scholarly journals “CRAZY ZOOM MAKES EVERYONE TO FIND HIMSELF IN A DOUBLE ROLE OF A SPECTATOR AND AN ACTOR”

Author(s):  
O Bulgakova ◽  
E.S. Maksimova

Oksana Bulgakowa is a researcher of visual culture, a film critic, a screenwriter, a director, and a professor at the Johannes Gutenberg University Mainz. She has taught at the Humboldt University of Berlin, the Leipzig Graduate School of Music and Theater, the Free University of Berlin, Stanford University and the University of California Berkeley. Author of the books “FEKS: Die Fabrik des exzentrischen Schauspielers” (1996), “Sergei Eisenstein – drei Utopien. Architekturentwürfe zur Filmtheorie” (1996), “Sergej Eisenstein. Eine Biographie” (1998), “The Gesture Factory” (2005, a renewed edition to be published by NLO publishing house in 2021), “The Soviet hearing eye: cinema and its sensory organs” (2010), “The Voice as a cultural phenomenon”(2015), “SINNFABRIK/FABRIK DER SINNE” (2015), “The Fate of the Battleship: The Biography of Sergei Eisenstein” (2017). Author of the network projects “The Visual Universe of Sergei Eisenstein” (2005), “Sergei Eisenstein: My Art in Life. Google Arts and Culture” (in collaboration with Dietmar Hochmuth, 2017–2018), and the films “Stalin – eine Mosfilmproduktion” (in collaboration with Enno Patalas, 1993), “Different Faces of Sergei Eisenstein” (in collaboration with Dietmar Hochmuth, 1997). In this issue of P&I, Oksana Bulgakowa talks about medial giants and midgets, obscene gestures of Elvis Presley, “voice-over discourse” of TV presenters, and the birth of Eisenstein’s “Method” from psychosis and neurosis. Interview by Ekaterina Maksimova. Photo by Dietmar Hochmuth.

2019 ◽  
Vol 32 (4) ◽  
pp. 442-454 ◽  
Author(s):  
Gijsbert van den Brink

The view that theology represents the highest level of academic learning and the summit of human knowledge has a long history. In this article, starting from Aristotle, the genealogy of this view is excavated. Second, it is examined how and why theology lost this special status in modernity, as this appears in Immanuel Kant’s The Conflict of the Faculties (1798). Third, it is shown in which way and for what reasons theology continued to have a place of its own in the modern university since the founding of the University of Berlin (1810). In particular, the crucial role of Friedrich Schleiermacher’s proposal is highlighted. Fourth, it is suggested that, under certain conditions, theology can still be conceived as a proper university discipline in contemporary pluralistic societies.


2018 ◽  
Vol 3 (9) ◽  
pp. 148
Author(s):  
Sigit Mulyansyah Effendy ◽  
Nadira Elkalam ◽  
Isami Kinoshita

Over the last few years, revitalization through painting in the slum area become popular in some cities in Indonesia. The attractive colors and illustrations have escalated the village on social media, especially for youth. The study focuses on investigating the roles of art in Kampung Pelangi potential for city landmark. Interviews and observations were done as a preliminary study, and survey online intended to understand the university students’ perception as a youth representative. The results have investigated that despite art has brought the dominant visual in the landscape, the unity with the existing landmark is needed to bring harmony to enhance the current image of the city.Keywords: New urbanism; landmark; the role of art; student’s perceptioneISSN: 2398-4287 © 2018. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open access article under the CC BYNC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia.https://doi.org/10.21834/e-bpj.v3i9.1541


Author(s):  
Vadim Semenovich Anishchenko ◽  

On November 23, 2020, a well-known theoretical physicist, a specialist in statistical physics, Professor of the Humboldt University of Berlin, Lutz Schimansky-Geier, passed away. He studied at the University of Rostock and received his diploma from the University of Yerevan. He was a student of Professor Werner Ebeling, with whom he worked almost all his life at the Humboldt University.


