scholarly journals THE INNOCENCE OF JACQUES-PIERRE BRISSOT

2003 ◽  
Vol 46 (4) ◽  
pp. 843-871 ◽  
Author(s):  
SIMON BURROWS

Even during his lifetime, the French revolutionary Girondin leader Jacques-Pierre Brissot de Warville's reputation was tarnished by allegations that, before 1789, he was a swindler, police spy, and political pornographer. These charges resurfaced in 1968 in a celebrated article by Robert Darnton, which found miscellaneous, fragmentary evidence to support them, above all in the papers of the pre-revolutionary police chief, Lenoir. Although Darnton's view has been challenged by several historians, no critic has supplied any substantive new evidence, and hence the Brissot debate remains mired in assertions and counter-assertions. This article finally offers such evidence, drawing both on Darnton's main source, the Lenoir papers, and on sources unavailable to him in 1968, notably records of Brissot's Licée de Londres and his embastillement, now on deposit in the Archives Nationales. While acquiting Brissot on all counts, it finds that Darnton's suspicions were not entirely unfounded. Brissot did have compromising links to both police and political pornographers. Nevertherless, allegations that he spied and wrote scandalous pamphlets appear malicious, despite Brissot's arrest on the latter charge in 1784. The article also attempts to explain Brissot's motivations and the lasting implications of his arrest and persecution in shaping Brissot and the French Revolution.

2018 ◽  
Vol 15 (2) ◽  
pp. 207-226
Author(s):  
Maciej Junkiert

This article aims to examine the Polish literary reception of the French Revolution during the period of Romanticism. Its main focus is on how Polish writers displaced their more immediate experiences of revolutionary events onto a backdrop of ‘ancient revolutions’, in which revolution was described indirectly by drawing on classical traditions, particularly the history of ancient Greeks and Romans. As this classical tradition was mediated by key works of German and French thinkers, this European context is crucial for understanding the literary strategies adopted by Polish authors. Three main approaches are visible in the Polish reception, and I will illustrate them using the works of Zygmunt Krasiński (1812–1859), Juliusz Słowacki (1809–1849) and Cyprian Norwid (1821–1883). My comparative study will be restricted to four works: Krasiński's Irydion and Przedświt (Predawn), Słowacki's Agezylausz (Agesilaus) and Norwid's Quidam.


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