landscape heritage
Recently Published Documents


TOTAL DOCUMENTS

147
(FIVE YEARS 69)

H-INDEX

6
(FIVE YEARS 2)

2022 ◽  
Vol 2022 ◽  
pp. 1-11
Author(s):  
Xin Wang

To continue to protect and inherit the cultural landscape heritage of traditional villages, starting from the perspective of artificial intelligence (AI), literature review methods are used, and related theories are collected. Then, Wuyuan County in Jiangxi Province in the traditional villages is taken as the research object. By analyzing the tourism income of this place from 2016 to 2020, the overall income of this county is relatively good. In fact, due to the weak protection of traditional villages in Wuyuan County, the lack of supervision awareness, the implementation of the “immigrant and relocation” policy, and the backward thinking of residents, the cultural landscape of traditional villages has collapsed and destroyed. Up to now, there are 113 ancient ancestral temples, 28 ancient mansion houses, 36 ancient private houses, 187 ancient bridges, and only 12 ancient villages. Finally, AI technology is applied to the cultural landscape of traditional villages. Through image restoration technology, traditional villages can be restored to a certain extent. Intelligent positioning and radio frequency (RF) technology can also realize real-time monitoring of traditional villages from the perspective of weather and service life to achieve the purpose of protecting cultural landscape heritage. Therefore, AI technology is applied in the protection and inheritance of traditional village cultural landscape heritage, which has great reference significance for the management of various historical and cultural heritage.


Specifics ◽  
2021 ◽  
pp. 302-304
Author(s):  
Ana Luisa Soares ◽  
Sónia Talhé Azambuja ◽  
Isabel Silva ◽  
Elsa Isidro ◽  
Pedro Arsénio
Keyword(s):  

Diversity ◽  
2021 ◽  
Vol 14 (1) ◽  
pp. 25
Author(s):  
Gerardo A. Hernández ◽  
Fernando A. Rosete ◽  
Lidia Salas ◽  
Luis F. Alvarado ◽  
Juan Martinez ◽  
...  

A supporting study was developed to identify the priority elements for conservation in the region called “Sierra de San Miguelito” (SSM), in the San Luis Potosi State (SLP), Mexico, with the purpose of establishing a federal protected natural area (PNA). The methodological approach used was the integral-spatial analysis applied in territorial planning processes. The study showed that the forests, xerophilous scrubland, and natural grasslands of the SSM present a high biodiversity, an abundance of endemism (27% of species are endemic to the country, n = 285), and protected species (5% of reported species). In addition, 32.74% of vertebrates and 18.32% of flora reported for SLP status is present in SSM, with an area that represents only 1.79% of the state territory. As a result of the study, an area of 109,638.95 ha was proposed to be declared a federally PNA. The area provides environmental services that favor the San Luis Potosí city (SLPc) and the surrounding population; therefore, its conservation will promote the preservation of natural, cultural, and landscape heritage, being a transversal axis for sustainable development in its area of influence. The result was the basis for starting the negotiation process, developed in 2021, for the creation of the PNA.


2021 ◽  
Author(s):  
Jiami Zhou ◽  
Wenhui Wang ◽  
Jianqin Zhou ◽  
Zhuting Zhang ◽  
Zixian Lu ◽  
...  

Abstract World cultural landscape heritage (WCLH), recognized as combinations of cultural relic and natural landscape with outstanding significance and universal value, is unique in terms of differing from the human deliberate creativity of general cultural heritage and the "de-artificialization" of natural heritage. So far, the management of WCLH has become increasingly standardized. However, with the prevalence of heritage resources development activities like heritage tourism, the phenomenon of "urbanization", "commercialization", "artificialization" and other issues have gradually emerged in WCLH sites. Such that, the management issues of WCLH have turned increasingly serious, leading to intense concerns about unsustainable development of WCLH. Drawing inspirations from management effectiveness (ME) evaluation research of protected areas and acknowledging the uniqueness of WCLH, this study constructs a WCLH ME evaluation system of four general criteria (management foundation, management system, management measures and management performance), sixteen factors and thirty-four indicators. The evaluation system is applied and verified through an empirical study of five existing WCLH sites of China. The empirical results show that the ME of Chinese WCLH is at "good" level. Specifically, the management of Chinese WCLH is overall impressive in indicators of management planning making, heritage protection performance and economic performance, but shows deficiency in indicators of protection fee, management infrastructure, management assessment, management institution, social performance, etc. In the final, this study discusses the management issues of respective heritage sites so as to provide suggestions and inspirations for the development, protection and management of the sites and other cultural landscapes in China and even the world.


