The Red Gown: Reflections on the Visual History of Menstruation in Scotland

Over the last decades, menstruation has become more present in public discourse in Scotland.While scholars are increasingly documenting this change, little attention has been paid to therole of menstrual art made in Scotland. In this article, we explore the historic contexts ofmenstrual art in the town of St Andrews and in Scotland during the late twentieth and earlytwenty-first century, and ask what this reveals about menstrual absence and presence in publicdebates. We do this in collaboration with artist Bee Hughes, whose practice focuses on thevisible and invisible aspects of menstruation, and who was artist in residence at St Andrews in2020. Due to a university strike and a pandemic, our collaboration changed and subsequentlyfocused more on the histories of menstrual art. We thus assess symbols and collections ofmenstrual visual culture in Scotland, including the use of the ceremonial red gown at theUniversity of St Andrews, and menstrual art collections at Glasgow Women’s Library and StAndrews Special Collections. Together, we reflect on how their histories might be both present(institutionalised) and absent (when not on display). This paper presents the first stage of ourfindings, in which the artist reflects on their first visit to St Andrews prior to a university strikeand the Covid-19 pandemic, and the historic materials we located together.@font-face{font-family:"Cambria Math";panose-1:2 4 5 3 5 4 6 3 2 4;mso-font-charset:0;mso-generic-font-family:roman;mso-font-pitch:variable;mso-font-signature:-536870145 1107305727 0 0 415 0;}@font-face{font-family:Times;panose-1:0 0 0 0 0 0 0 0 0 0;mso-font-alt:﷽﷽﷽﷽﷽﷽﷽﷽man;mso-font-charset:0;mso-generic-font-family:auto;mso-font-pitch:variable;mso-font-signature:-536870145 1342185562 0 0 415 0;}p.MsoNormal, li.MsoNormal, 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Augmented Reality: Focusing on Photonics in Industry 4.0

Industry 4.0 (or 4^th industrial revolution) facilitates horizontal and vertical digital information flow along value chains up to the end-customer and is highly relevant in a broad variety of industries. Augmented reality (AR) is a key technology in Industry 4.0, which connects the virtual and real-world environments using such digital information flows. In doing so, the technology relies upon the systems that includes hardware and software components. Particularly, optics and photonics are of much importance in the display and processing of information in these systems. However, a particular challenge is that the AR-based systems have not been adopted in the industry as much as other technologies even after several decades of their existence. Based on review of academic literature, an industrial survey and experiments conducted in the industry, this article aims to identify success factors and challenges of AR systems and metrics of photonic components that can form the basis of an AR* framework for photonics-based system design for future research. @font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:roman; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin:0cm; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman",serif; mso-fareast-font-family:"Times New Roman"; mso-ansi-language:EN-US; mso-fareast-language:EN-US;}.MsoChpDefault {mso-style-type:export-only; mso-default-props:yes; font-size:10.0pt; mso-ansi-font-size:10.0pt; mso-bidi-font-size:10.0pt; mso-ansi-language:EN-US; mso-fareast-language:EN-US;}div.WordSection1 {page:WordSection1;}

Augmented Reality: Focusing on Photonics in Industry 4.0

Industry 4.0 (or 4^th industrial revolution) facilitates horizontal and vertical digital information flow along value chains up to the end-customer and is highly relevant in a broad variety of industries. Augmented reality (AR) is a key technology in Industry 4.0, which connects the virtual and real-world environments using such digital information flows. In doing so, the technology relies upon the systems that includes hardware and software components. Particularly, optics and photonics are of much importance in the display and processing of information in these systems. However, a particular challenge is that the AR-based systems have not been adopted in the industry as much as other technologies even after several decades of their existence. Based on review of academic literature, an industrial survey and experiments conducted in the industry, this article aims to identify success factors and challenges of AR systems and metrics of photonic components that can form the basis of an AR* framework for photonics-based system design for future research. @font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:roman; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin:0cm; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman",serif; mso-fareast-font-family:"Times New Roman"; mso-ansi-language:EN-US; mso-fareast-language:EN-US;}.MsoChpDefault {mso-style-type:export-only; mso-default-props:yes; font-size:10.0pt; mso-ansi-font-size:10.0pt; mso-bidi-font-size:10.0pt; mso-ansi-language:EN-US; mso-fareast-language:EN-US;}div.WordSection1 {page:WordSection1;}

I AM (VR) : Wu-wei (無為), Tenuous Self (虛我) and the Liminal Body in Virtual Reality

