Music and theology in the European Reformations. Edited by David J. Burn, Grantley McDonald, Joseph Verheyden and Peter De Mey. (Centre d’études supérieures de la Renaissance. Collection Épitome musical.) Pp. 500 incl. 33 figs, 31 tables and 10 music examples. Turnhout: Brepols, 2019. €100. 978 2 503 58226 9

2020 ◽  
Vol 72 (1) ◽  
pp. 174-176
Author(s):  
Eleanor Hedger
Keyword(s):  
2018 ◽  
Vol 22 (3) ◽  
pp. 335-345
Author(s):  
Namji Kim
Keyword(s):  

Theology ◽  
1986 ◽  
Vol 89 (727) ◽  
pp. 43-43
Author(s):  
Nick Jowett
Keyword(s):  

2010 ◽  
Vol 4 (4) ◽  
pp. 410-425 ◽  
Author(s):  
Robin Gill

AbstractThis article argues that music may be an effective but under-explored metaphor for public theology. Specifically music can act as a helpful metaphor for theologians seeking to respond to three dominant criticisms of public theology, namely: that theology is too particularistic to be relevant to public discourse; that theology (and religion more widely) is harmful and dangerous especially after 9/11; that theology offers nothing that is objective to public discourse. The article responds to these criticisms by pointing out that they can be applied to public music too, but that the world would be impoverished if music (and theology) were simply to be eliminated.


2016 ◽  
Vol 71 (1) ◽  
pp. 7-12
Author(s):  
Don E. Saliers ◽  
Emily A. Saliers

When we reflect on music and theology, we find that questions about God and religious practice are also questions about deep human emotions: awe, wonder, fear, grief, sorrow, confusion, joy, hope, gratitude, and ecstatic praise. Music can sound the language of the heart before God and neighbor, into mystery and suffering.


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