chinese culture and the development of their own traditions within the literature of the Russian emigration, which makes it possible to reveal the artistic features of the works created by the Russian writers and poets outside the influence of the native culture. The relevance of the study is determined by the insufficient study of the role of the traditional Chinese culture in the formation of new imagery in the works of representatives of the Russian emigration literature in China. It is necessary to analyze the discursive elements of Chinese culture in the artistic world of the Russian emigration literature, using the capabilities of an interdisciplinary complex of research methods to identify the nationally-specific and individual-author’s perception of Chinese traditional culture and develop on this basis its own traditions of Russian emigre literature.


2020 ◽  
Vol 16 (4) ◽  
pp. 70
Author(s):  
Rong Yang ◽  
Xiaoming Yang

Dress and personal adornment of Taoism, also short for Taoist Clothing. Its refers to the type of clothing with ‘Tao’ as the core concept. Taoist clothing as a kind of religious symbolic clothing, it can be described as a typical carrier of Chinese traditional culture (especially the Han nationality), which contains Chinese traditional religion, philosophy, aesthetics and technology. By studying the history, form and cultural symbols of Taoist clothing has important significance for help us to deeply understand Chinese traditional costume culture and to discover the valuable cultural elements contained in them.


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