無為),effortless action, is one of the crucial tacit knowledge from pre-Qin Chinesethinkers. Edward Slingerland articulates in Effortless action: wu-wei asconceptual metaphor and spiritual ideal in early China, “wu-wei, in the absence ofdoing exertion, literally means ‘in the absence of/without doing exertion,’ Itis important to realise, however, that wu-wei properly refers not to what isactually happening (or not happening) in the realm of observable action butrather to the state of mind of the actor. That is, it refers not to what is oris not being done but to the phenomenological state of the doer.” (Slingerland2003: 7)Seeminglyeffortless, wu-wei can be understood as a dynamic, un-self-conscious state ofmind of an agency that is optimally active and effective. This effortless flowaccurately resonates with what I have experienced throughout my journey in IAM (VR), created by Susanne Kennedy, Markus Selg, Rodrik Biersteker andRichard Janssen in 2021. During this experience, the vivid bewilderment of‘being here but not here’ reflects an uncanny sublimation of the body incyberspace. As my vision travels deeply inside, my physical body, “in theabsence of doing exertion”, remains situated in an enclosed cubic space in thegallery where the journey takes place. Such attentiveness of consciousnesstraveling through the virtual reality within the stillness of one’s body evokesa pertinent embodiment of Wu-Wei. Positioned itself in the stance ofcritical posthumanism, this essay asks how do we consider the physical form of the human body,assembled in reality-reality within the immersive sharing and exchangingprocess of virtual-reality? What kind of transformation that the human bodymight experience when it immerses into that otherworldly reality? I Am (VR),as an embodied performative happening of both artistic research andpractice of virtual reality, provides insightful perspective in searching forpossible answers. Taking this analysis as a departure point, this essay furtherinvestigates the possible entanglements between the ‘I’ and the ‘VirtualReality. @font-face{font-family:"Cambria Math";panose-1:2 4 5 3 5 4 6 3 2 4;mso-font-charset:0;mso-generic-font-family:roman;mso-font-pitch:variable;mso-font-signature:-536870145 1107305727 0 0 415 0;}@font-face{font-family:"Arial Unicode MS";panose-1:2 11 6 4 2 2 2 2 2 4;mso-font-charset:128;mso-generic-font-family:swiss;mso-font-pitch:variable;mso-font-signature:-134238209 -371195905 63 0 4129279 0;}@font-face{font-family:"\@Arial Unicode MS";panose-1:2 11 6 4 2 2 2 2 2 4;mso-font-charset:128;mso-generic-font-family:swiss;mso-font-pitch:variable;mso-font-signature:-134238209 -371195905 63 0 4129279 0;}@font-face{font-family:STSongti-TC-Regular;panose-1:2 1 6 0 4 1 1 1 1 1;mso-font-charset:136;mso-generic-font-family:auto;mso-font-pitch:variable;mso-font-signature:647 135200768 16 0 1310879 0;}@font-face{font-family:"\@STSongti-TC-Regular";mso-font-charset:136;mso-generic-font-family:auto;mso-font-pitch:variable;mso-font-signature:647 135200768 16 0 1310879 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal{mso-style-unhide:no;mso-style-qformat:yes;mso-style-parent:"";margin:0cm;mso-pagination:widow-orphan;font-size:12.0pt;font-family:"Times New Roman",serif;mso-fareast-font-family:"Arial Unicode MS";border:none;mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA;}p{mso-style-priority:99;mso-margin-top-alt:auto;margin-right:0cm;mso-margin-bottom-alt:auto;margin-left:0cm;mso-pagination:widow-orphan;font-size:12.0pt;font-family:"Times New Roman",serif;mso-fareast-font-family:"Times New Roman";}.MsoChpDefault{mso-style-type:export-only;mso-default-props:yes;font-size:10.0pt;mso-ansi-font-size:10.0pt;mso-bidi-font-size:10.0pt;mso-fareast-font-family:"Arial Unicode MS";border:none;}.MsoPapDefault{mso-style-type:export-only;}div.WordSection1{page:WordSection1;}@font-face{font-family:"Cambria Math";panose-1:2 4 5 3 5 4 6 3 2 4;mso-font-charset:0;mso-generic-font-family:roman;mso-font-pitch:variable;mso-font-signature:-536870145 1107305727 0 0 415 0;}@font-face{font-family:"Arial Unicode MS";panose-1:2 11 6 4 2 2 2 2 2 4;mso-font-charset:128;mso-generic-font-family:swiss;mso-font-pitch:variable;mso-font-signature:-134238209 -371195905 63 0 4129279 0;}@font-face{font-family:"Helvetica Neue";panose-1:2 0 5 3 0 0 0 2 0 4;mso-font-charset:0;mso-generic-font-family:auto;mso-font-pitch:variable;mso-font-signature:-452984065 1342208475 16 0 1 0;}@font-face{font-family:"\@Arial Unicode MS";panose-1:2 11 6 4 2 2 2 2 2 4;mso-font-charset:128;mso-generic-font-family:swiss;mso-font-pitch:variable;mso-font-signature:-134238209 -371195905 63 0 4129279 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal{mso-style-unhide:no;mso-style-qformat:yes;mso-style-parent:"";margin:0cm;mso-pagination:widow-orphan;font-size:12.0pt;font-family:"Times New Roman",serif;mso-fareast-font-family:"Arial Unicode MS";border:none;mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA;}p.Default, li.Default, div.Default{mso-style-name:Default;mso-style-unhide:no;mso-style-parent:"";margin-top:8.0pt;margin-right:0cm;margin-bottom:0cm;margin-left:0cm;line-height:120%;mso-pagination:widow-orphan;font-size:12.0pt;font-family:"Helvetica Neue";mso-fareast-font-family:"Helvetica Neue";mso-bidi-font-family:"Helvetica Neue";color:black;border:none;mso-style-textoutline-type:none;mso-style-textoutline-outlinestyle-dpiwidth:0pt;mso-style-textoutline-outlinestyle-linecap:flat;mso-style-textoutline-outlinestyle-join:bevel;mso-style-textoutline-outlinestyle-pctmiterlimit:0%;mso-style-textoutline-outlinestyle-dash:solid;mso-style-textoutline-outlinestyle-align:center;mso-style-textoutline-outlinestyle-compound:simple;}.MsoChpDefault{mso-style-type:export-only;mso-default-props:yes;font-size:10.0pt;mso-ansi-font-size:10.0pt;mso-bidi-font-size:10.0pt;mso-fareast-font-family:"Arial Unicode MS";border:none;}.MsoPapDefault{mso-style-type:export-only;}div.WordSection1{page:WordSection1;}

