scholarly journals Authorial dialogue in Iris Murdoch’s “The Sea, the Sea”

2021 ◽  
pp. 25-32
Author(s):  
В.А. Байко ◽  
Е.М. Галанова
Keyword(s):  
Literary Text ◽  
Stylistic Analysis ◽  
Iris Murdoch ◽  
Authorial Intent ◽  
Psychological Fiction ◽  
Speech Interaction ◽  
Popular Novel ◽  
Linguistic Means

В статье рассматривается роль авторского диалога в философско-психологическом романе Айрис Мёрдок «Море, море» (Iris Murdoch “The Sea, the Sea”, 1978) в раскрытии авторского замысла в целом и выявлении аспектов диалогичности художественного текста. На сегодняшний день отсутствуют лингвистические исследования данного популярного романа, который представляет прекрасный образец философско-психологического произведения литературы ХХ века и отражает актуальные тенденции работы с художественным словом, что обусловливает актуальность и научную новизну работы. Авторы статьи на материале романа А. Мёрдок анализируют диалогические маркеры речевого взаимодействия, опираясь на теорию, разработанную в исследовании Т. Ф. Плехановой, посвященную анализу художественного текста как дискурса в его диалогическом измерении, предлагают классификацию диалогических маркеров авторско-читательского взаимодействия, выявляют языковые средства, оформляющие непосредственный диалогический контакт, проводят подробный лингвостилистический анализ наиболее интересных фрагментов речевого взаимодействия, делают выводы об их роли в реализации авторского замысла. The article discusses the role of the authorial dialogue in the philosophical and psychological novel by Iris Murdoch “The Sea, the Sea” in revealing the authorial intent, namely aspects of the dialogic character of a literary text. The popular novel by Iris Murdoch is a perfect specimen of philosophical and psychological fiction of the twentieth century reflecting up-to-date literary trends; however, it has not undergone any thorough linguistic analysis so far. This fact determines the topicality and novelty of the research conducted. The authors investigate dialogical markers of speech interaction based on the theory devoted to the analysis of a literary text as a discourse in its dialogical dimension developed by T. F. Plekhanova. Based on the results of the Plekhanova research, the authors of the article offer a classification of dialogical markers of author-reader interaction; identify linguistic means that form direct dialogical contact, conduct a detailed linguistic and stylistic analysis of the most interesting fragments of speech interaction, make conclusions about their role in the implementation of the authorial intent.

scholarly journals SOCIO-CULTURAL FEATURES OF SPEAKERS’ COMMUNICATIVE BEHAVIOR IN DIFFERENT SOCIAL ROLES AND THEIR TRANSLATION INTO UKRAINIAN

2020 ◽  
Vol 11 (87) ◽  
Author(s):  
Myroslava Lohvynenko ◽  
Keyword(s):  
Social Roles ◽  
Social Role ◽  
Communicative Behavior ◽  
Communication Situations ◽  
The Social ◽  
The Individual ◽  
Cultural Features ◽  
Linguistic Means

The article is a study of the features of the individual’s communicative behavior, when implementing different social roles. By analyzing the concept of the social role and status, author puts forward the classification of the most frequent social roles represented by an individual in formal and informal communication situations (that of a father, lecturer, friend, colleague, employer, employee, consultant). The work is based on the number of studied and investigated dialogical fragments, where one character appears in different social roles and uses various language means. Having considered typical communicative situations, the author also singles out linguistic and extra-linguistic means which mark the changes of speaker’s social roles, namely: elevated, sarcastic, polite, sad, ironic, joyful, neutral, strict, humorous, angry, contemptuous, intrusive, friendly, confident and other tones as well as smile, frown and raised eyebrows, laugh, direct eye contact, pointing finger, pointing the hand etc. At the next stage of the analysis the author reveals the language means that mark the changes of the speaker's social roles as well as outlines the difficulties, connected with their translation into Ukrainian. Translation of the dialogical fragments was studied in order to find out types of rendition of the means that indicate realization of different social roles by the speaker. Non-verbal communication was also researched, aiming to find out correlation between the social role of the speaker and the means, used by the speaker, according to his social role. As a result, the paper presents the analysis of such means of translation as transliteration, transcription, antonymous, descriptive, and contextual tracing, literal types of translation as well as their dependence on the social role of the speaker. So the components of intercourse let communicative behavior of the individual to be comprehensively considered. Thereby, the results of the study, their representation in per cents, as well as examples of the communicative situations and their analysis, are represented in the following article.

