The Tragic Mulatto and Passing

Author(s):  
Emily Clark
Keyword(s):  
Callaloo ◽  
1978 ◽  
pp. 68
Author(s):  
Alvin Aubert
Keyword(s):  

1955 ◽  
Vol 16 (2) ◽  
pp. 195 ◽  
Author(s):  
Arthur P. Davis

Author(s):  
Timothy M. Robinson

Octavia Butler’s Fledgling (2005) chronicles the story of Shori Matthews, a 53-year-old vampire who looks like a 10-year-old black girl. Shori awakens with amnesia and physical scarring as a result of an attack from unknown assailants. While healing, she is hunted by clandestine factions of white-skinned vampires called the Ina. Shori later discovers that she is a product of amalgamated Ina and human blood. This chapter argues that Shori is a tragic mulatto figure in the vein of characters in novels like Iola Leroy, Incidents in the Life of a Slave Girl,Our Nig, and Clotelle but written in the genre of science fiction and fantasy. The novel seems especially concerned with effects of familial and cultural devastation, trauma, miscegenation and xenophobia. While these are primary concerns of the slave narrative, these elements are also reflective of oppressive forces in modern societies that continue to play out master-slave relationships, often in concealed ways.


2010 ◽  
Vol 65 (1) ◽  
pp. 1-37 ◽  
Author(s):  
Marlene L. Daut

Marlene L. Daut, "'Sons of White Fathers': Mulatto Vengeance and the Haitian Revolution in Victor Sééjour's 'The Mulatto'"(pp. 1––37) Although many literary critics have traced the genealogy of the tragic mulatto/a to nineteenth-century U.S. letters, in this essay I argue that the theme of tragedy and the mixed-race character predates the mid-nineteenth-century work of Lydia Maria Child and William Wells Brown and cannot be considered a solely U.S. American concept. The image can also be traced to early-nineteenth-century French colonial literature, where the trope surfaced in conjunction with the image of the Haitian Revolution as a bloody race war. Through a reading of the Louisiana-born Victor Sééjour's representation of the Haitian Revolution, "Le Mulââtre" or "The Mulatto," originally composed in French and first published in Paris in 1837, this essay considers the implications of the conflation of the literary history of the tragic mulatto/a with the literary history of the Haitian Revolution in one of the first short stories written by an American author of African descent.


2017 ◽  
Vol 42 (4) ◽  
pp. 645-665 ◽  
Author(s):  
Sheena K. Gardner ◽  
Matthew W. Hughey
Keyword(s):  

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