Isolation and Identification of taxonomically diverse bacterial endophytes from citrus in Punjab Pakistan

<pre style="margin: 0in 0in 0.0001pt; font-size: 10pt; font-family: "Courier New"; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); text-align: justify; line-height: 26.666664123535156px;"> <span style="font-size: 12pt; line-height: 32px; font-family: "Times New Roman", serif;">Citrus is an economically important fruit crop grown in all provinces of Pakistan, while Punjab accounting for 95 percent of total production due to its favorable climate for citrus production. Commercially grown varieties in Pakistan include sweet oranges, grapefruits, Mandarine, Lime, and lemon. The goal of this research was to see how diverse the cultivable bacterial populations are found in citrus cultivars. Out of 90 isolated cultures, 37 endophytic bacterial species and 15 </span><span style="font-size: 12pt; line-height: 32px; font-family: "Times New Roman", serif;">different genera of bacteria were characterized</span><span style="font-size: 12pt; line-height: 32px; font-family: "Times New Roman", serif;"> based on morphological, biochemical, and molecular methods from citrus leaves. All the isolated bacteria were subjected to PCR amplification through 16S rDNA followed by sequencing. </span><span style="font-size: 12pt; line-height: 32px; font-family: "Times New Roman", serif;">RDP base classification revealed that class Bacilli has the largest percentage of isolates, whereas class Alpha, Beta, and Gamma Proteobacteria have the lowest percentage among all genotypes used. According to the findings, the phylum Firmicutes contains a common genus (Brevibacterium, 1%; Enterococcus, 6%; Staphylococcus, 7% and Bacillus, 60%). Alpha (Rhizobium) beta (Burkholderia cepacia; Comamonas terigena) gamma Proteobacteria (Enterobacter hermachei (1%), Klebsiella pneumoniae (1%), Proteus mirabilis (8%), Pseudomonas aeruginosa (5%), Psychrobacter pulmonis and Yersinia molalretti (1%) respectively. </span><span style="font-size: 12pt; line-height: 32px; font-family: "Times New Roman", serif;">These results revealed that cultivars of the plants might contribute to the structure and endophytic bacterial communities associated with citrus. Endophytes extracted from leaf samples of different citrus cultivars in Pakistan are reported for the first time. The idea of employing endophytes bacteria to produce enzymes stimulate plant growth, and its purpose as a biological control agent will be investigated in the future.</span><span style="font-size: 12pt; line-height: 32px; font-family: "Times New Roman", serif;"><o:p></o:p></span></pre>

Fast priming of grammatical decisions: repetition and transposed-word priming effects

We used the grammatical decision task to investigate fast priming of written sentence processing. Targets were sequences of 5 words that either formed a grammatically correct sentence or were ungrammatical. Primes were sequences of 5 words and could be the same word sequence as targets, a different sequence of words with a similar syntactic structure, the same sequence with two inner words transposed or the same sequence with two inner words substituted by different words. Prime-word sequences were presented in a larger font size than targets for 200 ms and followed by the target sequence after a 100 ms delay. We found robust repetition priming in grammatical decisions, with same sequence primes leading to faster responses compared with prime sequences containing different words. We also found transposed-word priming effects, with faster responses following a transposed-word prime compared with substituted-word primes. We conclude that fast primed grammatical decisions might offer investigations of written sentence processing what fast primed lexical decisions have offered studies of visual word recognition.

