2. Paris

Author(s):  
David Weir

The decline of Rome held special relevance for the French because the architects of the French Revolution took Republican Rome as their model of governance. The work of the traditionalist critic Désiré Nisard, who compared the poetry of the decadent Romans to that of his romantic contemporaries, and the art of Thomas Couture are first considered. The writings of Baudelaire, Théophile Gautier, Joris-Karl Huysmans, and Marguerite Eymery Vallette (who wrote under the pen-name Rachilde) are also discussed. Their decadence was mostly confined to the literature they wrote. Such cultural decadence is typical of the Parisian variant during the 1880s.

2018 ◽  
Vol 15 (2) ◽  
pp. 207-226
Author(s):  
Maciej Junkiert

This article aims to examine the Polish literary reception of the French Revolution during the period of Romanticism. Its main focus is on how Polish writers displaced their more immediate experiences of revolutionary events onto a backdrop of ‘ancient revolutions’, in which revolution was described indirectly by drawing on classical traditions, particularly the history of ancient Greeks and Romans. As this classical tradition was mediated by key works of German and French thinkers, this European context is crucial for understanding the literary strategies adopted by Polish authors. Three main approaches are visible in the Polish reception, and I will illustrate them using the works of Zygmunt Krasiński (1812–1859), Juliusz Słowacki (1809–1849) and Cyprian Norwid (1821–1883). My comparative study will be restricted to four works: Krasiński's Irydion and Przedświt (Predawn), Słowacki's Agezylausz (Agesilaus) and Norwid's Quidam.


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