Author(s):  
Amanda Ashley ◽  
Leslie Durham

Economic developers commonly refer to universities as anchor institutions because they are large, rooted regional economic drivers that are sites of development, incubation, entrepreneurship, workforce readiness, and knowledge transfer. But most anchor research speaks generally about the university or focuses on STEM and not on arts and culture. Our study asks: what is the role of universities in anchoring arts and cultural innovation in the regional creativity ecology, and how are university leaders identifying, communicating, and investing as arts and cultural anchors? Through a qualitative comparative case analysis of four public universities in the Intermountain West combined with target interviews of field innovators and a synthesis of transdisciplinary literature, we deepen the concept of the university arts and cultural anchor and map a theoretical and practical shift from a traditional to contemporary form of anchoring. We identify four stages of anchor readiness, and we propose a pilot assessment tool for university leaders to determine their anchor stage based on awareness and investment. Our applied research helps universities move from being an arts patron to an arts entrepreneur, investor, innovator, and catalyst.            


2021 ◽  
Vol 11 (1) ◽  
pp. 89-102 ◽  
Author(s):  
Adéla Ficová ◽  
Karolína Stehlíková

In this article, the authors outline arguments explaining the lasting success of the Czechoslovak and East German film Three Wishes for Cinderella (1973). Drawing on newer theories of adaptation, the article addresses the following questions: what mutation did the Cinderella narrative undergo and how did it influence the acceptance of the film adaptation in the Czech and Norwegian context? Are there any non-adaptive explanations for changes in the narrative that can be perceived as a ‘random drift’? How is the persistence of this particular adaptation supported in various cultural contexts? Can we speak about cross-cultural indigenization in the case of Three Wishes for Cinderella? The aim is also to explore the factors that contributed to this cultural phenomenon and to map the journey the adaptation underwent, including the role of NRK public TV and the role of the voice-over. Finally, we discuss whether this adaptation is truly a timeless phenomenon.


2009 ◽  
Vol 121 (1) ◽  
pp. 172
Author(s):  
Hannelore Landsberg ◽  
Marie Landsberg

This article discusses Blandowski’s collections held in various libraries and museums in Berlin, Germany. Wilhelm von Blandowski (1822-1878) was a Prussian ‘Berliner’. He was born in Upper Silesia, a province of Prussia. He worked there in the mining industry and later attended lectures in natural history at the University of Berlin. Following a period in the army, he was influenced by the March Revolution in Germany in 1848. As a result, he left the civil service and migrated to Australia. Blandowski’s first approach to the Museum of Natural History in Berlin was an offer of objects, lithography and paintings ‘forwarded from the Museum of Natural History, Melbourne Australia’ in 1857. After returning to Prussia, Blandowski tried unsuccessfully to get support for publishing Australien in 142 photographischen Abbildungen. Today the Department for Historical Research of the Museum of Natural History owns more than 350 paintings as the ‘Legacy Blandowski’. The paintings illustrate Blandowski’s time in Australia, his enormous knowledge of natural history, his eye for characteristic details of objects and his ability to instruct other artists and to use their work. The text will show these aspects of Blandowski’s life and work and will give an insight into the database of Blandowski’s paintings held at the Humboldt University, Berlin.


2019 ◽  
Vol 15 (25) ◽  
pp. 2891-2893 ◽  
Author(s):  
Angela Märten ◽  
Rachel Jenkins

Professor Angela Märten speaks to Rachel Jenkins, Commissioning Editor Angela Märten earned her PhD at Humboldt University of Berlin, Germany, in 2000, after working for several years as an oncology nurse. Upon completion of her PhD, she assumed responsibility for Phase I trials and translational research for the University Hospital of Bonn, Germany. In 2002, the University Hospital of Bonn appointed her as Assistant Professor for Experimental Haematology and Oncology. In 2003, she accepted a new position at the University of Heidelberg, Germany, heading the Immunotherapeutic Group and the Oncology Trial Department. The University of Heidelberg appointed her as Associate Professor in 2006 while she completed her Master of Sciences in Clinical Research in 2008. Professor Märten has been principal investigator of several clinical trials and has published more than 100 papers, with a particular focus on pancreatic carcinoma and lung cancer. She joined Boehringer Ingelheim in 2009, where she built up the German Medical Affairs Oncology team, before joining the Global Afatinib team in 2013. She is currently Global Senior Medical Advisor, Therapeutic Area of Oncology at Boehringer Ingelheim.