You Just Need More Resilience: Racial Gaslighting as “Othering”

This work de-familiarizes notions of resilience by theorizing the way racial gaslighting operates in teacher education. By focusing on the racial gaslighting of&nbsp; BIPOC faculty, this paper shows how whiteness functions as a dominant process in anti-racist teacher education programs through the recentering of White feelings and interests. Ultimately this work calls for a&nbsp; new approach, one that situates resilience within a non-Euro-centered context of resistance to oppression. This could provide a catalyst for a more humane resilience.@font-face{font-family:"Cambria Math";panose-1:2 4 5 3 5 4 6 3 2 4;mso-font-charset:0;mso-generic-font-family:roman;mso-font-pitch:variable;mso-font-signature:-536870145 1107305727 0 0 415 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal{mso-style-unhide:no;mso-style-qformat:yes;mso-style-parent:"";margin:0in;mso-pagination:widow-orphan;font-size:12.0pt;font-family:"Times New Roman",serif;mso-fareast-font-family:"Times New Roman";}.MsoChpDefault{mso-style-type:export-only;mso-default-props:yes;font-family:"Calibri",sans-serif;mso-ascii-font-family:Calibri;mso-ascii-theme-font:minor-latin;mso-fareast-font-family:Calibri;mso-fareast-theme-font:minor-latin;mso-hansi-font-family:Calibri;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;}div.WordSection1{page:WordSection1;}

WHO’S AFRAID OF MATHEMATICAL DIAGRAMS?

Mathematical diagrams are frequently used in contemporary mathematics. They are, however, widely seen as not contributing to the justificatory force of proofs: they are considered to be either mere illustrations or shorthand for non-diagrammatic expressions.&nbsp;&nbsp; Moreover, when they are used inferentially, they are seen as threatening the reliability of proofs.&nbsp; In this paper, I examine certain examples of diagrams that resist this type of dismissive characterization. By presenting two diagrammatic proofs, one from topology and one from algebra, I show that diagrams form genuine notational systems, and I argue that this explains why they can play a role in the inferential structure of proofs without undermining their reliability.&nbsp; I then consider whether diagrams can be essential to the proofs in which they appear.@font-face{font-family:"Cambria Math";panose-1:2 4 5 3 5 4 6 3 2 4;mso-font-charset:0;mso-generic-font-family:roman;mso-font-pitch:variable;mso-font-signature:-536870145 1107305727 0 0 415 0;}@font-face{font-family:Calibri;panose-1:2 15 5 2 2 2 4 3 2 4;mso-font-charset:0;mso-generic-font-family:swiss;mso-font-pitch:variable;mso-font-signature:-536859905 -1073697537 9 0 511 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal{mso-style-unhide:no;mso-style-qformat:yes;mso-style-parent:"";margin:0in;line-height:200%;mso-pagination:widow-orphan;font-size:12.0pt;font-family:"Calibri",sans-serif;mso-fareast-font-family:Calibri;}.MsoChpDefault{mso-style-type:export-only;mso-default-props:yes;font-family:"Calibri",sans-serif;mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;mso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri;}.MsoPapDefault{mso-style-type:export-only;line-height:200%;}div.WordSection1{page:WordSection1;}

Verteidigbares Leben, betrauerbares Leben Neue Ansätze zur Vulnerabilität bei Elsa Dorlin und Judith Butler