2021 ◽  
Author(s):  
Sabina Lenoci

This paper describes the strategy for the enhancement of the archaeological and landscape heritage of Canosa di Puglia. The strategy consists in a cluster of projects and actions, which embrace three main work plans. The first one concerns the geographical area extending from the low valley of the Ofanto river to the slopes of the Murgia plateau. The second one lies on existing practices of common heritage care which many associations and groups of citizens already perform, in order to collect an important piece of the already existing cultural and ecological regeneration process. The third one includes the plan for the enhancement of the important historical-archaeological heritage spread in the inhabited city and its territory – in some cases in a state of decay and abandonment – and the process of the social re-appropriation promoted by three funded urban projects, which aim at organizing a new collective system of green spaces entrusted to sustainable usability.


Author(s):  
Sang Putu Kaler Surata ◽  
Dewa Ayu Puspawati ◽  
Putu Eka Pasmidi Ariati ◽  
I. Gusti Agung Paramitha Eka Putri

2021 ◽  
Author(s):  
◽  
Jonathan Morrish

<p><b>The landscape concealed beneath the concrete surfaces of our cities is replete with heritage stories representing the transformative evolution of the land, our culture and our ever-evolving society. The architecture upon these urban landscapes, however, is often only challenged to represent an architectural style (aesthetic), function (programme) or a public mask (branding) of the building. As a result, architecture tends to neglect the evolving identity of its context, allowing the stories of the site’s heritage to become lost beneath the growing layers of urban development. This thesis asks:How can urban architecture help to reawaken the transformative heritage stories that form place identity, enabling architecture as well as its inhabitants to have a place to stand | tūrangawaewae?</b></p> <p>Place identity for Māori is embodied in the concept of tūrangawaewae––a place to stand. For Māori, the place where a person learns important life lessons and feels a connection with their ancestors is usually the marae. In this place they have earned the right to stand up and make their voices heard. In this place they are empowered and connected to both the land and to one another. Tūrangawaewae––a place to stand––embodies the fundamental concept of our connection to place (“Papatūānuku – the land”). The research site selected to explore this question is the urban area in and around Te Aro Park in central Wellington, which was once the site of Te Aro Pā. This site provides the thesis with a rich polyvalent layering of stories, interweaving landscape heritage, Māori heritage and colonial heritage within a single architectural context. This thesis is framed as an ‘allegorical architectural project’, which is defined by Penelope Haralambidou as a critical method for architectural design research that is often characterised by speculative architectural drawing. The allegorical architectural project integrates design and text to critically reflect on architecture in relation to topics such as art, science and politics (Haralambidou, “The Fall”, 225).</p> <p>The design-led research investigation explores how an allegorical architectural project can help to enable urban architecture to reawaken the transformative heritage stories that form place identity—utilising speculative architectural drawing as a fundamental tool for enabling architecture as well as its inhabitants to manifest a sense of belonging. The thesis proposes an allegorical architectural project as a research vehicle through which place identity can be challenged and fulfilled. By positioning an architectural intervention and its context within a dialectic confrontation, it examines how an allegorical architectural project can represent and communicate the temporal and multi-layered nature of place identity within a static architectural outcome.</p> <p>By reconnecting architecture with site, and interpreting this connection allegorically within the design process, this thesis investigates how architecture can allegorically become the living inhabitant of a site, where the site itself gives architecture its tūrangawaewae, a place to stand.</p>