scholarly journals The Role of Chapter Titles in Revealing the Authorial Intent in the Novel “The Girl Who Saved the King of Sweden” by Jonas Jonasson

2021 ◽  
pp. 55-62
Author(s):  
Н.Ю. Степанова
Keyword(s):  
Linguistic Analysis ◽  
Overwhelming Majority ◽  
Modern Literature ◽  
The Novel ◽  
Binary Opposition ◽  
Authorial Intent ◽  
Popular Novel ◽  
The Given

В статье рассматривается роль названий глав в юмористическом романе Юнаса Юнассона «Девочка, которая спасла короля Швеции» (Jonas Jonasson “The Girl Who Saved The King of Sweden”, 2014) в раскрытии авторского замысла в целом и создании комического эффекта в частности. На сегодняшний день отсутствуют лингвистические исследования данного популярного романа, который представляет прекрасный образец современного юмористического произведения и отражает актуальные тенденции работы с художественным словом, что обусловливает актуальность и научную новизну работы. Автор статьи на материале романа Ю. Юнассона анализирует структурные и смысловые особенности заголовков, опираясь на теорию, разработанную в своем диссертационном исследовании, посвященном контрасту как средству создания комического эффекта, предлагает классификацию названий глав по структурному и семантическому признаку; доказывает, что подавляющее большинство заглавий построены по принципу бинарной оппозиции, проводит подробный лингвостилистический анализ наиболее интересных, основанных на контрасте заглавий, делает выводы об их роли в реализации авторского замысла. The paper discusses the role of the chapter titles of the humorous novel by Jonas Jonasson “The Girl Who Saved the King of Sweden” in revealing the authorial intent, namely the comic effect. The popular novel by Jonas Jonassson is a perfect specimen of modern humorous fiction reflecting up-to-date literary trends, however, it has not undergone any thorough linguistic analysis so far. This fact determines the topicality and novelty of the research conducted. The paper contains an overview of the functions of titles and a thorough analysis of the structural and semantic peculiarities of the chapter titles in the given novel. It also offers their classification due to several aspects. The research is based on the theory of the mechanism of creating the comic effect in humorous fiction developed by the author in her Ph.D. thesis, focusing on contrast as the key means of creating the comic effect in modern literature. Based on the results of the research, the author of the article concludes that the overwhelming majority of the chapter titles under analysis can be structurally defined as binary opposition clusters. To conclude, chapter titles play an integral part in bringing the author’s intent home to the reader.

scholarly journals Implicit Meanings of the Discourse of Fiction: Linguistic-And-Stylistic Analysis of the Story by I.A. Bunin “The Murderess”

2021 ◽  
pp. 109-119
Author(s):  
Victoria Maryanchik ◽  
Keyword(s):  
Conceptual Analysis ◽  
Golden Section ◽  
Literary Text ◽  
Stylistic Analysis ◽  
Narrative Development ◽  
Stylistic Device

The theme of the work is the mechanisms of implicit meanings verbalization infiction. The aim is to analyze stylistic convergence in the story of I.A. Bunin "The murderess" as an explication of subtext. The main methods are the following: denotative, chronotopic, stylistic, narrative, conceptual analysis. The main results identify stylistic mechanisms that provide an appropriate interpretation of the literary text. It is revealed that the stylistic convergence includes colorative gradation, parcelling, semantic-syntactic verbalization of perceptual concept, semantic-stylistic actualization of the "golden section", conceptual antonymy, semantic sound images. Implicit meanings are identified in the narrative development: stylistic techniques and mechanisms of implicit artistic meanings verbalization are distinguished in each macrosituation. The term "method" traditionally refers to the conscious using of stylistic means by the author; the term "mechanism" is understood as a synergistic process of organizing the text space as a result of interpretative operations. The described techniques and mechanisms add to the repertoire of artistic stylistics. The means of fiction temporality are nominated; the vertical chronotope in macrosituations is modelled. The special feature of Bunin's story composition is "the effect of eversion": it transfers the semantic emphasis from the criminal action to the assessment of this action. The analysis confirms ecphrasticityand visualization of the image of an icon of the phenomenon within the analyzed story. The main oppositions power / people is distinguished in the conceptual field. The role of stylistic device in the synergetic organization of the text is shown. The main conclusion is drawn that the implicitness, ambiguity and "multi-focus" of the author's assessment as a feature of Bunin's idiostyle is realized through the mechanism of stylistic convergence.