This essay reviews (the Germantranslations of) Elsa Dorlin's book Se defendre: Une philosophie de laviolence (2017) and Judith Butler's volume The Force of Nonviolence: AnEthico-Political Bind (2020). While Butler envisages a new understanding ofnonviolence, Dorlin emphasizes subaltern practices of counterviolence. Thereview shows that despite the different aims of Butler and Dorlin, theiraccounts can be read as largely complementary reflections on the problem ofpolitical vulnerability.@font-face{font-family:"Cambria Math";panose-1:2 4 5 3 5 4 6 3 2 4;mso-font-charset:0;mso-generic-font-family:roman;mso-font-pitch:variable;mso-font-signature:3 0 0 0 1 0;}@font-face{font-family:Calibri;panose-1:2 15 5 2 2 2 4 3 2 4;mso-font-charset:0;mso-generic-font-family:swiss;mso-font-pitch:variable;mso-font-signature:-536859905 -1073732485 9 0 511 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal{mso-style-unhide:no;mso-style-qformat:yes;mso-style-parent:"";margin:0cm;mso-pagination:widow-orphan;font-size:12.0pt;font-family:"Calibri",sans-serif;mso-ascii-font-family:Calibri;mso-ascii-theme-font:minor-latin;mso-fareast-font-family:Calibri;mso-fareast-theme-font:minor-latin;mso-hansi-font-family:Calibri;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;mso-fareast-language:EN-US;}.MsoChpDefault{mso-style-type:export-only;mso-default-props:yes;font-family:"Calibri",sans-serif;mso-ascii-font-family:Calibri;mso-ascii-theme-font:minor-latin;mso-fareast-font-family:Calibri;mso-fareast-theme-font:minor-latin;mso-hansi-font-family:Calibri;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;mso-fareast-language:EN-US;}div.WordSection1{page:WordSection1;}

SÍNDROME DE BURNOUT EM ESTUDANTES DE MEDICINA

Page Header OPEN JOURNAL SYSTEMS Journal Help USER Username catapan-anderson Password •••••••• Remember me NOTIFICATIONS View Subscribe LANGUAGE Select Language English JOURNAL CONTENT Search Search Scope All Browse By Issue By Author By Title Other Journals FONT SIZE HOME ABOUT LOGIN REGISTER SEARCH CURRENT ARCHIVES ANNOUNCEMENTS EBOOK PUBLISHER ON LINE CONGRESS Home > Vol 7, No 5 (2021) > Lima SÍNDROME DE BURNOUT EM ESTUDANTES DE MEDICINA / BURNOUT SYNDROME IN MEDICAL STUDENT Juliana Coelho Lima, Davi da Silva Motta, Isadora Garcia F. P. de Andrade, Albert Ferrari Tavares, Raquel Juliana de Oliveira Soares ABSTRACT A Síndrome de Burnout (SB) é um tipo de resposta prolongada a estresses emocionais e interpessoais crônicos no trabalho, levando o trabalhador a um esgotamento físico e mental. Embora tenha uma relação direta com o trabalhador, atualmente a SB também é diagnosticada em estudantes. Ela atinge principalmente os profissionais e estudantes que trabalham diretamente com outras pessoas, destacando, assim, os estudantes de medicina, já que eles estão intimamente ligados a outros em uma relação que permeia os âmbitos afetivos e emocionais. Objetivo: Analisar a prevalência da Síndrome de Burnout em estudantes de medicina de uma Universidade Privada na Cidade do Rio de Janeiro. O estudo foi do tipo exploratório, descritivo, de corte transversal, realizado em uma Universidade Privada situada na Cidade do Rio de Janeiro/RJ. Os participantes do estudo foram estudantes do curso de graduação em medicina. Para a coleta de dados utilizou-se um questionário com perguntas para caracterização dos participantes e o MBI-SS “Maslach Burnout Inventory – Student Survey.” Resultados: participaram do estudo 133 estudantes com idade média de 24 anos, 70% do sexo feminino e 93% solteiro, no qual 39 cursam o ciclo básico (29,4%), 75 o ciclo clínico (56,5%) e 18 estavam no internato (13,5%), sendo que 1 (0,8%) pessoa não respondeu esse quesito. Ao serem questionados pela quantidade de disciplinas que cursavam no semestre, 18 alunos (13,6%) cursavam de 1 a 3 disciplinas, 95 (71,4%) 4 a 6 disciplinas e 17 (12,8%) cursavam mais de 7 disciplinas. 3 (2,3%) participantes não responderam. Na avaliação dos resultados do Inventário de Burnout de Maslach para estudantes, verificamos que na categoria EE 19 alunos (14,29%) se encontravam em nível baixo a médio e 114 (85,71%) se encontravam no nível médio a alto. Já na categoria D, 97 (72,93%) estavam no nível baixo-médio e 36 (27,07%) no médio-alto. Por fim, na categoria EP 13 alunos (9,77) ficaram no nível baixo-médio, enquanto que 120 (90,23%) no nível médio alto. Conclusão: Considerando que a Síndrome de Burnout manifesta-se quando o estudante obtiver altas pontuações em exaustão emocional e descrença, associadas a baixas pontuações em eficácia profissional, conclui-se que neste estudo possuímos 8 alunos com dados compatíveis com a síndrome.