2021 ◽  
Author(s):  
◽  
Jonathan Morrish

<p><b>The landscape concealed beneath the concrete surfaces of our cities is replete with heritage stories representing the transformative evolution of the land, our culture and our ever-evolving society. The architecture upon these urban landscapes, however, is often only challenged to represent an architectural style (aesthetic), function (programme) or a public mask (branding) of the building. As a result, architecture tends to neglect the evolving identity of its context, allowing the stories of the site’s heritage to become lost beneath the growing layers of urban development. This thesis asks:How can urban architecture help to reawaken the transformative heritage stories that form place identity, enabling architecture as well as its inhabitants to have a place to stand | tūrangawaewae?</b></p> <p>Place identity for Māori is embodied in the concept of tūrangawaewae––a place to stand. For Māori, the place where a person learns important life lessons and feels a connection with their ancestors is usually the marae. In this place they have earned the right to stand up and make their voices heard. In this place they are empowered and connected to both the land and to one another. Tūrangawaewae––a place to stand––embodies the fundamental concept of our connection to place (“Papatūānuku – the land”). The research site selected to explore this question is the urban area in and around Te Aro Park in central Wellington, which was once the site of Te Aro Pā. This site provides the thesis with a rich polyvalent layering of stories, interweaving landscape heritage, Māori heritage and colonial heritage within a single architectural context. This thesis is framed as an ‘allegorical architectural project’, which is defined by Penelope Haralambidou as a critical method for architectural design research that is often characterised by speculative architectural drawing. The allegorical architectural project integrates design and text to critically reflect on architecture in relation to topics such as art, science and politics (Haralambidou, “The Fall”, 225).</p> <p>The design-led research investigation explores how an allegorical architectural project can help to enable urban architecture to reawaken the transformative heritage stories that form place identity—utilising speculative architectural drawing as a fundamental tool for enabling architecture as well as its inhabitants to manifest a sense of belonging. The thesis proposes an allegorical architectural project as a research vehicle through which place identity can be challenged and fulfilled. By positioning an architectural intervention and its context within a dialectic confrontation, it examines how an allegorical architectural project can represent and communicate the temporal and multi-layered nature of place identity within a static architectural outcome.</p> <p>By reconnecting architecture with site, and interpreting this connection allegorically within the design process, this thesis investigates how architecture can allegorically become the living inhabitant of a site, where the site itself gives architecture its tūrangawaewae, a place to stand.</p>


2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Isabel Vaz de Freitas ◽  
Cristina Sousa ◽  
Makhabbat Ramazanova ◽  
Helena Albuquerque

Purpose This paper aims to monitor the urban landscape through the perceptions of residents and visitors, identifying features that cause visual impacts and providing insights for landscape management decision-makers. Captured impressions about the city whilst moving around are important to assess the satisfaction of city residents and city visitors through key elements, such as directional signage, outdoor advertising, restaurants’ outdoor terrace furniture, urban furniture, green spaces, traffic, cleaning, pedestrian areas, visitor flow and conservation of monuments, museums and buildings. Design/methodology/approach A survey was applied in the historical Porto city centre (Portugal) to understand residents’ and visitors’ perceptions of the city landscape and assess the differences between these two groups. Cronbach’s alpha was used to assess the reliability of the constructs (dimensions) of urban landscape. Non-parametric Mann-Whitney test was used to find significant differences in the perceptions of residents and visitors. Findings The results suggest significant differences in the perceptions. Residents value more two constructs of the landscape (heritage conservation and transport mobility) whilst visitors value more other two (pedestrian mobility and aesthetic quality). It is showed that residents have a strong sense of place and are concerned with the conservation of historical heritage. Visitors are more concerned with dimensions intrinsically related to tourism. Originality/value This research allowed to fill a gap found in the literature, namely, the importance of considering the perceptions of different actors in the urban landscape monitoring. These results are an important contribution for local authorities to understand the value of urban landscape elements from the perspective of residents and visitors. This study opened the possibility of comparing the results from different historical cities centres.


Sign in / Sign up

Export Citation Format

Share Document