2008 ◽  
Vol 12 (1) ◽  
pp. 411-419
Author(s):  
Edward Kaplan

AbstractAbraham Joshua Heschel (1907–1972) was born in Warsaw, Poland, in a devout Hasidic community and earned a doctorate in philosophy from the University of Berlin during Hitler's rise to power. He immigrated to the United States in 1940 and became a Judaic scholar, writer, teacher, theologian, and social activist. Heschel influenced the drafting of Nostra Aetate during the Second Vatican Council, and Christians and Jews saw Heschel as an embodiment of a Hebrew prophet. Yet Heschel himself was irremediably wounded by the Holocaust. He remained vulnerable, hypersensitive to other people's pain, bereft of consolation. Long impressed by a web of associations on the role of predominantly Roman Catholic Poles in the destruction of European Jews, I had to confront my own negative "imaginary" during eight days I recently spent in Poland, filled with Jewish content. Participation in an international, interfaith conference on Heschel at the University of Warsaw in June 2007, and in the Jewish culture festival in Krakow, managed to convince me that non-Jews could develop and help foster an authentic understanding of Judaism and the Jewish experience. Despite persistent memories of atrocities, my feelings toward Poland and the Poles underwent a transformation. If Heschel's wounds were not ultimately healed, at least my negative imaginary has begun to give way to a hopeful future.


2018 ◽  
Vol 2 (1) ◽  
pp. XXX-XLVII
Author(s):  
Perla Gianni Falvo

Vittorio Gallese is professor of Psychobiology at the University of Parma, Italy, and was professor in Experimental Aesthetics at the University of London, UK (2016-2018). He is an expert in neurophysiology, cognitive neuroscience, social neuroscience, and philosophy of mind. Gallese is one of the discoverers of mirror neurons. Gallese has been doing research at the University of Lausanne, Switzerland, at the Nihon University, Tokyo, Japan, at the University of California at Berkeley and at the Berlin School of Mind and Brain of the Humboldt University of Berlin. He has been George Miller visiting professor at the University of California at Berkeley. His research attempts to elucidate the functional organization of brain mechanisms underlying social cognition, including action understanding, empathy, language, mindreading and aesthetic experience.


Author(s):  
Nataliia Khanykina ◽  
Tetiana Bondar

The formation of a new historical type of personality requires appropriate changes in the content of education, means of the set tasks’ implementation and the organization of the education system itself. Achieving this goal is impossible without the formation of a high intellectual culture of a person and the ability of the individual to its further continuous improvement. However, nowadays the role and place of cultural and anthropological factors, as well as logical and rational ones, are often underestimated in the modernization process of the society. The proposed article emphasizes the need to reveal the role of logical and rational component as a necessary part of the modern educational process and the way to improve mental culture through education. It is noted that the level of modern culture of thinking, rational reasoning, the ability to conduct constructive dialogues has fallen significantly. The inability and unwillingness of many members of society to analyze situations critically, lack of skills to express their opinions consistently and reasonably, to persuade their fellow citizens in a rational and logical way can lead to barbarism. The results of hours’ reduction in logic disciplines at the University are given. This fact is reflected in the inability of students to establish the relationship of genus and species, causal relationships between objects and phenomena, to make classifications. The need for logic knowledge, which helps to identify false information, to reveal logical errors, is indicated. Emphasis is placed on the importance of high appreciation of rationality. It has its origins in antiquity and finds its expression in ancient philosophy. Ancient philosophers proceeded from the fact that the world can be comprehended only with the help of reason and rational methods, based on the power of persuasion, thought. The role of language as a cultural phenomenon is emphasized. Cultural phenomenon in combination with consciousness, mental and cognitive processes is impossible without the rational use of the laws of logic.


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