scholarly journals A Study of Feminist Stylistic Analysis of Language Issues of Gender Representation in Selected Literary text

2021 ◽  
Vol 0 (43) ◽  
pp. 102-117
Author(s):  
Ali Abdulilah Gheni ◽  
Keyword(s):  
Language Use ◽  
Feminist Criticism ◽  
Literary Text ◽  
Point Of View ◽  
Literary Texts ◽  
Gender Representation ◽  
Stylistic Analysis ◽  
Whole Number ◽  
The World

Stylistics is the analysis of the language of literary texts integrated within various approaches to create a framework of different devices that describe and distinct a particular work. Therefore, feminist stylistics relied on theories of feminist criticism tries to present a counter- image of a woman both in language use and society, to draw attention , raise awareness and change ways that gender represents. Feminist stylistic analysis is related not only to describe sexism in a text, but also to analyze the way that point of view, agency, metaphor, and transitivity choices are unanticipatedly and carefully connected to issues of gender(Mills,1995:1) The study tries to discuss matters of gender representation in stylistic analysis and how questions and messages of gender are deducted and exposed when reading and interpreting a text. Moreover, the concept of transitivity and how meaning is encoded and adopted by different patterns of transitivity will be analyzed and investigated. The study has shown that transitivity patterns are used as a device to analyze gender representation as well as to describe the ideational meaning which involves the experiential realization of the world. The results of the analysis of transitivity choices of the selected romantic scene have shown that the whole number of processes are nineteen, the female does five processes in her role as an actor, whereas male shows fourteen which are the highest number in his performance. The male appears to be the active participant agent who is conscious and in control of his action, whereas the female appears to be passive in her quality, volition and being affected or recipient actor. Also, it is seen that feminist analysis tries to create a new message and picture of woman position; this is depicted by the essential role of the readers' assumption and contextual factors of the text in the process of interpretation.

scholarly journals VOCABULARY OF THE COLLECTION OF NOVELS BY YU. M. MUSHKETIK «GREEN RYE»

2021 ◽  
Vol 1 (193) ◽  
pp. 343-347
Author(s):  
Olena Ilina ◽  
Keyword(s):  
Short Stories ◽  
National Identity ◽  
Literary Text ◽  
Second World War ◽  
World War ◽  
The Times ◽  
Historical Past ◽  
Second World ◽  
Linguistic Means

Ukrainian literature is famous for a lot of creative personalities who are the spiritual and moral leaders of the nation. Their work is designed to awake the highest values, national identity in each person. The article provides information about the vocabulary of a collection of short stories by the outstanding Ukrainian master of words Yu. M. Mushketyk. It is emphasized that the author uses the expression of colloquial vocabulary, as well as outdated vocabulary, introduces dialectisms and professionalisms into the text, mostly in order to create the appropriate color, give the character or terrain relief. Thematic groups of archaisms, historicisms, dialectisms are singled out, the artistic role of individual author's innovations is clarified. The master of the word appeals in works to the time of Antiquity, writes about the times of Kievan Rus, describes Koliivshchyna, the Second World War, and he also writes about the present. Yu. M. Mushketyk can be considered as an artist of philosophical depth. The main topics to which the author appeals are the connection of the historical past with the present, war, the problem of choice, the formation of national identity, the unity of Ukrainian lands, the formation of a harmonious personality, and so on. The author does not hide his position, his likes or dislikes. The writer’s opinion is expressed either directly or it follows from the very concept of the literary text. The main linguistic means used by the writer include the use of outdated vocabulary (historicisms and archaisms), the introduction into the text of individual authorial phraseology.

Raiders Activity on the Market for Corporate Control as a Product of Coercive Entrepreneurship Evolution

2007 ◽  
pp. 80-92
Author(s):  
A. Kireev
Keyword(s):  
Corporate Control ◽  
Role Of Government ◽  
Market For Corporate Control ◽  
Basic Characteristics

The paper studies the problem of raiders activity on the market for corporate control. This activity is considered as a product of coercive entrepreneurship evolution. Their similarities and sharp distinctions are shown. The article presents the classification of raiders activity, discribes its basic characteristics and tendencies, defines the role of government in the process of its transformation.

ASPECTS IN BUILDING A COMPANY WEB-SITE AND ITS ROLE FOR THE DEVELOPMENT OF BUSINESS

2018 ◽  
pp. 117-124
Author(s):  
Petar Halachev ◽  
Victoria Radeva ◽  
Albena Nikiforova ◽  
Miglena Veneva
Keyword(s):  
Life Cycle ◽  
Web Site ◽  
The Internet ◽  
A Company ◽  
The Web ◽  
Design Construction ◽  
Made In ◽  
Site Types

This report is dedicated to the role of the web site as an important tool for presenting business on the Internet. Classification of site types has been made in terms of their application in the business and the types of structures in their construction. The Models of the Life Cycle for designing business websites are analyzed and are outlined their strengths and weaknesses. The stages in the design, construction, commissioning, and maintenance of a business website are distinguished and the activities and requirements of each stage are specified.

The Potential of the Russian Language Textbook in the Formation of Primary Schoolchildren’s Communicative Literacy

2018 ◽  
Vol 79 (8) ◽  
pp. 35-40
Author(s):  
M. I. Kuznetsova
Keyword(s):  
Primary School ◽  
Russian Language ◽  
Primary School Children ◽  
Written Text ◽  
Russian Literary ◽  
The Given ◽  
The Russian Language ◽  
Speech Situation ◽  
Linguistic Means

One of the goals of the Russian language course in the primary school is the formation of the communicative literacy. The content of the course should be aimed at understanding the wealth of linguistic means by primary school children; the formation of the ability to detect a violation of linguistic norms and the inadequacy of the linguistic means used in the speech situation; the accumulation of the experience in choosing of linguistic means in accordance with the peculiarities of the speech situation; the creation of oral and written texts that meet the criteria of content, connectivity, compliance with the norms of the Russian literary language. The article considers the classification of exercises that contribute to the formation of communicative literacy. The author gives the examples of exercises where the student acts in different roles: the student is an observer of the speech situation and analyzes the adequacy of the choice of linguistic means; the student is a direct participant in the given speech situation and makes a choice of language facilities; the student is offered to create the speech situation himself, to independently construct an oral and written text.

«The Forties, Fateful…» in David Samoylov’s Poetry: a Lingvo-stylistic Analysis of Three Poems about War (To the 100th Anniversary of the Birth)

2020 ◽  
Vol 81 (3) ◽  
pp. 63-69
Author(s):  
E. A. Frolova
Keyword(s):  
Comparative Analysis ◽  
20Th Century ◽  
100Th Anniversary ◽  
Stylistic Analysis ◽  
Creative Work ◽  
Creative Activity ◽  
War Poetry ◽  
Artistic Manner ◽  
Different Levels ◽  
Linguistic Means

The article presents an analysis of three poems about war («The Tale of Our Lady and Russian Soldiers» («Slovo o Bogoroditse i Russkih Soldatah»), «The Attack» («Ataka»), «The Forties» («Sorokovye»)) written by D. Samoylov in different periods of his creative activity. On the basis of the existing research of the creative work of the famous poet of the 20th century, a multilevel characteristic of his war lyrics is given. The aim of the article is to characterize the specific features of the poetic language of such an original author by means of a lingvo-stylistic analysis of D. Samoilov’s poems, to reveal the richness and diversity of his artistic manner. The following research methods were used: analytical reading, comparative analysis, ontological method, a multilevel analysis of poetry. The author accentuates reminiscences in D. Samoilov’s war poetry, the contrast and contrast means, repetition as an artistic device, paronomasia in the stylistic mixture of linguistic means belonging to different levels. A multidimensional poet’s approach to the theme of the war is the conclusion of the article.

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